Jean-Louis Comolli
- Economics and Econometrics
- Sociology and Political Science
- Visual Arts and Performing Arts top 5%
- History top 5%
- Literature and Literary Theory
- Topics
- Cinema and Media Studies (5 papers)French Historical and Cultural Studies (4 papers)Italian Fascism and Post-war Society (2 papers)
- Partner nations
- United KingdomFrance
In The Last Decade
Jean-Louis Comolli
16 papers receiving 63 citations
Peers
Comparison fields: 5 of 34
- Economics and Econometrics 55
- Sociology and Political Science 39
- Visual Arts and Performing Arts 31
- History 28
- Literature and Literary Theory 20
Countries citing papers authored by Jean-Louis Comolli
This map shows the geographic impact of Jean-Louis Comolli's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jean-Louis Comolli with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jean-Louis Comolli more than expected).
Fields of papers citing papers by Jean-Louis Comolli
This network shows the impact of papers produced by Jean-Louis Comolli. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jean-Louis Comolli. The network helps show where Jean-Louis Comolli may publish in the future.
Co-authorship network of co-authors of Jean-Louis Comolli
This figure shows the co-authorship network connecting the top 25 collaborators of Jean-Louis Comolli. A scholar is included among the top collaborators of Jean-Louis Comolli based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Jean-Louis Comolli. Jean-Louis Comolli is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 0 | |
| 2 | 0 | |
| 3 | A última dança: como ser espectador de Memory of the camps | 1 |
| 4 | 8 | |
| 5 | Corps et cadre : cinéma, éthique, politique, 2004-2010 | 3 |
| 6 | 1 | |
| 7 | Cinéma contre spectacle ; suivi de Technique et idéologie (1971-1972) | 0 |
| 8 | 1 | |
| 9 | 2 | |
| 10 | 1 | |
| 11 | Voir et pouvoir : l'innocence perdue : cinéma, télévision, fiction, documentaire | 3 |
| 12 | 0 | |
| 13 | Pour un cinema pauvre | 0 |
| 14 | 3 | |
| 15 | Arrêt Sur Histoire | 1 |
| 16 | Dictionnaire du jazz | 4 |
| 17 | 26 | |
| 18 | 13 | |
| 19 | 3 | |
| 20 | 6 |
About Jean-Louis Comolli
Jean-Louis Comolli is a scholar working on Visual Arts and Performing Arts, History and Urban Studies, having authored 25 papers that have together received 121 indexed citations. Recurring topics across this work include Cinema and Media Studies (5 papers), French Historical and Cultural Studies (4 papers) and Italian Fascism and Post-war Society (2 papers). The work is most often cited by research in Visual Arts and Performing Arts (31 citations), History (28 citations) and Economics and Econometrics (55 citations). Jean-Louis Comolli has collaborated with scholars based in United Kingdom and France. Frequent co-authors include Annette Michelson, Jacques Rancière and Gérard Althabe. Their work appears in journals such as SHILAP Revista de lepidopterología, Screen and October.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.