Janet Schmalfeldt
- Music top 0.5%
- Musicology and Musical Analysis 15
- Diverse Musicological Studies 4
- Diverse Music Education Insights 2
- Music History and Culture 2
- Cognitive Neuroscience top 10%
- Neuroscience and Music Perception 6
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- Music Technology and Sound Studies 5
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- Music and Audio Processing 1
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- Translation Studies and Practices 2
- Journals
- Journal of Music Theory (2 papers)Music Theory Spectrum (2 papers)Music Analysis (4 papers)
- Partner nations
- United States
In The Last Decade
Janet Schmalfeldt
10 papers receiving 90 citations
Peers
Comparison fields: 5 of 24
- Music 189
- Cognitive Neuroscience 129
- Computer Vision and Pattern Recognition 70
- Signal Processing 22
- Literature and Literary Theory 14
Countries citing papers authored by Janet Schmalfeldt
This map shows the geographic impact of Janet Schmalfeldt's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Janet Schmalfeldt with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Janet Schmalfeldt more than expected).
Fields of papers citing papers by Janet Schmalfeldt
This network shows the impact of papers produced by Janet Schmalfeldt. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Janet Schmalfeldt. The network helps show where Janet Schmalfeldt may publish in the future.
Co-authorship network
The 4 scholars most cited alongside Janet Schmalfeldt, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2022 | 1 | |
| 2 | 2020 | 1 | |
| 3 | 2019 | 1 | |
| 4 | 2017 | 1 | |
| 5 | 2016 | 0 | |
| 6 | Beethoven’s “violation”: his cadenza for the first movement of Mozart’s D-Minor Piano Concerto | 2015 | 0 |
| 7 | In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music | 2011 | 56 |
| 8 | 2010 | 1 | |
| 9 | 2010 | 3 | |
| 10 | 2009 | 2 | |
| 11 | 2005 | 1 | |
| 12 | 2004 | 0 | |
| 13 | 2001 | 6 | |
| 14 | 1998 | 0 | |
| 15 | 1992 | 58 | |
| 16 | 1991 | 35 | |
| 17 | 1990 | 0 | |
| 18 | 1986 | 10 | |
| 19 | 1985 | 39 | |
| 20 | 1985 | 3 |
About Janet Schmalfeldt
Janet Schmalfeldt is a scholar working on Music, Cognitive Neuroscience and Computer Vision and Pattern Recognition, having authored 20 papers that have together received 218 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (15 papers), Neuroscience and Music Perception (6 papers), Music Technology and Sound Studies (5 papers), Diverse Musicological Studies (4 papers), Diverse Music Education Insights (2 papers), Translation Studies and Practices (2 papers), Music History and Culture (2 papers) and Music and Audio Processing (1 paper). The work is most often cited by research in Music (189 citations), Cognitive Neuroscience (129 citations) and Computer Vision and Pattern Recognition (70 citations). Janet Schmalfeldt has collaborated with scholars based in United States. Frequent co-authors include Stefan Kostka, Scott Burnham, Jim Samson and John Neubauer. Their work appears in journals such as Journal of Music Theory, Music Theory Spectrum and Music Analysis.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.