Walter Everett
Impact in
- Music top 1%
- Music History and Culture
- Musicology and Musical Analysis
- Diverse Musicological Studies
- Theater, Performance, and Music History
-
- Neuroscience and Music Perception
Papers in
- Music 10
- Music History and Culture 9
- Diverse Musicological Studies 3
- Musicology and Musical Analysis 3
- Co-authors
- Ian Inglis (1 shared paper)Gary Burns (1 shared paper)Kenneth Womack (1 shared paper)Sheila Whiteley (1 shared paper)Dave Laing (1 shared paper)
- Journals
- Music Theory Online (2 papers)Genre (1 paper)Music Analysis (1 paper)Contemporary Music Review (1 paper)Popular Music (1 paper)
- Partner nations
- United States
In The Last Decade
Walter Everett
11 papers receiving 74 citations
Peers
Comparison fields: 5 of 24
- Music 122
- Cognitive Neuroscience 49
- Computer Vision and Pattern Recognition 44
- Signal Processing 23
- Literature and Literary Theory 16
Countries citing papers authored by Walter Everett
This map shows the geographic impact of Walter Everett's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Walter Everett with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Walter Everett more than expected).
Fields of papers citing papers by Walter Everett
This network shows the impact of papers produced by Walter Everett. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Walter Everett. The network helps show where Walter Everett may publish in the future.
Co-authors
The 5 scholars most cited alongside Walter Everett, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | The Beatles as Musicians: The Quarry Men Through Rubber Soul | 1999 | 42 |
| 2 | 2008 | 31 | |
| 3 | The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes" | 2008 | 30 |
| 4 | 1986 | 11 | |
| 5 | 2000 | 8 | |
| 6 | 1990 | 7 | |
| 7 | 2004 | 6 | |
| 8 | 2009 | 5 | |
| 9 | 2004 | 4 | |
| 10 | 2010 | 4 | |
| 11 | 2001 | 1 | |
| 12 | 2001 | 1 | |
| 13 | 2020 | 0 | |
| 14 | 2020 | 0 |
About Walter Everett
Walter Everett is a scholar working on Music, Communication, Literature and Literary Theory, Philosophy and Sociology and Political Science, having authored 14 papers that have together received 150 indexed citations. Recurring topics across this work include Music History and Culture (9 papers), Diverse Musicological Studies (3 papers), Musicology and Musical Analysis (3 papers), Gender, Feminism, and Media (1 paper), American and British Literature Analysis (1 paper), Social and Cultural Studies (1 paper), Samuel Beckett and Modernism (1 paper) and Poetry Analysis and Criticism (1 paper). The work is most often cited by research in Music (122 citations), Cognitive Neuroscience (49 citations), Computer Vision and Pattern Recognition (44 citations), Signal Processing (23 citations) and Literature and Literary Theory (16 citations). Walter Everett has collaborated with scholars based in United States. Frequent co-authors include Ian Inglis, Gary Burns, Kenneth Womack, Sheila Whiteley and Dave Laing. Their work appears in journals such as Music Theory Online, Genre, Music Analysis, Contemporary Music Review and Popular Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.