Haruhiro Katayose
About
In The Last Decade
Haruhiro Katayose
58 papers receiving 385 citations
Peers
Comparison fields: 5 of 72
- Signal Processing 249
- Computer Vision and Pattern Recognition 243
- Cognitive Neuroscience 146
- Artificial Intelligence 85
- Human-Computer Interaction 52
Countries citing papers authored by Haruhiro Katayose
This map shows the geographic impact of Haruhiro Katayose's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Haruhiro Katayose with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Haruhiro Katayose more than expected).
Fields of papers citing papers by Haruhiro Katayose
This network shows the impact of papers produced by Haruhiro Katayose. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Haruhiro Katayose. The network helps show where Haruhiro Katayose may publish in the future.
Co-authorship network of co-authors of Haruhiro Katayose
This figure shows the co-authorship network connecting the top 25 collaborators of Haruhiro Katayose. A scholar is included among the top collaborators of Haruhiro Katayose based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Haruhiro Katayose. Haruhiro Katayose is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 14 | |
| 2 | VirtualPhilharmony: a conducting system focused on a sensation of conducting a real orchestra | 0 |
| 3 | Frontiers of Music Information Processing Technologies: Music in Our Brain | 1 |
| 4 | 4 | |
| 5 | A study on musical characteristics that distinguish different musicians | 1 |
| 6 | Measurement of Brain Activity while listening to Minimal Music | 2 |
| 7 | Music Genre Classification from Base-Part using SOM | 2 |
| 8 | RENCON: toward a new evaluation system for performance rendering systems | 5 |
| 9 | Scat Generation Research Program Based on STRAIGHT, a High-quality Speech Analysis Modification and Synthesis System | 3 |
| 10 | Identification of Music Performance Rules Based on Iterated Multiple Regression Analysis | 2 |
| 11 | Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis | 6 |
| 12 | 3 | |
| 13 | A Structural Analysis Tool for Expressive Performance | 2 |
| 14 | An environment for interactive art-sensor integration and applications | 1 |
| 15 | Sensor Integration for Interactive Digital Art | 1 |
| 16 | A Compositional Environment with Intersection and Interaction between Musical Model and Graphical Model: 'Listen to the Graphics, Watch the Music' | 8 |
| 17 | Gesture Sensor in Virtual Performer | 2 |
| 18 | Pegasus-2: Real-Time Composing Environment with Chaotic Interaction Model | 5 |
| 19 | The Kansei Music System ’90 | 2 |
| 20 | Music Interpreter in the Kansei Music System. | 3 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.