Kia Ng
Impact in
- Human-Computer Interaction top 5%
- Interactive and Immersive Displays
- Music top 5%
- Diverse Music Education Insights
Papers in
- Music 12
- Diverse Music Education Insights 9
-
- Music and Audio Processing 22
- Co-authors
- Jonathan P. BowenPaolo NesiTillman WeydeOliver LarkinV. SequeiraJ.G.M. GonçalvesDavid HoggHazem Hiary
- Journals
- Journal of New Music Research (1 paper)Journal of Visual Languages & Computing (1 paper)International Journal on Digital Libraries (1 paper)Computer Music Journal (1 paper)Organised Sound (1 paper)
- Partner nations
- United KingdomItalyGermany
In The Last Decade
Kia Ng
58 papers receiving 290 citations
Peers
Comparison fields: 5 of 61
- Human-Computer Interaction 57
- Music 30
- Computer Vision and Pattern Recognition 197
- Signal Processing 98
- Cognitive Neuroscience 96
Countries citing papers authored by Kia Ng
This map shows the geographic impact of Kia Ng's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Kia Ng with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Kia Ng more than expected).
Fields of papers citing papers by Kia Ng
This network shows the impact of papers produced by Kia Ng. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Kia Ng. The network helps show where Kia Ng may publish in the future.
Co-authors
The 25 scholars most cited alongside Kia Ng, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | EVA London 2015 - Electronic Visualisation and the Arts | 2015 | 20 |
| 2 | 2015 | 1 | |
| 3 | Proceedings of the 1st International Conference on Live Coding | 2015 | 1 |
| 4 | Multimodal Feature Matching for Event Synchronization. | 2013 | 1 |
| 5 | Mconduct: transcending Domains and Distributed Performance. | 2012 | 4 |
| 6 | Music via Motion: A distributed framework for interactive multimedia performance . | 2011 | 1 |
| 7 | Interactive Multimedia Performance Technology Augmented Stage. | 2011 | 0 |
| 8 | Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And Breathing. | 2010 | 1 |
| 9 | I-MAESTRO: TECHNOLOGY-ENHANCED LEARNING FOR MUSIC | 2009 | 5 |
| 10 | 3D motion data analysis and visualisation for technology-enhanced learning and heritage preservation | 2009 | 8 |
| 11 | Motion Capture, Analysis and Feedback to Support Learning Conducting. | 2009 | 1 |
| 12 | An Augmented Snare Drum | 2009 | 1 |
| 13 | ONTOLOGY MANAGEMENT FOR PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES | 2008 | 2 |
| 14 | Distributed Interactive Multimedia for Technology-enhanced Learning and Automated Content Production and Distribution. | 2008 | 0 |
| 15 | Interactive Multimedia Technology-Enhanced Learning for Music with i-Maestro | 2008 | 1 |
| 16 | A Systemic Approach to Music Performance Learning with Multimodal Technology Support | 2007 | 8 |
| 17 | Cooperative Multimedia Environments for Technology-Enhanced Music Playing and Learning with 3D Posture and Gesture Supports | 2006 | 0 |
| 18 | In transit or realising one's aesthetic when the technology finally catches up. | 2003 | 0 |
| 19 | Notation and 3D Animation of Dance Movement | 2002 | 1 |
| 20 | Embracing the Composer: Optical Recognition of Handwritten Manuscripts | 1999 | 10 |
About Kia Ng
Kia Ng is a scholar working on Music, Signal Processing, Computer Vision and Pattern Recognition, Geology and Human-Computer Interaction, having authored 69 papers that have together received 320 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (29 papers), Music and Audio Processing (22 papers), Tactile and Sensory Interactions (11 papers), Diverse Music Education Insights (9 papers), Human Motion and Animation (8 papers), 3D Surveying and Cultural Heritage (7 papers), Video Analysis and Summarization (6 papers) and Interactive and Immersive Displays (6 papers). The work is most often cited by research in Human-Computer Interaction (57 citations), Music (30 citations), Computer Vision and Pattern Recognition (197 citations), Signal Processing (98 citations) and Cognitive Neuroscience (96 citations). Kia Ng has collaborated with scholars based in United Kingdom, Italy and Germany. Frequent co-authors include Jonathan P. Bowen, Paolo Nesi, Tillman Weyde, Oliver Larkin, V. Sequeira, J.G.M. Gonçalves, David Hogg, Hazem Hiary, Suzanne Keene and David Cooper. Their work appears in journals such as Journal of New Music Research, Journal of Visual Languages & Computing, International Journal on Digital Libraries, Computer Music Journal and Organised Sound.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.