Harold Osborne
- Visual Arts and Performing Arts top 1%
- Cognitive Neuroscience
- Experimental and Cognitive Psychology top 10%
- Social Psychology
- Sociology and Political Science
- Co-authors
- Rudolf ArnheimRobert Plant ArmstrongHarold J. McWhinnieElmer H. DuncanAllan ShieldsStephen C. PepperRussell H. FitzgibbonPaul Kurtz
- Topics
- Aesthetic Perception and Analysis (9 papers)Art, Politics, and Modernism (6 papers)Visual Culture and Art Theory (6 papers)
In The Last Decade
Harold Osborne
52 papers receiving 324 citations
Peers
Comparison fields: 5 of 108
- Visual Arts and Performing Arts 98
- Cognitive Neuroscience 95
- Experimental and Cognitive Psychology 89
- Social Psychology 64
- Sociology and Political Science 61
Countries citing papers authored by Harold Osborne
This map shows the geographic impact of Harold Osborne's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Harold Osborne with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Harold Osborne more than expected).
Fields of papers citing papers by Harold Osborne
This network shows the impact of papers produced by Harold Osborne. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Harold Osborne. The network helps show where Harold Osborne may publish in the future.
Co-authorship network of co-authors of Harold Osborne
This figure shows the co-authorship network connecting the top 25 collaborators of Harold Osborne. A scholar is included among the top collaborators of Harold Osborne based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Harold Osborne. Harold Osborne is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | Simplicity is the best medicine for compliance information. Eight basic steps help improve employee comprehension. | 2 |
| 2 | 11 | |
| 3 | 9 | |
| 4 | 3 | |
| 5 | 6 | |
| 6 | "The Dialogic Imagination": M. M. Bakhtin | 11 |
| 7 | 0 | |
| 8 | 23 | |
| 9 | 1 | |
| 10 | 1 | |
| 11 | 4 | |
| 12 | 13 | |
| 13 | 0 | |
| 14 | 1 | |
| 15 | 1 | |
| 16 | 2 | |
| 17 | 7 | |
| 18 | 2 | |
| 19 | 1 | |
| 20 | Theory of beauty : an introduction to aesthetics | 8 |
About Harold Osborne
Harold Osborne is a scholar working on Visual Arts and Performing Arts, Architecture and Museology, having authored 68 papers that have together received 477 indexed citations. Recurring topics across this work include Aesthetic Perception and Analysis (9 papers), Art, Politics, and Modernism (6 papers) and Visual Culture and Art Theory (6 papers). The work is most often cited by research in Visual Arts and Performing Arts (98 citations), Archeology (11 citations) and Architecture (12 citations). Frequent co-authors include Rudolf Arnheim, Robert Plant Armstrong, Harold J. McWhinnie, Elmer H. Duncan, Allan Shields, Stephen C. Pepper, Russell H. Fitzgibbon, Paul Kurtz, Jerome Stolnitz and Peter J. McCormick. Their work appears in journals such as The Philosophical Review, Computers & Mathematics with Applications and Philosophy and Phenomenological Research.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.