Gary S. Kendall
About
In The Last Decade
Gary S. Kendall
34 papers receiving 256 citations
Peers
Comparison fields: 5 of 48
- Cognitive Neuroscience 202
- Signal Processing 187
- Computer Vision and Pattern Recognition 163
- Experimental and Cognitive Psychology 57
- Speech and Hearing 41
Countries citing papers authored by Gary S. Kendall
This map shows the geographic impact of Gary S. Kendall's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Gary S. Kendall with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Gary S. Kendall more than expected).
Fields of papers citing papers by Gary S. Kendall
This network shows the impact of papers produced by Gary S. Kendall. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Gary S. Kendall. The network helps show where Gary S. Kendall may publish in the future.
Co-authorship network of co-authors of Gary S. Kendall
This figure shows the co-authorship network connecting the top 25 collaborators of Gary S. Kendall. A scholar is included among the top collaborators of Gary S. Kendall based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Gary S. Kendall. Gary S. Kendall is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 6 | |
| 2 | 11 | |
| 3 | SOUND SYNTHESIS WITH AUDITORY DISTORTION PRODUCTS | 1 |
| 4 | Why things don't work: What you need to know about spatial audio | 7 |
| 5 | 16 | |
| 6 | 22 | |
| 7 | WHAT IS AN EVENT? The EVENT Schema, Circumstances, Metaphor And Gist | 6 |
| 8 | 7 | |
| 9 | THE ARTISTIC PLAY OF SPATIAL ORGANIZATION: SPATIAL ATTRIBUTES, SCENE ANALYSIS AND AUDITORY SPATIAL SCHEMATA | 4 |
| 10 | 11 | |
| 11 | Fuzzy Logic Control Tool Kit: Real-time Fuzzy Control for Max/MSP and Pd | 4 |
| 12 | Juxtaposition and Non-Motion: Varese Bridges Modernism and Electroacoustic Music | 0 |
| 13 | The Effects of Multi-Channel Signal Decorrelation in Audio Reproduction | 6 |
| 14 | Directional Sound Processing in Stereo Reproduction | 1 |
| 15 | Spatial Sound Processor for Headphone and Loudspeaker Reproduction | 1 |
| 16 | Spatial reverberation: discussion and demonstration | 5 |
| 17 | Image Model Reverberation from Recirculating Delays | 6 |
| 18 | 1 | |
| 19 | A Network Sound System for UNIX | 2 |
| 20 | Simulating the Cues of Spatial Hearing in Natural Environments | 28 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.