Erika Doss

1.1k total citations
52 papers, 524 citations indexed

About

Erika Doss is a scholar working on Visual Arts and Performing Arts, History and Sociology and Political Science. According to data from OpenAlex, Erika Doss has authored 52 papers receiving a total of 524 indexed citations (citations by other indexed papers that have themselves been cited), including 23 papers in Visual Arts and Performing Arts, 14 papers in History and 11 papers in Sociology and Political Science. Recurrent topics in Erika Doss's work include Art, Politics, and Modernism (16 papers), Art History and Market Analysis (7 papers) and Photography and Visual Culture (7 papers). Erika Doss is often cited by papers focused on Art, Politics, and Modernism (16 papers), Art History and Market Analysis (7 papers) and Photography and Visual Culture (7 papers). Erika Doss collaborates with scholars based in United States and Netherlands. Erika Doss's co-authors include Barbara Melosh, Nathalie Heinich, Wendy Kozol, Jan Rosenberg and Terry A. Cooney and has published in prestigious journals such as Contemporary Sociology A Journal of Reviews, The American Historical Review and Journal of American History.

In The Last Decade

Erika Doss

36 papers receiving 377 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Erika Doss United States 12 190 174 94 75 75 52 524
Nancy K. Miller United States 14 248 1.3× 100 0.6× 74 0.8× 111 1.5× 75 1.0× 63 736
Alison Landsberg United States 8 303 1.6× 345 2.0× 53 0.6× 122 1.6× 92 1.2× 14 678
Lee Bernstein United States 5 234 1.2× 216 1.2× 35 0.4× 86 1.1× 63 0.8× 9 475
Jonathan Crewe United States 7 223 1.2× 138 0.8× 40 0.4× 97 1.3× 59 0.8× 31 551
Susan Rubín Suleiman United States 14 197 1.0× 95 0.5× 54 0.6× 114 1.5× 98 1.3× 75 648
Susannah Radstone United Kingdom 14 343 1.8× 323 1.9× 32 0.3× 111 1.5× 67 0.9× 31 703
Leigh Gilmore United States 12 306 1.6× 87 0.5× 77 0.8× 95 1.3× 103 1.4× 41 717
Carla Freccero United States 8 187 1.0× 63 0.4× 31 0.3× 93 1.2× 31 0.4× 33 428
Jonathan Dollimore United Kingdom 11 328 1.7× 91 0.5× 78 0.8× 170 2.3× 92 1.2× 29 949
Sue‐Ellen Case United States 10 259 1.4× 92 0.5× 183 1.9× 53 0.7× 76 1.0× 33 717

Countries citing papers authored by Erika Doss

Since Specialization
Citations

This map shows the geographic impact of Erika Doss's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Erika Doss with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Erika Doss more than expected).

Fields of papers citing papers by Erika Doss

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Erika Doss. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Erika Doss. The network helps show where Erika Doss may publish in the future.

Co-authorship network of co-authors of Erika Doss

This figure shows the co-authorship network connecting the top 25 collaborators of Erika Doss. A scholar is included among the top collaborators of Erika Doss based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Erika Doss. Erika Doss is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Doss, Erika. (2018). Grant Wood’s Queer Parody: American Humor during the Great Depression. Winterthur Portfolio. 52(1). 3–45. 1 indexed citations
2.
Doss, Erika. (2018). The Elephant in the Room: Prejudicial Public Art and Cultural Vandalism. de arte. 53(2-3). 4–30. 1 indexed citations
3.
Doss, Erika. (2014). Public Art, Public Response: Negotiating Civic Shame in Duluth, Minnesota. Indiana Magazine of History. 110(1). 40–40. 1 indexed citations
4.
Doss, Erika. (2012). Nighthawks y el cine negro. 26–28.
5.
6.
Doss, Erika. (2011). The Emotional Life of Contemporary Public Memorials. Data Archiving and Networked Services (DANS). 59 indexed citations
7.
Doss, Erika. (2011). Artists in Hollywood: Thomas Hart Benton and Nathanael West Picture America's Dream Dump. 7(1). 9.
8.
Doss, Erika. (2009). Action, Agency, Affect: Thomas Hart Benton's Hoosier History. Indiana Magazine of History.
9.
Doss, Erika. (2006). Spontaneous Memorials and Contemporary Modes of Mourning in America. Material Religion. 2(3). 294–318. 6 indexed citations
10.
Doss, Erika. (2002). Thomas Hart Benton and the Indiana Murals by Kathleen A. Foster, Nanette Esseck Brewer, and Margaret Contompasis. Indiana Magazine of History.
11.
12.
13.
Doss, Erika. (2002). Twentieth-Century American Art. Medical Entomology and Zoology. 19 indexed citations
14.
Doss, Erika. (2002). Looking at Labor: Images of Work in 1930s American Art. 24. 230–230. 1 indexed citations
15.
Doss, Erika. (2001). Looking at Life Magazine. Medical Entomology and Zoology. 22 indexed citations
16.
Doss, Erika. (1999). Elvis culture : fans, faith, & image. University Press of Kansas eBooks. 19 indexed citations
17.
Doss, Erika. (1997). The Power of Elvis. American Art. 11(2). 4–7. 3 indexed citations
18.
Heinich, Nathalie & Erika Doss. (1996). Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities.. Contemporary Sociology A Journal of Reviews. 25(5). 683–683. 23 indexed citations
19.
Doss, Erika. (1983). Images of American Women in the 1930s: Reginald Marsh and "Paramount Picture". Woman s Art Journal. 4(2). 1–1. 2 indexed citations
20.
Doss, Erika. (1982). Borrowing Regionalism: Advertising's use of American Art in the 1930s and 40s. Journal of American Culture. 5(4). 10–19. 2 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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