Desmond Sergeant

865 total citations
27 papers, 568 citations indexed

About

Desmond Sergeant is a scholar working on Cognitive Neuroscience, Music and Computer Vision and Pattern Recognition. According to data from OpenAlex, Desmond Sergeant has authored 27 papers receiving a total of 568 indexed citations (citations by other indexed papers that have themselves been cited), including 15 papers in Cognitive Neuroscience, 13 papers in Music and 5 papers in Computer Vision and Pattern Recognition. Recurrent topics in Desmond Sergeant's work include Neuroscience and Music Perception (15 papers), Diverse Music Education Insights (12 papers) and Music and Audio Processing (5 papers). Desmond Sergeant is often cited by papers focused on Neuroscience and Music Perception (15 papers), Diverse Music Education Insights (12 papers) and Music and Audio Processing (5 papers). Desmond Sergeant collaborates with scholars based in United Kingdom, United States and Sweden. Desmond Sergeant's co-authors include Graham Welch, Evangelos Himonides, Carol L. Krumhansl and Adam Ockelford and has published in prestigious journals such as Frontiers in Psychology, Journal of Voice and Music Perception An Interdisciplinary Journal.

In The Last Decade

Desmond Sergeant

26 papers receiving 462 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Desmond Sergeant United Kingdom	15	425	272	142	114	82	27	568
Joel Wapnick Canada	14	489 1.2×	380 1.4×	137 1.0×	87 0.8×	69 0.8×	22	625
Terry L. Gottfried United States	11	355 0.8×	87 0.3×	469 3.3×	192 1.7×	58 0.7×	23	675
Irène Deliège United Kingdom	7	393 0.9×	225 0.8×	134 0.9×	100 0.9×	139 1.7×	15	543
Steven J. Morrison United States	17	530 1.2×	461 1.7×	102 0.7×	108 0.9×	153 1.9×	40	723
Thomas W. Goolsby United States	10	307 0.7×	339 1.2×	88 0.6×	24 0.2×	68 0.8×	14	467
Mary Louise Serafine United States	7	397 0.9×	173 0.6×	99 0.7×	104 0.9×	97 1.2×	16	505
Olivia Ladinig Netherlands	9	598 1.4×	157 0.6×	184 1.3×	190 1.7×	133 1.6×	15	695
Frédérique Faïta France	7	635 1.5×	144 0.5×	209 1.5×	170 1.5×	91 1.1×	7	683
Christine D. Tsang Canada	9	337 0.8×	74 0.3×	113 0.8×	76 0.7×	71 0.9×	14	417
Scott D. Lipscomb United States	12	279 0.7×	114 0.4×	175 1.2×	83 0.7×	92 1.1×	24	451

Countries citing papers authored by Desmond Sergeant

Since Specialization

Citations

This map shows the geographic impact of Desmond Sergeant's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Desmond Sergeant with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Desmond Sergeant more than expected).

Fields of papers citing papers by Desmond Sergeant

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Desmond Sergeant. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Desmond Sergeant. The network helps show where Desmond Sergeant may publish in the future.

Co-authorship network of co-authors of Desmond Sergeant

This figure shows the co-authorship network connecting the top 25 collaborators of Desmond Sergeant. A scholar is included among the top collaborators of Desmond Sergeant based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Desmond Sergeant. Desmond Sergeant is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

20 of 20 papers shown

Sergeant, Desmond & Evangelos Himonides. (2022). Performing sex: The representation of male and female musicians in three genres of music performance. Psychology of Music. 51(1). 188–225. 8 indexed citations

Sergeant, Desmond & Evangelos Himonides. (2019). Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras. Frontiers in Psychology. 10. 1760–1760. 16 indexed citations

Sergeant, Desmond & Evangelos Himonides. (2016). Gender and Music Composition: A Study of Music, and the Gendering of Meanings. Frontiers in Psychology. 7. 411–411. 11 indexed citations

Sergeant, Desmond, et al.. (2016). Pitch Perception and Absolute Pitch in Advanced Performers. 233–262. 1 indexed citations

Sergeant, Desmond & Evangelos Himonides. (2014). Gender and the performance of music. Frontiers in Psychology. 5. 276–276. 16 indexed citations

Sergeant, Desmond, et al.. (2012). SEMPRE: Forty years on. Psychology of Music. 40(5). 523–538. 1 indexed citations

Ockelford, Adam & Desmond Sergeant. (2012). Musical expectancy in atonal contexts: Musicians’ perception of “antistructure”. Psychology of Music. 41(2). 139–174. 23 indexed citations

Sergeant, Desmond & Graham Welch. (2008). Gender Differences in Long-Term Average Spectra of Children's Singing Voices. Journal of Voice. 23(3). 319–336. 26 indexed citations

Sergeant, Desmond & Graham Welch. (2007). Age-Related Changes in Long-Term Average Spectra of Children's Voices. Journal of Voice. 22(6). 658–670. 23 indexed citations

10.

Welch, Graham, et al.. (1997). Age, sex and vocal task as factors in singing ‘in-tune’ during the first years of schooling. Bulletin of the Council for Research in Music Education. 153–160. 33 indexed citations

11.

Welch, Graham, et al.. (1996). The Singing Competencies of Five-Year-Old Developing Singers. Bulletin of the Council for Research in Music Education. 127. 155–162. 28 indexed citations

12.

Sergeant, Desmond, et al.. (1996). Some Observations on the Singing Development of Five‐Year‐Olds*. Early Child Development and Care. 118(1). 27–34. 12 indexed citations

13.

Welch, Graham, et al.. (1988). Some physical characteristics of the male falsetto voice. Journal of Voice. 2(2). 151–163. 14 indexed citations

14.

Krumhansl, Carol L., et al.. (1987). The Perception of Tone Hierarchies and Mirror Forms in Twelve-Tone Serial Music. Music Perception An Interdisciplinary Journal. 5(1). 31–77. 77 indexed citations

15.

Sergeant, Desmond. (1984). A language for auditory space. Early Child Development and Care. 14(1-2). 37–74. 5 indexed citations

16.

Sergeant, Desmond, et al.. (1980). Contextual Influences on Pitch Judgement. Psychology of Music. 8(2). 3–15. 9 indexed citations

17.

Sergeant, Desmond. (1975). Experimental Research in the Psychology of Music: Vol. 9. Journal of Research in Music Education. 23(4). 261–263. 1 indexed citations

18.

Sergeant, Desmond, et al.. (1974). Intelligence, Social Status and Musical Abilities. Psychology of Music. 2(2). 32–57. 47 indexed citations

19.

Sergeant, Desmond, et al.. (1973). Perceptual Shifts in the Auditory Information Processing of Young Children. Psychology of Music. 1(2). 39–48. 49 indexed citations

20.

Sergeant, Desmond. (1973). Measurement of Pitch Discrimination. Journal of Research in Music Education. 21(1). 3–19. 14 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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