Deborah Wong

744 total citations
25 papers, 257 citations indexed

About

Deborah Wong is a scholar working on Music, Cultural Studies and Sociology and Political Science. According to data from OpenAlex, Deborah Wong has authored 25 papers receiving a total of 257 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Music, 9 papers in Cultural Studies and 8 papers in Sociology and Political Science. Recurrent topics in Deborah Wong's work include Music History and Culture (10 papers), Asian Culture and Media Studies (6 papers) and Southeast Asian Sociopolitical Studies (6 papers). Deborah Wong is often cited by papers focused on Music History and Culture (10 papers), Asian Culture and Media Studies (6 papers) and Southeast Asian Sociopolitical Studies (6 papers). Deborah Wong collaborates with scholars based in United States. Deborah Wong's co-authors include Kurt Winkelmann and Patricia Shehan Campbell and has published in prestigious journals such as Journal of Chemical Education, Notes and Ethnomusicology.

In The Last Decade

Deborah Wong

22 papers receiving 138 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Deborah Wong United States 10 129 97 66 42 29 25 257
Ronald M. Radano United States 10 305 2.4× 170 1.8× 83 1.3× 12 0.3× 12 0.4× 23 445
Jason Toynbee United Kingdom 8 207 1.6× 115 1.2× 40 0.6× 17 0.4× 11 0.4× 17 335
Marcia J. Citron United States 8 242 1.9× 50 0.5× 17 0.3× 13 0.3× 36 1.2× 24 338
Jennifer Lynn Stoever Ireland 5 143 1.1× 69 0.7× 34 0.5× 9 0.2× 8 0.3× 11 259
Dominique-René de Lerma 7 107 0.8× 106 1.1× 37 0.6× 9 0.2× 17 0.6× 30 237
Regula Burckhardt Qureshi Canada 11 113 0.9× 145 1.5× 13 0.2× 67 1.6× 40 1.4× 32 301
Noël Burch 9 19 0.1× 105 1.1× 65 1.0× 21 0.5× 9 0.3× 36 336
Eileen Southern United States 12 356 2.8× 201 2.1× 59 0.9× 11 0.3× 28 1.0× 57 523
Barry Keith Grant Canada 6 23 0.2× 65 0.7× 37 0.6× 21 0.5× 8 0.3× 30 225
Robert W. Witkin United Kingdom 6 93 0.7× 98 1.0× 9 0.1× 8 0.2× 35 1.2× 11 265

Countries citing papers authored by Deborah Wong

Since Specialization
Citations

This map shows the geographic impact of Deborah Wong's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Deborah Wong with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Deborah Wong more than expected).

Fields of papers citing papers by Deborah Wong

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Deborah Wong. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Deborah Wong. The network helps show where Deborah Wong may publish in the future.

Co-authorship network of co-authors of Deborah Wong

This figure shows the co-authorship network connecting the top 25 collaborators of Deborah Wong. A scholar is included among the top collaborators of Deborah Wong based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Deborah Wong. Deborah Wong is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Wong, Deborah. (2019). Drumming Through Princess of China: Intercultural Encounters in a Hollywood Music Video. Dialnet (Universidad de la Rioja). 7(1). 74–99. 2 indexed citations
2.
Wong, Deborah. (2015). Ethnomusicology without Erotics. 19(1). 178–185. 5 indexed citations
3.
Winkelmann, Kurt, et al.. (2014). A Study of High School Students’ Performance of a Chemistry Experiment within the Virtual World of Second Life. Journal of Chemical Education. 91(9). 1432–1438. 30 indexed citations
4.
Wong, Deborah. (2014). Sound, Silence, Music: Power. Ethnomusicology. 58(2). 347–353. 10 indexed citations
5.
Wong, Deborah. (2009). An Ethnomusicology of Hope in a Time of Trauma. eScholarship (California Digital Library). 1 indexed citations
6.
7.
Wong, Deborah. (2006). Ethnomusicology and Difference. Ethnomusicology. 50(2). 259–279. 12 indexed citations
8.
Wong, Deborah. (2004). Speak it Louder: Asian Americans Making Music. Medical Entomology and Zoology. 64 indexed citations
9.
Wong, Deborah. (2004). Speak it Louder. 26 indexed citations
10.
Wong, Deborah. (2004). Listening : Ethnomusicology and Performance Studies (The First Seijo International Colloquium of Art Studies : Art as Representation of the World). Medical Entomology and Zoology. 16. 63–86. 1 indexed citations
11.
Wong, Deborah. (2002). Guest Editor's Introduction: A/A: African American-Asian American Cross-Identifications. Journal of Asian American Studies. 5(1). 5–11. 1 indexed citations
12.
Wong, Deborah, et al.. (2001). Sounding the Center: History and Aesthetics in Thai Buddhist Performance. Yearbook for Traditional Music. 33. 172–172. 31 indexed citations
13.
Wong, Deborah. (2000). Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender. eScholarship (California Digital Library). 4 indexed citations
14.
Wong, Deborah. (1999). Ethnomusicology in Thailand - The cultural politics of redefinition and reclamation. Seoul National University Open Repository (Seoul National University). 3 indexed citations
15.
Wong, Deborah. (1998). Mon Music for Thai Deaths: Ethnicity and Status in Thai Urban Funerals. Asian Folklore Studies. 57(1). 99–99. 10 indexed citations
16.
Wong, Deborah. (1998). Running with the Devil: Power, Gender, and Madness in Heavy Metal Music . Robert Walser .. Journal of the American Musicological Society. 51(1). 148–158. 2 indexed citations
17.
Wong, Deborah. (1998). Review: Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser. Journal of the American Musicological Society. 51(1). 148–158. 1 indexed citations
18.
Wong, Deborah, et al.. (1994). "I Want the Microphone": Mass Mediation and Agency in Asian-American Popular Music. TDR/The Drama Review. 38(3). 152–152. 16 indexed citations
19.
Wong, Deborah. (1991). The empowered teacher: Ritual, performance, and epistemology in contemporary Bangkok.. Deep Blue (University of Michigan). 4 indexed citations
20.
Wong, Deborah, et al.. (1991). Threshold to the Sacred: The Overture in Thai and Javanese Ritual Performance. Ethnomusicology. 35(3). 315–315. 9 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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