David Trippett

579 total citations
17 papers, 35 citations indexed

About

David Trippett is a scholar working on Music, Computer Vision and Pattern Recognition and Literature and Literary Theory. According to data from OpenAlex, David Trippett has authored 17 papers receiving a total of 35 indexed citations (citations by other indexed papers that have themselves been cited), including 15 papers in Music, 2 papers in Computer Vision and Pattern Recognition and 2 papers in Literature and Literary Theory. Recurrent topics in David Trippett's work include Musicology and Musical Analysis (12 papers), Diverse Musicological Studies (4 papers) and Theater, Performance, and Music History (4 papers). David Trippett is often cited by papers focused on Musicology and Musical Analysis (12 papers), Diverse Musicological Studies (4 papers) and Theater, Performance, and Music History (4 papers). David Trippett collaborates with scholars based in United Kingdom, Austria and United States. David Trippett's co-authors include Nicholas Cook and has published in prestigious journals such as Musicae Scientiae, 19th-Century Music and Journal of Musicology.

In The Last Decade

David Trippett

11 papers receiving 22 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
David Trippett United Kingdom 4 18 8 5 5 4 17 35
William Ashton Ellis 4 10 0.6× 4 0.5× 10 2.0× 7 1.4× 2 0.5× 6 37
Richard Will United States 5 44 2.4× 6 0.8× 5 1.0× 2 0.5× 11 55
Bernard D. Sherman United Kingdom 4 35 1.9× 13 1.6× 7 1.4× 9 50
Carl Philipp Emanuel Bach 3 27 1.5× 12 1.5× 2 0.4× 2 0.5× 16 34
Richard Wistreich United Kingdom 5 39 2.2× 3 0.4× 2 0.4× 15 49
Simon P. Keefe United Kingdom 4 26 1.4× 8 1.0× 2 0.4× 1 0.3× 19 32
Cliff Eisen United States 4 25 1.4× 5 0.6× 1 0.2× 2 0.4× 22 33
David Fanning United Kingdom 5 31 1.7× 9 1.1× 10 2.0× 1 0.2× 27 48
Simon Trezise Ireland 3 13 0.7× 2 0.3× 2 0.4× 3 19
Herbert Weinstock 5 22 1.2× 2 0.3× 6 1.2× 2 0.4× 3 0.8× 9 45

Countries citing papers authored by David Trippett

Since Specialization
Citations

This map shows the geographic impact of David Trippett's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Trippett with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Trippett more than expected).

Fields of papers citing papers by David Trippett

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David Trippett. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Trippett. The network helps show where David Trippett may publish in the future.

Co-authorship network of co-authors of David Trippett

This figure shows the co-authorship network connecting the top 25 collaborators of David Trippett. A scholar is included among the top collaborators of David Trippett based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with David Trippett. David Trippett is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

17 of 17 papers shown
1.
Trippett, David. (2018). An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited. Journal of the Royal Musical Association. 143(2). 361–432.
2.
Trippett, David. (2017). Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation. The Musical Quarterly. 100(2). 199–261. 3 indexed citations
3.
Trippett, David. (2017). Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation. The Musical Quarterly. 100(2). 199–261.
4.
Trippett, David, et al.. (2016). Cambridge Companion to Music and Digital Culture. Explore Bristol Research. 3 indexed citations
5.
Trippett, David. (2015). Jean-Jacques Nattiez, Analyses et interprétations de la musique: La mélodie du berger dans le Tristan et Isolde de Richard Wagner (Paris: Vrin, 2013). Musicae Scientiae. 19(2).
6.
Trippett, David. (2014). Facing Digital Realities: Where Media Do Not Mix. Cambridge Opera Journal. 26(1). 41–64. 1 indexed citations
7.
Trippett, David. (2013). Marie d’Agoult.
8.
Trippett, David. (2013). Wagner's Melodies. Cambridge University Press eBooks. 5 indexed citations
9.
Trippett, David. (2013). Wagner's Melodies: List of illustrations. 3 indexed citations
10.
Trippett, David. (2013). Wagner’s Melodies. 1 indexed citations
11.
Trippett, David. (2013). Wagner's Melodies: Aesthetics and Materialism in German Musical Identity. Bristol Research (University of Bristol). 5 indexed citations
12.
Trippett, David. (2013). Wagner's Melodies: List of abbreviations. 3 indexed citations
13.
Trippett, David. (2012). Bayreuth in Miniature: Wagner and the Melodramatic Voice. The Musical Quarterly. 95(1). 71–138. 4 indexed citations
14.
Trippett, David. (2010). Wagner Studies and the ‘parallactic drift’. Cambridge Opera Journal. 22(2). 235–255.
15.
Trippett, David. (2009). Richard Wagner and His World. 2 indexed citations
16.
Trippett, David. (2008). Après une Lecture de Liszt:Virtuosity andWerktreuein the “Dante” Sonata. 19th-Century Music. 32(1). 52–93. 3 indexed citations
17.
Trippett, David. (2007). Composing Time: Zeno's Arrow, Hindemith's Erinnerung, and Satie's Instantanéisme. Journal of Musicology. 24(4). 522–580. 2 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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