Simon P. Keefe

684 total citations
19 papers, 32 citations indexed

About

Simon P. Keefe is a scholar working on Music, Political Science and International Relations and Cognitive Neuroscience. According to data from OpenAlex, Simon P. Keefe has authored 19 papers receiving a total of 32 indexed citations (citations by other indexed papers that have themselves been cited), including 19 papers in Music, 4 papers in Political Science and International Relations and 2 papers in Cognitive Neuroscience. Recurrent topics in Simon P. Keefe's work include Musicology and Musical Analysis (19 papers), Diverse Musicological Studies (9 papers) and Historical Influence and Diplomacy (4 papers). Simon P. Keefe is often cited by papers focused on Musicology and Musical Analysis (19 papers), Diverse Musicological Studies (9 papers) and Historical Influence and Diplomacy (4 papers). Simon P. Keefe collaborates with scholars based in United Kingdom, Ireland and United States. Simon P. Keefe's co-authors include Tia DeNora, Arnold Whittall, Cliff Eisen, David Schneider, David Yearsley, Robin Stowell, Timothy Day, Michael Talbot, Richard Maunder and Mark Evan Bonds and has published in prestigious journals such as Notes, Journal of the American Musicological Society and 19th-Century Music.

In The Last Decade

Simon P. Keefe

9 papers receiving 14 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Simon P. Keefe United Kingdom 4 26 8 8 2 2 19 32
Carl Philipp Emanuel Bach 3 27 1.0× 8 1.0× 12 1.5× 2 1.0× 16 34
Cliff Eisen United States 4 25 1.0× 7 0.9× 5 0.6× 1 0.5× 4 2.0× 22 33
Richard Wistreich United Kingdom 5 39 1.5× 7 0.9× 3 0.4× 2 1.0× 4 2.0× 15 49
David Fanning United Kingdom 5 31 1.2× 5 0.6× 9 1.1× 10 5.0× 27 48
Donald Burrows United Kingdom 3 27 1.0× 12 1.5× 1 0.1× 1 0.5× 3 1.5× 30 40
D. Brunner United States 3 13 0.5× 3 0.4× 1 0.5× 2 1.0× 4 15
Alfred Einstein 3 16 0.6× 2 0.3× 7 0.9× 1 0.5× 1 0.5× 12 23
David Trippett United Kingdom 4 18 0.7× 1 0.1× 8 1.0× 5 2.5× 1 0.5× 17 35
Simon Trezise Ireland 3 13 0.5× 2 0.3× 2 1.0× 1 0.5× 3 19
Marc Pincherle 4 23 0.9× 9 1.1× 3 0.4× 4 2.0× 3 1.5× 20 39

Countries citing papers authored by Simon P. Keefe

Since Specialization
Citations

This map shows the geographic impact of Simon P. Keefe's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Simon P. Keefe with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Simon P. Keefe more than expected).

Fields of papers citing papers by Simon P. Keefe

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Simon P. Keefe. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Simon P. Keefe. The network helps show where Simon P. Keefe may publish in the future.

Co-authorship network of co-authors of Simon P. Keefe

This figure shows the co-authorship network connecting the top 25 collaborators of Simon P. Keefe. A scholar is included among the top collaborators of Simon P. Keefe based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Simon P. Keefe. Simon P. Keefe is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

19 of 19 papers shown
1.
2.
Keefe, Simon P.. (2018). Salieri’s Requiem. Early Music. 46(4). 690–691.
3.
Keefe, Simon P.. (2017). Mozart in Vienna: The Final Decade. 1 indexed citations
4.
Keefe, Simon P.. (2017). Mozart in Vienna. Cambridge University Press eBooks. 2 indexed citations
5.
Horton, Julian, John Irving, Mary Sue Morrow, et al.. (2013). The Cambridge Companion to the Symphony. Cambridge University Press eBooks. 5 indexed citations
6.
Keefe, Simon P.. (2012). Mozart's Requiem. Cambridge University Press eBooks. 1 indexed citations
7.
Keefe, Simon P., et al.. (2009). The Cambridge History of Eighteenth-Century Music. Cambridge University Press eBooks. 7 indexed citations
8.
Keefe, Simon P.. (2009). ‘We hardly knew what we should pay attention to first’: Mozart the Performer-Composer at Work on the Viennese Piano Concertos. Journal of the Royal Musical Association. 134(2). 185–242.
9.
10.
Keefe, Simon P.. (2008). “Die Ochsen am Berge”: Franz Xaver Süssmayr and the Orchestration of Mozart's Requiem, K. 626. Journal of the American Musicological Society. 61(1). 1–65. 1 indexed citations
11.
Keefe, Simon P.. (2007). Mozart's Viennese Instrumental Music. Boydell and Brewer eBooks. 1 indexed citations
12.
Keefe, Simon P., Tia DeNora, Michael Talbot, et al.. (2005). The Cambridge Companion to the Concerto. Cambridge University Press eBooks. 6 indexed citations
13.
Keefe, Simon P.. (2003). The "Jupiter" Symphony in C, K. 551: New Perspectives on the Dramatic Finale and its Stylistic Significance in Mozart's Orchestral Euvre. Acta Musicologica. 75(1). 17–44.
14.
Keefe, Simon P., et al.. (2003). The Cambridge Companion to Mozart. Cambridge University Press eBooks. 1 indexed citations
15.
16.
Keefe, Simon P.. (2001). 'An entirely special manner': Mozart's piano concerto No. 14 in E flat, K.449, and the stylistic implications of confrontation. Music and Letters. 82(4). 559–581. 4 indexed citations
17.
Keefe, Simon P.. (2000). Antoine Reicha's "Dialogue": The Emergence of a Theoretical Concept. Acta Musicologica. 72(1). 43–43. 1 indexed citations
18.
Keefe, Simon P.. (1999). The stylistic significance of the first movement of Mozart's piano concerto no. 24 in minor, K. 491: A dialogic apotheosis. Journal of Musicological Research. 18(3). 225–261. 1 indexed citations
19.
Keefe, Simon P., Bernard Harrison, & W. Dean Sutcliffe. (1999). Haydn: The "Paris" Symphonies. Notes. 56(2). 403–403. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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