David Martin‐Jones

610 total citations
41 papers, 227 citations indexed

About

David Martin‐Jones is a scholar working on Economics and Econometrics, Sociology and Political Science and History. According to data from OpenAlex, David Martin‐Jones has authored 41 papers receiving a total of 227 indexed citations (citations by other indexed papers that have themselves been cited), including 18 papers in Economics and Econometrics, 15 papers in Sociology and Political Science and 11 papers in History. Recurrent topics in David Martin‐Jones's work include Cinema and Media Studies (18 papers), Scottish History and National Identity (8 papers) and Irish and British Studies (7 papers). David Martin‐Jones is often cited by papers focused on Cinema and Media Studies (18 papers), Scottish History and National Identity (8 papers) and Irish and British Studies (7 papers). David Martin‐Jones collaborates with scholars based in United Kingdom, Mexico and Peru. David Martin‐Jones's co-authors include Belén Vidal, Dina Iordanova, Thomas Elsaesser, Elena del Río, Sarah Cooper and William Brown and has published in prestigious journals such as The Sociological Review, Latin American Perspectives and Screen.

In The Last Decade

David Martin‐Jones

32 papers receiving 185 citations

Peers

David Martin‐Jones
Michael Renov United States
Ewa Mazierska United Kingdom
Paul Willemen United Kingdom
Song Hwee Lim United Kingdom
Judith Mayne United States
Marcia Landy United States
Christine Gledhill United Kingdom
Gary R. Edgerton United States
Julian Murphet Australia
Michael Renov United States
David Martin‐Jones
Citations per year, relative to David Martin‐Jones David Martin‐Jones (= 1×) peers Michael Renov

Countries citing papers authored by David Martin‐Jones

Since Specialization
Citations

This map shows the geographic impact of David Martin‐Jones's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Martin‐Jones with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Martin‐Jones more than expected).

Fields of papers citing papers by David Martin‐Jones

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David Martin‐Jones. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Martin‐Jones. The network helps show where David Martin‐Jones may publish in the future.

Co-authorship network of co-authors of David Martin‐Jones

This figure shows the co-authorship network connecting the top 25 collaborators of David Martin‐Jones. A scholar is included among the top collaborators of David Martin‐Jones based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with David Martin‐Jones. David Martin‐Jones is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Martin‐Jones, David, et al.. (2019). Contemporary Uruguayan cinemas. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam). 16(1). 3–24.
2.
Elsaesser, Thomas, et al.. (2018). European Cinema and Continental Philosophy. 11 indexed citations
3.
Martin‐Jones, David. (2016). Introduction: Film-Philosophy and a World of Cinemas. Film-Philosophy. 20(1). 6–23. 2 indexed citations
4.
Martin‐Jones, David, et al.. (2014). Deleuze and Chinese Cinemas. Journal of Chinese Cinemas. 8(2). 93–98. 2 indexed citations
5.
Martin‐Jones, David, et al.. (2013). Afterthoughts on auto-erasure. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam). 1 indexed citations
6.
Martin‐Jones, David. (2013). Archival Landscapes and a Non-Anthropocentric ‘Universe Memory’. Third Text. 27(6). 707–722. 7 indexed citations
7.
Martin‐Jones, David & William Brown. (2012). Deleuze and Film. Edinburgh University Press eBooks.
8.
Martin‐Jones, David. (2012). Colombiana: Europa Corp and the ambiguous geopolitics of the action movie. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).
9.
Martin‐Jones, David. (2011). Deleuze and World Cinemas. 31 indexed citations
10.
Martin‐Jones, David. (2010). Islands at the edge of history: landscape and the past in recent Scottish-Gaelic films. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam). 1 indexed citations
11.
Iordanova, Dina, David Martin‐Jones, & Belén Vidal. (2010). Cinema at the Periphery. Project Muse (Johns Hopkins University). 10 indexed citations
12.
Martin‐Jones, David. (2009). Scotland. Edinburgh University Press eBooks. 14 indexed citations
13.
Martin‐Jones, David, et al.. (2009). Cinema in progress: New Uruguayan Cinema. Screen. 50(3). 334–344. 6 indexed citations
14.
Martin‐Jones, David, et al.. (2008). Deleuze Reframed. I.B. Tauris & Co Ltd eBooks. 19 indexed citations
15.
Martin‐Jones, David. (2008). Towards Another ‘–Image’: Deleuze, Narrative Time and Popular Indian Cinema. Deleuze Studies. 2(1). 25–48. 2 indexed citations
16.
Martin‐Jones, David, et al.. (2008). Deleuze Reframed: Interpreting Key Thinkers for the Arts. Pure (Coventry University). 3 indexed citations
17.
Martin‐Jones, David. (2007). National symbols: Scottish national identity in Dog Soldiers. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).
18.
Martin‐Jones, David. (2007). Decompressing Modernity: South Korean Time Travel Narratives and the IMF Crisis. Cinema Journal. 46(4). 45–67. 4 indexed citations
19.
Martin‐Jones, David. (2006). Deleuze, Cinema and National Identity. Edinburgh University Press eBooks. 26 indexed citations
20.
Martin‐Jones, David. (2005). Scotland: Global CinemaGenres, Modes and Identities. Edinburgh University Press eBooks. 8 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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