Alison Griffiths

605 total citations
27 papers, 208 citations indexed

About

Alison Griffiths is a scholar working on Economics and Econometrics, Literature and Literary Theory and History. According to data from OpenAlex, Alison Griffiths has authored 27 papers receiving a total of 208 indexed citations (citations by other indexed papers that have themselves been cited), including 9 papers in Economics and Econometrics, 8 papers in Literature and Literary Theory and 7 papers in History. Recurrent topics in Alison Griffiths's work include Cinema and Media Studies (9 papers), Photography and Visual Culture (5 papers) and Visual Culture and Art Theory (3 papers). Alison Griffiths is often cited by papers focused on Cinema and Media Studies (9 papers), Photography and Visual Culture (5 papers) and Visual Culture and Art Theory (3 papers). Alison Griffiths collaborates with scholars based in United States, United Kingdom and Australia. Alison Griffiths's co-authors include Robin M. Jones, Mary Clare Masters, Heather Skinner, Jean‐Luc Josset, Gerhard Paar, Margaret Sims and Adam Coates and has published in prestigious journals such as American Anthropologist, Australian Psychologist and International Journal of Sports Marketing and Sponsorship.

In The Last Decade

Alison Griffiths

20 papers receiving 138 citations

Peers

Alison Griffiths
Alison Griffiths
Citations per year, relative to Alison Griffiths Alison Griffiths (= 1×) peers Abigail Solomon‐Godeau

Countries citing papers authored by Alison Griffiths

Since Specialization
Citations

This map shows the geographic impact of Alison Griffiths's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Alison Griffiths with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Alison Griffiths more than expected).

Fields of papers citing papers by Alison Griffiths

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Alison Griffiths. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Alison Griffiths. The network helps show where Alison Griffiths may publish in the future.

Co-authorship network of co-authors of Alison Griffiths

This figure shows the co-authorship network connecting the top 25 collaborators of Alison Griffiths. A scholar is included among the top collaborators of Alison Griffiths based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Alison Griffiths. Alison Griffiths is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Griffiths, Alison. (2023). Amateur Film, Cultural Memory and the Visual Legacy of the 1920s Inter-Tribal Indian Ceremonial. Visual Anthropology. 36(3). 201–228.
2.
Griffiths, Alison. (2021). The crystal reveals the whole: medieval dreamscapes and cinematic space as virtual media. Journal of Visual Culture. 20(1). 85–112.
3.
Griffiths, Alison. (2016). Carceral Fantasies. Columbia University Press eBooks. 1 indexed citations
4.
Griffiths, Alison. (2014). The carceral aesthetic: Seeing prison on film during the early cinema period. Early Popular Visual Culture. 12(2). 174–198.
5.
Griffiths, Alison. (2013). The Untrammeled Camera: A Topos of the Expedition Film. Film History. 25(1). 95–109. 1 indexed citations
6.
Griffiths, Alison. (2007). The Revered Gaze: The Medieval Imaginary of Mel Gibson's The Passion of the Christ. Cinema Journal. 46(2). 3–39. 2 indexed citations
7.
Griffiths, Alison. (2006). ‘THEY GO TO SEE A SHOW’. Early Popular Visual Culture. 4(3). 245–271. 1 indexed citations
8.
Griffiths, Alison. (2004). Making a support group work for patients.. PubMed. 19(12). 22–4. 3 indexed citations
9.
Griffiths, Alison, Adam Coates, Jean‐Luc Josset, Gerhard Paar, & Margaret Sims. (2003). The Beagle 2 Stereo Camera System: Scientific Objectives and Design Characteristics. EGS - AGU - EUG Joint Assembly. 6365. 2 indexed citations
10.
Jones, Robin M., et al.. (2002). Culturally relevant assessment of indigenous Offenders: a literature review. Australian Psychologist. 37(3). 187–197. 38 indexed citations
11.
Griffiths, Alison. (2001). Playing at Being Indian: Specta Torship and the Early Western. Journal of Popular Film and Television. 29(3). 100–111. 1 indexed citations
12.
Griffiths, Alison. (2000). Cambridge and the Torres Straits: Centenary Essays on the 1898 Anthropological Expedition. American Anthropologist. 102(1). 196–197. 4 indexed citations
13.
Griffiths, Alison. (1999). "To the world the world we show": early travelogues as filmed ethnography.. PubMed. 11(3). 282–307. 9 indexed citations
14.
Griffiths, Alison. (1998). Origins of ethnographic film. Medical Entomology and Zoology. 1 indexed citations
15.
Griffiths, Alison, et al.. (1997). The Great Adventure : How the Mounties Conquered the West. 2 indexed citations
16.
Griffiths, Alison. (1996). A moving picture in two senses: Allegories of the nation in 1950s Indian melodrama. Continuum. 9(2). 173–184.
17.
Griffiths, Alison. (1996). 'Journey for Those Who Can Not Travel': Promenade Cinema and the Museum Life Group. 18(3). 53–84. 7 indexed citations
18.
Griffiths, Alison. (1996). Knowledge and Visuality in Turn of the Century Anthropology: The Early Ethnographic Cinema of Alfred Cort Haddon and Walter Baldwin Spencer. Visual Anthropology Review. 12(2). 18–43. 11 indexed citations
19.
Griffiths, Alison. (1994). Ethnography and popular memory: Postmodern configurations of welsh identities. Continuum. 7(2). 307–326. 1 indexed citations
20.
Griffiths, Alison, et al.. (1987). Fleecing the Lamb: The Inside Story of the Vancouver Stock Exchange. 3 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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