William W. Austin

422 total citations
24 papers, 164 citations indexed

About

William W. Austin is a scholar working on Music, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, William W. Austin has authored 24 papers receiving a total of 164 indexed citations (citations by other indexed papers that have themselves been cited), including 14 papers in Music, 6 papers in Computer Vision and Pattern Recognition and 2 papers in Cognitive Neuroscience. Recurrent topics in William W. Austin's work include Musicology and Musical Analysis (11 papers), Music Technology and Sound Studies (6 papers) and Music History and Culture (5 papers). William W. Austin is often cited by papers focused on Musicology and Musical Analysis (11 papers), Music Technology and Sound Studies (6 papers) and Music History and Culture (5 papers). William W. Austin collaborates with scholars based in . William W. Austin's co-authors include Carl Dahlhaus, Steve Reich, Nicholas E. Tawa, Simon Frith, Edward A. Lippman, Igor Stravinsky, Robert Craft, Marc Pincherle, Richard Crawford and Joseph Johnson and has published in prestigious journals such as Journal of Aesthetics and Art Criticism, Notes and Journal of Music Theory.

In The Last Decade

William W. Austin

15 papers receiving 66 citations

Peers

William W. Austin
Donald Jay Grout
Gunther Schuller
Eduard Hanslick United States
Olivier Messiaen
Lewis Rowell United States
Robert Craft
Jim Samson United Kingdom
Henry Raynor
Dika Newlin United States
Robert Donington United States
Donald Jay Grout
William W. Austin
Citations per year, relative to William W. Austin William W. Austin (= 1×) peers Donald Jay Grout

Countries citing papers authored by William W. Austin

Since Specialization
Citations

This map shows the geographic impact of William W. Austin's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by William W. Austin with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites William W. Austin more than expected).

Fields of papers citing papers by William W. Austin

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by William W. Austin. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by William W. Austin. The network helps show where William W. Austin may publish in the future.

Co-authorship network of co-authors of William W. Austin

This figure shows the co-authorship network connecting the top 25 collaborators of William W. Austin. A scholar is included among the top collaborators of William W. Austin based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with William W. Austin. William W. Austin is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Johnson, Joseph, et al.. (2016). The Joseph Johnson Letterbook. Oxford University Press eBooks. 1 indexed citations
2.
Austin, William W. & Richard Crawford. (1995). The American Musical Landscape. American Music. 13(1). 96–96.
3.
Austin, William W.. (1985). The Music of Igor Stravinsky Pieter C. van den Toorn. Music Theory Spectrum. 7. 185–190. 1 indexed citations
4.
Lippman, Edward A., Carl Dahlhaus, & William W. Austin. (1984). Esthetics of Music. Notes. 40(3). 558–558. 3 indexed citations
5.
Dahlhaus, Carl, et al.. (1983). Esthetics of Music. Journal of Aesthetics and Art Criticism. 41(3). 343–343. 48 indexed citations
6.
Austin, William W. & Simon Frith. (1982). Sound Effects: Youth, Leisure, and the Politics of Rock 'n' Roll. Notes. 39(1). 95–95. 10 indexed citations
7.
Austin, William W.. (1982). Debussy, Wagner, and Some Others. 19th-Century Music. 6(1). 82–91. 1 indexed citations
8.
Dahlhaus, Carl, et al.. (1982). Issues in Dahlhaus. Music Analysis. 1(3). 341–341. 4 indexed citations
9.
Austin, William W. & Steve Reich. (1975). Writings about Music. Notes. 31(4). 780–780. 24 indexed citations
10.
Austin, William W., et al.. (1974). Sounds and Signs: Aspects of Musical Notation. Notes. 31(2). 288–288. 15 indexed citations
11.
Austin, William W., Igor Stravinsky, & Robert Craft. (1970). The Rite of Spring. Le Sacre du Printemps. Sketches, 1911-1913. Notes. 26(3). 502–502. 2 indexed citations
12.
Austin, William W., et al.. (1970). Prelude to the afternoon of a faun : an authoritative score, Mallarme's poem, backgrounds and sources, criticism and analysis.
13.
Austin, William W., et al.. (1969). New Looks at Italian Opera; Essays in Honor of Donald J. Grout. Notes. 25(4). 718–718. 3 indexed citations
14.
Pincherle, Marc & William W. Austin. (1968). New Looks at Italian Opera, Essays in Honor of Donald J. Grout. Revue de musicologie. 54(2). 254–254. 2 indexed citations
15.
Austin, William W., et al.. (1967). Caliban Reborn: Renewal in Twentieth-Century Music. Notes. 24(2). 259–259. 5 indexed citations
16.
Austin, William W., et al.. (1967). Music in the Twentieth Century from Debussy Through Stravinsky. Journal of Music Theory. 11(1). 165–165. 3 indexed citations
17.
Austin, William W., et al.. (1966). Music in the 20th Century from Debussy Through Stravinsky. Notes. 23(2). 254–254. 10 indexed citations
18.
Austin, William W., et al.. (1966). Music in the Twentieth Century. Perspectives of New Music. 5(1). 142–142. 6 indexed citations
19.
Austin, William W.. (1956). THE MUSIC OF ROBERT PALMER. The Musical Quarterly. XLII(1). 35–50.
20.
Austin, William W.. (1953). THE IDEA OF EVOLUTION IN THE MUSIC OF THE 20TH CENTURY. The Musical Quarterly. XXXIX(1). 26–36. 2 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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