William W. Austin
- Music top 1%
- Computer Vision and Pattern Recognition
- Cognitive Neuroscience
- Sociology and Political Science
- Literature and Literary Theory
- Co-authors
- Carl DahlhausSteve ReichNicholas E. TawaSimon FrithEdward A. LippmanIgor StravinskyRobert CraftMarc Pincherle
- Topics
- Musicology and Musical Analysis (11 papers)Music Technology and Sound Studies (6 papers)Music History and Culture (5 papers)
In The Last Decade
William W. Austin
15 papers receiving 66 citations
Peers
Comparison fields: 5 of 43
- Music 109
- Computer Vision and Pattern Recognition 38
- Cognitive Neuroscience 35
- Sociology and Political Science 20
- Literature and Literary Theory 18
Countries citing papers authored by William W. Austin
This map shows the geographic impact of William W. Austin's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by William W. Austin with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites William W. Austin more than expected).
Fields of papers citing papers by William W. Austin
This network shows the impact of papers produced by William W. Austin. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by William W. Austin. The network helps show where William W. Austin may publish in the future.
Co-authorship network of co-authors of William W. Austin
This figure shows the co-authorship network connecting the top 25 collaborators of William W. Austin. A scholar is included among the top collaborators of William W. Austin based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with William W. Austin. William W. Austin is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | 0 | |
| 3 | 1 | |
| 4 | 3 | |
| 5 | 48 | |
| 6 | 10 | |
| 7 | 1 | |
| 8 | 4 | |
| 9 | 24 | |
| 10 | 15 | |
| 11 | 2 | |
| 12 | Prelude to the afternoon of a faun : an authoritative score, Mallarme's poem, backgrounds and sources, criticism and analysis | 0 |
| 13 | 3 | |
| 14 | 2 | |
| 15 | 5 | |
| 16 | 3 | |
| 17 | 10 | |
| 18 | 6 | |
| 19 | 0 | |
| 20 | 2 |
About William W. Austin
William W. Austin is a scholar working on Music, Computer Vision and Pattern Recognition and Classics, having authored 24 papers that have together received 164 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (11 papers), Music Technology and Sound Studies (6 papers) and Music History and Culture (5 papers). The work is most often cited by research in Music (109 citations), Visual Arts and Performing Arts (12 citations) and Computer Vision and Pattern Recognition (38 citations). Frequent co-authors include Carl Dahlhaus, Steve Reich, Nicholas E. Tawa, Simon Frith, Edward A. Lippman, Igor Stravinsky, Robert Craft, Marc Pincherle, Richard Crawford and Joseph Johnson. Their work appears in journals such as Journal of Aesthetics and Art Criticism, Notes and Journal of Music Theory.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.