Igor Stravinsky
Impact in
- Music top 0.5%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Music Education Insights
- Diverse Musicological Studies
Papers in
- Music 17
- Musicology and Musical Analysis 17
- Music History and Culture 2
-
- Music Technology and Sound Studies 9
- Co-authors
- Robert Craft (16 shared papers)Rémi Gribonval (1 shared paper)Laurent Benaroya (1 shared paper)Cédric Févotte (1 shared paper)Emmanuel Vincent (1 shared paper)Dika Newlin (1 shared paper)David Hamilton (1 shared paper)Paul Henry Láng (1 shared paper)
- Journals
- Notes (6 papers)Journal of Music Theory (1 paper)Journal of Aesthetics and Art Criticism (1 paper)Perspectives of New Music (1 paper)Harvard University Press eBooks (1 paper)
- Partner nations
- France
In The Last Decade
Igor Stravinsky
23 papers receiving 204 citations
Peers
Comparison fields: 5 of 60
- Music 230
- Visual Arts and Performing Arts 41
- Signal Processing 77
- Cognitive Neuroscience 94
- Computer Vision and Pattern Recognition 104
Countries citing papers authored by Igor Stravinsky
This map shows the geographic impact of Igor Stravinsky's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Igor Stravinsky with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Igor Stravinsky more than expected).
Fields of papers citing papers by Igor Stravinsky
This network shows the impact of papers produced by Igor Stravinsky. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Igor Stravinsky. The network helps show where Igor Stravinsky may publish in the future.
Co-authors
The 24 scholars most cited alongside Igor Stravinsky, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 48 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1970 | 101 | |
| 2 | PROPOSALS FOR PERFORMANCE MEASUREMENT IN SOURCE SEPARATION | 2003 | 65 |
| 3 | 1962 | 50 | |
| 4 | Memories and commentaries | 1960 | 34 |
| 5 | 1959 | 31 | |
| 6 | Dialogues and a diary | 1968 | 29 |
| 7 | Stravinsky, selected correspondence | 1982 | 16 |
| 8 | 1973 | 12 | |
| 9 | Themes and episodes | 1966 | 12 |
| 10 | 1963 | 8 | |
| 11 | 1959 | 7 | |
| 12 | The rite of spring = La sacre du printemps : sketches, 1911-1913 : facsimile reproduction from the autographs | 1969 | 6 |
| 13 | Rite of Spring | 1985 | 6 |
| 14 | Переписка с русскими корреспондентами : материалы к биографии | 1998 | 5 |
| 15 | Stravinsky in conversation with Robert Craft | 1962 | 4 |
| 16 | 1991 | 3 | |
| 17 | Stravinsky: An Autobiography | 2017 | 3 |
| 18 | Poétique musicale sous forme de six leçons | 2000 | 2 |
| 19 | The rake's progress : an opera in three acts | 1951 | 2 |
| 20 | 1971 | 2 |
About Igor Stravinsky
Igor Stravinsky is a scholar working on Music, Computer Vision and Pattern Recognition, Education, Literature and Literary Theory and Experimental and Cognitive Psychology, having authored 48 papers that have together received 413 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (17 papers), Music Technology and Sound Studies (9 papers), Literature, Musicology, and Cultural Analysis (3 papers), Music History and Culture (2 papers), Diversity and Impact of Dance (2 papers), Photography and Visual Culture (1 paper), Poetry Analysis and Criticism (1 paper) and Cultural Insights and Digital Impacts (1 paper). The work is most often cited by research in Music (230 citations), Visual Arts and Performing Arts (41 citations), Signal Processing (77 citations), Cognitive Neuroscience (94 citations) and Computer Vision and Pattern Recognition (104 citations). Igor Stravinsky has collaborated with scholars based in France. Frequent co-authors include Robert Craft, Rémi Gribonval, Laurent Benaroya, Cédric Févotte, Emmanuel Vincent, Dika Newlin, David Hamilton, Paul Henry Láng, François Lesure and Lawrence Morton. Their work appears in journals such as Notes, Journal of Music Theory, Journal of Aesthetics and Art Criticism, Perspectives of New Music and Harvard University Press eBooks.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.