Tomas E. Matthews

612 total citations
11 papers, 325 citations indexed

About

Tomas E. Matthews is a scholar working on Cognitive Neuroscience, Music and Experimental and Cognitive Psychology. According to data from OpenAlex, Tomas E. Matthews has authored 11 papers receiving a total of 325 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Cognitive Neuroscience, 6 papers in Music and 4 papers in Experimental and Cognitive Psychology. Recurrent topics in Tomas E. Matthews's work include Neuroscience and Music Perception (10 papers), Diverse Music Education Insights (6 papers) and Multisensory perception and integration (4 papers). Tomas E. Matthews is often cited by papers focused on Neuroscience and Music Perception (10 papers), Diverse Music Education Insights (6 papers) and Multisensory perception and integration (4 papers). Tomas E. Matthews collaborates with scholars based in Denmark, Canada and United Kingdom. Tomas E. Matthews's co-authors include Virginia B. Penhune, Peter Vuust, Maria A. G. Witek, Torben E. Lund, Ole Adrian Heggli, Jan Stupacher, Victor Pando‐Naude, Eduardo A. Garza‐Villarreal, Karen Østergaard and Nicholas E.V. Foster and has published in prestigious journals such as PLoS ONE, NeuroImage and Cognition.

In The Last Decade

Tomas E. Matthews

9 papers receiving 325 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Tomas E. Matthews Denmark	8	297	120	95	77	72	11	325
Ole Adrian Heggli Denmark	10	387 1.3×	192 1.6×	65 0.7×	83 1.1×	84 1.2×	14	441
Laura-Lee Balkwill Canada	5	257 0.9×	62 0.5×	118 1.2×	83 1.1×	73 1.0×	8	282
Steffen A. Herff Australia	11	236 0.8×	74 0.6×	65 0.7×	66 0.9×	81 1.1×	37	282
Haley E. Kragness Canada	9	186 0.6×	82 0.7×	60 0.6×	46 0.6×	46 0.6×	18	216
Pauline Larrouy-Maestri Germany	13	243 0.8×	56 0.5×	114 1.2×	137 1.8×	141 2.0×	33	390
Anna‐Katharina R. Bauer Germany	11	380 1.3×	98 0.8×	55 0.6×	39 0.5×	118 1.6×	12	410
Carolina Labbé Switzerland	5	217 0.7×	118 1.0×	51 0.5×	29 0.4×	65 0.9×	6	260
Dana Boebinger United States	7	313 1.1×	44 0.4×	38 0.4×	66 0.9×	91 1.3×	11	354
Roberta Bianco United Kingdom	12	363 1.2×	67 0.6×	34 0.4×	91 1.2×	101 1.4×	29	435
Philippe Lalitte France	12	463 1.6×	89 0.7×	100 1.1×	113 1.5×	152 2.1×	30	498

Countries citing papers authored by Tomas E. Matthews

Since Specialization

Citations

This map shows the geographic impact of Tomas E. Matthews's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Tomas E. Matthews with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Tomas E. Matthews more than expected).

Fields of papers citing papers by Tomas E. Matthews

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Tomas E. Matthews. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Tomas E. Matthews. The network helps show where Tomas E. Matthews may publish in the future.

Co-authorship network of co-authors of Tomas E. Matthews

This figure shows the co-authorship network connecting the top 25 collaborators of Tomas E. Matthews. A scholar is included among the top collaborators of Tomas E. Matthews based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Tomas E. Matthews. Tomas E. Matthews is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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11 of 11 papers shown

Matthews, Tomas E., et al.. (2025). Beyond syncopation: The number of rhythmic layers shapes the pleasurable urge to move to music. Cognition. 262. 106178–106178.

Witek, Maria A. G., Tomas E. Matthews, Toni Bechtold, & Virginia B. Penhune. (2025). Body maps of the sensation of musical groove. PNAS Nexus. 4(10). pgaf306–pgaf306.

Matthews, Tomas E., et al.. (2025). The pleasurable urge to move to music is unchanged in people with musical anhedonia. PLoS ONE. 20(1). e0312030–e0312030. 4 indexed citations

Pando‐Naude, Victor, Tomas E. Matthews, Andreas Højlund, et al.. (2023). Dopamine dysregulation in Parkinson's disease flattens the pleasurable urge to move to musical rhythms. European Journal of Neuroscience. 59(1). 101–118. 10 indexed citations

Matthews, Tomas E., Jan Stupacher, & Peter Vuust. (2023). The Pleasurable Urge to Move to Music Through the Lens of Learning Progress. Journal of Cognition. 6(1). 55–55. 13 indexed citations

Witek, Maria A. G., et al.. (2023). Musicians and non-musicians show different preference profiles for single chords of varying harmonic complexity. PLoS ONE. 18(2). e0281057–e0281057. 8 indexed citations

Stupacher, Jan, et al.. (2022). The sweet spot between predictability and surprise: musical groove in brain, body, and social interactions. Frontiers in Psychology. 13. 906190–906190. 28 indexed citations

Matthews, Tomas E., et al.. (2022). Perceived Motor Synchrony With the Beat is More Strongly Related to Groove Than Measured Synchrony. Music Perception An Interdisciplinary Journal. 39(5). 423–442. 25 indexed citations

Matthews, Tomas E., Maria A. G. Witek, Torben E. Lund, Peter Vuust, & Virginia B. Penhune. (2020). The sensation of groove engages motor and reward networks. NeuroImage. 214. 116768–116768. 103 indexed citations

10.

Matthews, Tomas E., Maria A. G. Witek, Ole Adrian Heggli, Virginia B. Penhune, & Peter Vuust. (2019). The sensation of groove is affected by the interaction of rhythmic and harmonic complexity. PLoS ONE. 14(1). e0204539–e0204539. 78 indexed citations

11.

Matthews, Tomas E., et al.. (2016). The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production. Frontiers in Psychology. 7. 69–69. 56 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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