Tom McDonough

493 total citations
14 papers, 170 citations indexed

About

Tom McDonough is a scholar working on Sociology and Political Science, History and Visual Arts and Performing Arts. According to data from OpenAlex, Tom McDonough has authored 14 papers receiving a total of 170 indexed citations (citations by other indexed papers that have themselves been cited), including 4 papers in Sociology and Political Science, 4 papers in History and 4 papers in Visual Arts and Performing Arts. Recurrent topics in Tom McDonough's work include Art, Politics, and Modernism (4 papers), Historical Studies and Socio-cultural Analysis (2 papers) and Literature and Culture Studies (2 papers). Tom McDonough is often cited by papers focused on Art, Politics, and Modernism (4 papers), Historical Studies and Socio-cultural Analysis (2 papers) and Literature and Culture Studies (2 papers). Tom McDonough collaborates with scholars based in China and United States. Tom McDonough's co-authors include Giorgio Agamben, Greil Marcus and Guy Débord and has published in prestigious journals such as Representations, October and Grey Room.

In The Last Decade

Tom McDonough

10 papers receiving 110 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Tom McDonough China 5 56 40 38 30 23 14 170
Edward Dimendberg United States 7 59 1.1× 24 0.6× 26 0.7× 32 1.1× 10 0.4× 14 156
Okwui Enwezor United States 9 92 1.6× 55 1.4× 37 1.0× 53 1.8× 15 0.7× 45 222
Marsha Meskimmon United Kingdom 7 62 1.1× 60 1.5× 15 0.4× 30 1.0× 11 0.5× 26 169
Serge Guilbaut Canada 6 82 1.5× 98 2.5× 39 1.0× 49 1.6× 15 0.7× 16 256
Christin J. Mamiya United States 6 54 1.0× 26 0.7× 18 0.5× 10 0.3× 21 0.9× 9 150
Ackbar Abbas United States 6 88 1.6× 15 0.4× 18 0.5× 36 1.2× 15 0.7× 18 158
Partha Mitter United Kingdom 5 80 1.4× 54 1.4× 17 0.4× 12 0.4× 24 1.0× 14 203
Peter Bacon Hales United States 7 41 0.7× 26 0.7× 23 0.6× 9 0.3× 12 0.5× 27 179
Vanessa Agnew United States 4 89 1.6× 29 0.7× 19 0.5× 6 0.2× 16 0.7× 8 205
Craig Owens 6 58 1.0× 110 2.8× 69 1.8× 11 0.4× 41 1.8× 13 260

Countries citing papers authored by Tom McDonough

Since Specialization
Citations

This map shows the geographic impact of Tom McDonough's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Tom McDonough with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Tom McDonough more than expected).

Fields of papers citing papers by Tom McDonough

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Tom McDonough. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Tom McDonough. The network helps show where Tom McDonough may publish in the future.

Co-authorship network of co-authors of Tom McDonough

This figure shows the co-authorship network connecting the top 25 collaborators of Tom McDonough. A scholar is included among the top collaborators of Tom McDonough based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Tom McDonough. Tom McDonough is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

14 of 14 papers shown
1.
McDonough, Tom. (2015). Human/Capital. October. 153. 117–131. 1 indexed citations
2.
McDonough, Tom. (2011). Unrepresentable Enemies: On the Legacy of Guy Debord and the Situationist International. Afterall A Journal of Art Context and Enquiry. 28. 42–55. 3 indexed citations
3.
McDonough, Tom. (2010). The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag-Picker. Afterall A Journal of Art Context and Enquiry. 25. 18–29.
4.
McDonough, Tom. (2009). The situationists and the city. Medical Entomology and Zoology. 38 indexed citations
5.
McDonough, Tom. (2008). Metastructure: Experimental Utopia and Traumatic Memory in Constant's New Babylon. Grey Room. 33. 84–95. 1 indexed citations
6.
McDonough, Tom, et al.. (2008). The Invisible Flâneuse?: Gender, Public Space and Visual Culture in Nineteenth Century Paris. Medical Entomology and Zoology. 21 indexed citations
7.
McDonough, Tom. (2007). The Beautiful Language of My Century": Reinventing the Language of Contestation in Postwar France, 1945-1968. Medical Entomology and Zoology. 8 indexed citations
8.
McDonough, Tom. (2007). Calling from the Inside: Filmic Topologies of the Everyday. Grey Room. 26. 6–29. 3 indexed citations
9.
McDonough, Tom. (2005). Delirious Paris: Mapping as a Paranoiac-Critical Activity. Grey Room. 19. 6–21. 3 indexed citations
10.
McDonough, Tom. (2005). Raymond Hains's “France in Shreds” and the Politics of Décollage. Representations. 90(1). 75–97.
11.
McDonough, Tom, et al.. (2004). Guy Debord and the situationist international : texts and documents. MIT Press eBooks. 80 indexed citations
12.
McDonough, Tom. (2004). No Ghost. October. 110. 107–130. 1 indexed citations
13.
McDonough, Tom. (2002). The Crimes of the Flaneur. October. 102. 101–122. 10 indexed citations
14.
McDonough, Tom. (2001). The Surface as Stake: A Postscript to Timothy M. Rohan's “Rendering the Surface”. Grey Room. 5. 102–111. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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