Steve Waksman

745 total citations
20 papers, 135 citations indexed

About

Steve Waksman is a scholar working on Music, Communication and Computer Vision and Pattern Recognition. According to data from OpenAlex, Steve Waksman has authored 20 papers receiving a total of 135 indexed citations (citations by other indexed papers that have themselves been cited), including 14 papers in Music, 2 papers in Communication and 2 papers in Computer Vision and Pattern Recognition. Recurrent topics in Steve Waksman's work include Music History and Culture (14 papers), Musicology and Musical Analysis (4 papers) and Theater, Performance, and Music History (3 papers). Steve Waksman is often cited by papers focused on Music History and Culture (14 papers), Musicology and Musical Analysis (4 papers) and Theater, Performance, and Music History (3 papers). Steve Waksman collaborates with scholars based in United States. Steve Waksman's co-authors include Andy Bennett, Robert Fink and Zachary Wallmark and has published in prestigious journals such as Journal of American History, Social Studies of Science and Notes.

In The Last Decade

Steve Waksman

18 papers receiving 96 citations

Peers

Steve Waksman

MUSIC

SPS

CVPR

COMMU

US

Keir Keightley Canada

Bernard Gendron United States

Sherrie Tucker United States

Ron Emoff Ireland

Greg Hainge Australia

Adam Krims Canada

Kenneth Gloag United Kingdom

Max Paddison United Kingdom

Burton W. Peretti United States

Claudia Gorbman United States

Keir Keightley Canada

Steve Waksman

106 ×0.9

MUSIC

31 ×0.8

SPS

23 ×1.1

CVPR

25 ×1.4

COMMU

12 ×0.9

US

Citations per year, relative to Steve Waksman Steve Waksman (= 1×) peers Keir Keightley

Countries citing papers authored by Steve Waksman

Since Specialization

Citations

This map shows the geographic impact of Steve Waksman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Steve Waksman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Steve Waksman more than expected).

Fields of papers citing papers by Steve Waksman

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Steve Waksman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Steve Waksman. The network helps show where Steve Waksman may publish in the future.

Co-authorship network of co-authors of Steve Waksman

This figure shows the co-authorship network connecting the top 25 collaborators of Steve Waksman. A scholar is included among the top collaborators of Steve Waksman based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Steve Waksman. Steve Waksman is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

1.

Waksman, Steve. (2022). Live Music in America. 2 indexed citations

2.

Waksman, Steve. (2021). Review essay: Between the Material and the Ephemeral. Journal of Popular Music Studies. 33(4). 203–212.

3.

Waksman, Steve. (2019). Popular Music Studies and Interdisciplinarity. 6(2). 232–236. 2 indexed citations

4.

Waksman, Steve, et al.. (2019). Timbre Is a Many-Splendored Thing. Journal of Popular Music Studies. 31(1). 29–40. 1 indexed citations

5.

Bennett, Andy & Steve Waksman. (2015). The SAGE Handbook of Popular Music. 8 indexed citations

6.

Waksman, Steve. (2013). One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television. Journal of American History. 100(1). 259–260. 2 indexed citations

7.

Waksman, Steve. (2011). Hot Stuff: Disco and the Remaking of American Culture. Journal of American History. 97(4). 1183–1184. 19 indexed citations

8.

Waksman, Steve. (2011). Live Recollections: Uses of the Past in U.S. Concert Life. IASPM Journal. 1(1). 1–16. 1 indexed citations

9.

Waksman, Steve. (2011). Selling the nightingale. 1(2). 108–120. 1 indexed citations

10.

Waksman, Steve. (2010). Imagining an Interdisciplinary Canon. Journal of Popular Music Studies. 22(1). 68–73. 1 indexed citations

11.

Waksman, Steve. (2009). This Ain't the Summer of Love. 22 indexed citations

12.

Waksman, Steve. (2008). Damage Incorporated: Metallica and the Production of Musical Identity by Glenn Pillsbury Extreme Metal: Music and Culture on the Edge by Keith Kahn-Harris. Journal of Popular Music Studies. 20(2). 194–201.

13.

Waksman, Steve. (2006). Electric Ladyland: Women and Rock Culture. Journal of American History. 92(4). 1516–1517. 9 indexed citations

14.

Waksman, Steve. (2004). False Prophet: Fieldnotes from the Punk Underground (review). Notes. 61(2). 467–469. 5 indexed citations

15.

Waksman, Steve. (2004). California Noise. Social Studies of Science. 34(5). 675–702. 22 indexed citations

16.

Waksman, Steve. (2003). Reading the Instrument: An Introduction. Popular Music & Society. 26(3). 251–261. 9 indexed citations

17.

Waksman, Steve. (2001). Instruments of Desire. Harvard University Press eBooks. 11 indexed citations

18.

Waksman, Steve, et al.. (2001). Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Journal of American History. 87(4). 1578–1578. 8 indexed citations

19.

Waksman, Steve. (1999). Black sound, black body: Jimi Hendrix, the electric guitar, and the meanings of blackness. Popular Music & Society. 23(1). 75–113. 9 indexed citations

20.

Waksman, Steve. (1996). STEVE WAKSMAN EVERY INCH OF MY LOVE: LED ZEPPELIN AND THE PROBLEM OF COCK ROCK. Journal of Popular Music Studies. 8(1). 5–25. 3 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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