Ben Winters
- Music top 2%
- Musicology and Musical Analysis 11
- Music History and Culture 8
- Theater, Performance, and Music History 4
- Diverse Musicological Studies 2
- Literature and Literary Theory top 10%
- Visual Arts and Performing Arts top 10%
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- Cinema and Media Studies 6
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- Neuroscience and Music Perception 2
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- Music Technology and Sound Studies 1
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- Radio, Podcasts, and Digital Media 1
- Journals
- Music and Letters (2 papers)Journal of the Royal Musical Association (1 paper)City Research Online (City University London) (1 paper)
- Partner nations
- United KingdomPolandUnited States
In The Last Decade
Ben Winters
13 papers receiving 61 citations
Peers
Comparison fields: 5 of 36
- Music 66
- Literature and Literary Theory 36
- Visual Arts and Performing Arts 15
- Economics and Econometrics 35
- Cultural Studies 9
Countries citing papers authored by Ben Winters
This map shows the geographic impact of Ben Winters's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Ben Winters with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Ben Winters more than expected).
Fields of papers citing papers by Ben Winters
This network shows the impact of papers produced by Ben Winters. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Ben Winters. The network helps show where Ben Winters may publish in the future.
Co-authorship network
The 4 scholars most cited alongside Ben Winters, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2022 | 1 | |
| 2 | 2017 | 0 | |
| 3 | ROUNDTABLE: Current Perspectives on Music, Sound, and Narrative in Screen Media | 2017 | 1 |
| 4 | 2016 | 0 | |
| 5 | Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction | 2014 | 6 |
| 6 | 2014 | 6 | |
| 7 | 2012 | 6 | |
| 8 | 2012 | 3 | |
| 9 | CineMusic? Constructing the Film Score (review) | 2010 | 2 |
| 10 | 2010 | 48 | |
| 11 | Film and Television Music Sources in the UK and Ireland | 2009 | 1 |
| 12 | Sense and Sensibility and Sea Monsters | 2009 | 11 |
| 13 | 2008 | 17 | |
| 14 | 2007 | 4 | |
| 15 | 2007 | 5 | |
| 16 | Erich Wolfgang Korngold's The Adventures of Robin Hood: A Film Score Guide | 2007 | 5 |
About Ben Winters
Ben Winters is a scholar working on Music, Economics and Econometrics, Urban Studies, Communication and Cognitive Neuroscience, having authored 16 papers that have together received 116 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (11 papers), Music History and Culture (8 papers), Cinema and Media Studies (6 papers), Theater, Performance, and Music History (4 papers), Neuroscience and Music Perception (2 papers), Diverse Musicological Studies (2 papers), Music Technology and Sound Studies (1 paper) and Radio, Podcasts, and Digital Media (1 paper). The work is most often cited by research in Music (66 citations), Literature and Literary Theory (36 citations), Visual Arts and Performing Arts (15 citations), Economics and Econometrics (35 citations) and Cultural Studies (9 citations). Ben Winters has collaborated with scholars based in United Kingdom, Poland and United States. Frequent co-authors include Jane Austen, Claudia Gorbman, James Buhler and Anahid Kassabian. Their work appears in journals such as Music and Letters, Journal of the Royal Musical Association, City Research Online (City University London), University of Washington Tacoma Digital Commons (University of Washington Tacoma) and Open Research Online (The Open University).
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.