Nicolas Slonimsky

638 total citations
33 papers, 121 citations indexed

About

Nicolas Slonimsky is a scholar working on Music, Computer Vision and Pattern Recognition and Education. According to data from OpenAlex, Nicolas Slonimsky has authored 33 papers receiving a total of 121 indexed citations (citations by other indexed papers that have themselves been cited), including 21 papers in Music, 2 papers in Computer Vision and Pattern Recognition and 2 papers in Education. Recurrent topics in Nicolas Slonimsky's work include Musicology and Musical Analysis (17 papers), Diverse Musicological Studies (13 papers) and Music History and Culture (4 papers). Nicolas Slonimsky is often cited by papers focused on Musicology and Musical Analysis (17 papers), Diverse Musicological Studies (13 papers) and Music History and Culture (4 papers). Nicolas Slonimsky collaborates with scholars based in . Nicolas Slonimsky's co-authors include Jacques Barzun, Gilbert Chase, Richard Kostelanetz, Barney Childs, Caryl Emerson, Susan T. Sommer, Baker, Marion S. Gushee, T. P. Baker and Stanley Sadie and has published in prestigious journals such as The Modern Language Review, Notes and The Slavic and East European Journal.

In The Last Decade

Nicolas Slonimsky

16 papers receiving 49 citations

Peers

Nicolas Slonimsky
Roy Howat United Kingdom
John Covach United States
Robin Stowell United Kingdom
Dika Newlin United States
Albin J. Zak United States
Judy Lochhead United States
Nicolas Slonimsky
Citations per year, relative to Nicolas Slonimsky Nicolas Slonimsky (= 1×) peers Olivier Messiaen

Countries citing papers authored by Nicolas Slonimsky

Since Specialization
Citations

This map shows the geographic impact of Nicolas Slonimsky's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Nicolas Slonimsky with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Nicolas Slonimsky more than expected).

Fields of papers citing papers by Nicolas Slonimsky

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Nicolas Slonimsky. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Nicolas Slonimsky. The network helps show where Nicolas Slonimsky may publish in the future.

Co-authorship network of co-authors of Nicolas Slonimsky

This figure shows the co-authorship network connecting the top 25 collaborators of Nicolas Slonimsky. A scholar is included among the top collaborators of Nicolas Slonimsky based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Nicolas Slonimsky. Nicolas Slonimsky is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Slonimsky, Nicolas, et al.. (2004). Russian and Soviet music and composers. Routledge eBooks. 1 indexed citations
2.
Slonimsky, Nicolas, et al.. (1998). Webster's New World dictionary of music. Medical Entomology and Zoology. 7 indexed citations
3.
Baker, T. P. & Nicolas Slonimsky. (1995). Dictionnaire biographique des musiciens.
4.
Slonimsky, Nicolas, et al.. (1994). The concise edition of Baker's biographical dictionary of musicians.
5.
Slonimsky, Nicolas, et al.. (1994). Nicolas Slonimsky: The First Hundred Years. Medical Entomology and Zoology. 1 indexed citations
6.
Slonimsky, Nicolas. (1991). Further Light on Tchaikovsky. The Musical Quarterly. 75(4). 70–73. 1 indexed citations
7.
Slonimsky, Nicolas, et al.. (1990). Scriabin: Artist and Mystic. The Modern Language Review. 85(3). 815–815. 7 indexed citations
8.
Emerson, Caryl, et al.. (1989). Scriabin: Artist and Mystic. The Slavic and East European Journal. 33(2). 316–316. 8 indexed citations
9.
Slonimsky, Nicolas. (1979). 51 minitudes for piano : 1972-76. 1 indexed citations
10.
Slonimsky, Nicolas. (1979). The road to music.
11.
Slonimsky, Nicolas. (1977). Lexicographis secundus post Herculem labor. Notes. 33(4). 763–763.
12.
Slonimsky, Nicolas, et al.. (1962). "Baker's Biographical Dictionary of Musicans", Nicolas Slonimsky, New York 1958 : [recenzja] / Zdeněk Výborný ; tł. Zofia Kowalewska.. 7. 1 indexed citations
13.
Slonimsky, Nicolas. (1960). THE WEATHER AT MOZART'S FUNERAL. The Musical Quarterly. XLVI(1). 12–21. 1 indexed citations
14.
Slonimsky, Nicolas, et al.. (1959). Tonality, Atonality, Pantonality; A Study of Some Trends in Twentieth Century Music. Notes. 16(3). 393–393. 5 indexed citations
15.
Baker, et al.. (1959). Baker's Biographical Dictionary of Musicians. Notes. 16(2). 239–239. 2 indexed citations
16.
Slonimsky, Nicolas, et al.. (1958). Modest Mussorgsky; His Life and Works. Notes. 15(2). 208–208. 2 indexed citations
17.
Slonimsky, Nicolas, et al.. (1956). Passport to Paris. Notes. 13(4). 642–642. 4 indexed citations
18.
Slonimsky, Nicolas, et al.. (1955). Music in My Time; The Memoirs of Alfredo Casella. Notes. 12(4). 587–587. 2 indexed citations
19.
Slonimsky, Nicolas. (1954). REVIEWS OF BOOKS. The Musical Quarterly. XL(3). 425–430.
20.
Barzun, Jacques & Nicolas Slonimsky. (1953). Lexicon of Musical Invective; Critical Assaults on Composers Since Beethoven's Time. Notes. 10(4). 620–620. 25 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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