Martin Scherzinger
- Music top 2%
- Computer Vision and Pattern Recognition
- Sociology and Political Science
- Cognitive Neuroscience
- Visual Arts and Performing Arts
- Topics
- Music History and Culture (15 papers)Musicology and Musical Analysis (14 papers)Diverse Musicological Studies (9 papers)
- Journals
- SHILAP Revista de lepidopterologíaJournal of Change ManagementPopular Music
- Partner nations
- United StatesGermanyIreland
In The Last Decade
Martin Scherzinger
24 papers receiving 67 citations
Peers
Comparison fields: 5 of 40
- Music 67
- Computer Vision and Pattern Recognition 22
- Sociology and Political Science 14
- Cognitive Neuroscience 13
- Visual Arts and Performing Arts 9
Countries citing papers authored by Martin Scherzinger
This map shows the geographic impact of Martin Scherzinger's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Martin Scherzinger with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Martin Scherzinger more than expected).
Fields of papers citing papers by Martin Scherzinger
This network shows the impact of papers produced by Martin Scherzinger. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Martin Scherzinger. The network helps show where Martin Scherzinger may publish in the future.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 0 | |
| 2 | 2 | |
| 3 | Notes on a Postcolonial Musicology: Kofi Agawu and the Critique of Cultural Difference | 1 |
| 4 | 0 | |
| 5 | Dancing with Philosophy: A Ficto-Critical Report on Timothy Taylor’s Critique of Kevin Volans | 0 |
| 6 | 1 | |
| 7 | 0 | |
| 8 | 5 | |
| 9 | 2 | |
| 10 | 4 | |
| 11 | 2 | |
| 12 | 1 | |
| 13 | 10 | |
| 14 | Music in the Thought of Deconstruction / Deconstruction in the Thought of Music | 0 |
| 15 | In Memory of a Receding Dialectic: Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics | 1 |
| 16 | Negotiating the Music-Theory / African-Music Nexus : a political critique of ethnomusicological anti-formalism and a strategic analysis of the harmonic patterning of the Shona Mbira Song Nyamaropa | 18 |
| 17 | 0 | |
| 18 | Recital of complete works for Piano and Mbira (The Atrium, University of the Witwatersrand, Johannesburg, South Africa) | 1 |
| 19 | The ‘New Poetics’ of Musical Influence: A Response to Kevin Korsyn | 1 |
| 20 | Radio Performances of arrangements and re-compositions of Bach Preludes and Fugues for marimba ensemble of various sizes (South African Broadcasting Corporation (SABC), Johannesburg, South Africa) | 1 |
About Martin Scherzinger
Martin Scherzinger is a scholar working on Music, Archeology and Visual Arts and Performing Arts, having authored 36 papers that have together received 104 indexed citations. Recurring topics across this work include Music History and Culture (15 papers), Musicology and Musical Analysis (14 papers) and Diverse Musicological Studies (9 papers). The work is most often cited by research in Music (67 citations), Archeology (2 citations) and Visual Arts and Performing Arts (9 citations). Martin Scherzinger has collaborated with scholars based in United States, Germany and Ireland. Their work appears in journals such as SHILAP Revista de lepidopterología, Journal of Change Management and Popular Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.