Martin Rempe

417 total citations
18 papers, 26 citations indexed

About

Martin Rempe is a scholar working on Political Science and International Relations, Music and Sociology and Political Science. According to data from OpenAlex, Martin Rempe has authored 18 papers receiving a total of 26 indexed citations (citations by other indexed papers that have themselves been cited), including 5 papers in Political Science and International Relations, 5 papers in Music and 3 papers in Sociology and Political Science. Recurrent topics in Martin Rempe's work include Arts, Culture, and Music Studies (3 papers), Musicology and Musical Analysis (3 papers) and Historical Influence and Diplomacy (3 papers). Martin Rempe is often cited by papers focused on Arts, Culture, and Music Studies (3 papers), Musicology and Musical Analysis (3 papers) and Historical Influence and Diplomacy (3 papers). Martin Rempe collaborates with scholars based in Germany. Martin Rempe's co-authors include Klaus Nathaus and has published in prestigious journals such as Journal of Urban History, Humanity and Itinerario.

In The Last Decade

Martin Rempe

7 papers receiving 17 citations

Peers

Martin Rempe
Joachim Schaper Australia
Tunisia
Jeffrey Stackert United States
Jonathan G. Campbell United Kingdom
Frances Milton Trollope
Elizabeth Shanks Alexander United States
Jean-François Leguil-Bayart France
Daniel K. Falk United States
Len Scales United Kingdom
Houston Stewart Chamberlain
Joachim Schaper Australia
Martin Rempe
Citations per year, relative to Martin Rempe Martin Rempe (= 1×) peers Joachim Schaper

Countries citing papers authored by Martin Rempe

Since Specialization
Citations

This map shows the geographic impact of Martin Rempe's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Martin Rempe with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Martin Rempe more than expected).

Fields of papers citing papers by Martin Rempe

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Martin Rempe. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Martin Rempe. The network helps show where Martin Rempe may publish in the future.

Co-authorship network of co-authors of Martin Rempe

This figure shows the co-authorship network connecting the top 25 collaborators of Martin Rempe. A scholar is included among the top collaborators of Martin Rempe based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Martin Rempe. Martin Rempe is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

18 of 18 papers shown
1.
Rempe, Martin, et al.. (2025). Infrastructures of Musical Globalization, 1850–2000: Introduction. New Global Studies. 19(2). 89–101.
2.
Rempe, Martin. (2023). Art, Play, Labour: the Music Profession in Germany (1850–1960). KOPS (University of Konstanz).
3.
Rempe, Martin. (2021). Respect!: Edward Wilmot Blyden and the Cosmopolitan Challenge. Humanity. 12(1). 73–86.
4.
Nathaus, Klaus & Martin Rempe. (2020). Musicking in Twentieth-Century Europe: A Handbook.
5.
Rempe, Martin. (2020). Grenzgänger. Geschichte und Gesellschaft. 46(1). 25–53.
6.
Rempe, Martin, et al.. (2019). The Making of Music Venues: Inquiries into Global Urban History. Journal of Urban History. 47(5). 955–962. 2 indexed citations
7.
Rempe, Martin. (2019). Kunst, Spiel, Arbeit. Vandenhoeck & Ruprecht eBooks.
8.
Rempe, Martin. (2019). Das Vergnügen der Anderen : Unterhaltungsmusiker avant la lettre im Kaiserreich. 2019(2). 25–35.
9.
Rempe, Martin. (2019). Entertainment for Everyone: The Nashville Ryman Auditorium before the Advent of Country Music. Journal of Urban History. 47(5). 1016–1031. 1 indexed citations
10.
Rempe, Martin, et al.. (2017). Cultural Brokers and the Making of Glocal Soundscapes, 1880s to 1930s. Itinerario. 41(2). 223–233. 3 indexed citations
11.
Rempe, Martin. (2017). Cultural Brokers in Uniform: The Global Rise of Military Musicians and Their Music. Itinerario. 41(2). 327–352. 3 indexed citations
12.
Rempe, Martin, et al.. (2016). Mapping Agency. 4 indexed citations
13.
Rempe, Martin, et al.. (2015). Kommunikation im Musikleben. Vandenhoeck & Ruprecht eBooks. 2 indexed citations
14.
Rempe, Martin, et al.. (2015). Vergemeinschaftung, Pluralisierung, Fragmentierung : Kommunikationsprozesse im Musikleben des 20. Jahrhunderts. MPG.PuRe (Max Planck Society). 9–24. 1 indexed citations
15.
Rempe, Martin. (2013). Garavini, Giuliano: After Empires : European Integration, Decolonization, and the Challenge from the Global South 1957–1986 [Rezension]. 2 indexed citations
16.
Rempe, Martin. (2012). Entwicklung im Konflikt. Böhlau Verlag eBooks. 7 indexed citations
17.
Rempe, Martin, et al.. (2011). La République décolonisée. Geschichte und Gesellschaft. 37(2). 157–197. 1 indexed citations
18.
Rempe, Martin. (2009). Fit für den Weltmarkt in fünf Jahren? Die Modernisierung der senegalesischen Erdnusswirtschaft in den 1960er Jahren. KOPS (University of Konstanz). 241–274.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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2026