Marion Leonard

407 total citations
16 papers, 222 citations indexed

About

Marion Leonard is a scholar working on Music, Urban Studies and Museology. According to data from OpenAlex, Marion Leonard has authored 16 papers receiving a total of 222 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Music, 9 papers in Urban Studies and 4 papers in Museology. Recurrent topics in Marion Leonard's work include Music History and Culture (9 papers), Cultural Industries and Urban Development (9 papers) and Diverse Musicological Studies (5 papers). Marion Leonard is often cited by papers focused on Music History and Culture (9 papers), Cultural Industries and Urban Development (9 papers) and Diverse Musicological Studies (5 papers). Marion Leonard collaborates with scholars based in United Kingdom. Marion Leonard's co-authors include Les Roberts and Sara Cohen and has published in prestigious journals such as Social & Cultural Geography, International Journal of Heritage Studies and Journal of New Music Research.

In The Last Decade

Marion Leonard

14 papers receiving 175 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Marion Leonard United Kingdom	7	142	62	59	47	30	16	222
RoseLee Goldberg	6	23 0.2×	14 0.2×	29 0.5×	5 0.1×	16 0.5×	14	190
Joni Boyd Acuff United States	9	85 0.6×	12 0.2×	125 2.1×	9 0.2×	18 0.6×	22	249
Jeremy Wallach United States	8	123 0.9×	13 0.2×	109 1.8×	24 0.5×	5 0.2×	14	195
Gregory Battcock United States	6	19 0.1×	21 0.3×	33 0.6×	5 0.1×	14 0.5×	17	206
David Joselit United States	8	11 0.1×	22 0.4×	31 0.5×	3 0.1×	17 0.6×	37	169
Geoffrey Baker United Kingdom	9	91 0.6×	14 0.2×	54 0.9×	3 0.1×	2 0.1×	28	181
Willmar Sauter Sweden	6	27 0.2×	16 0.3×	61 1.0×	7 0.1×	2 0.1×	27	163
Kirsty Sedgman United Kingdom	7	41 0.3×	24 0.4×	45 0.8×	7 0.1×	1 0.0×	18	134
Jennifer Lynn Stoever Ireland	5	143 1.0×	6 0.1×	69 1.2×	17 0.4×		11	259
Hermano Vianna Brazil	5	40 0.3×	14 0.2×	70 1.2×	9 0.2×	2 0.1×	7	120

Countries citing papers authored by Marion Leonard

Since Specialization

Citations

This map shows the geographic impact of Marion Leonard's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Marion Leonard with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Marion Leonard more than expected).

Fields of papers citing papers by Marion Leonard

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Marion Leonard. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Marion Leonard. The network helps show where Marion Leonard may publish in the future.

Co-authorship network of co-authors of Marion Leonard

This figure shows the co-authorship network connecting the top 25 collaborators of Marion Leonard. A scholar is included among the top collaborators of Marion Leonard based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Marion Leonard. Marion Leonard is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

16 of 16 papers shown

1.

Leonard, Marion. (2017). Gender in the Music Industry. 6 indexed citations

2.

Leonard, Marion, et al.. (2017). Introduction. 10(2). 107–112. 1 indexed citations

3.

Leonard, Marion, et al.. (2017). A critical survey of museum collections of popular music in the United Kingdom. White Rose Research Online (University of Leeds, The University of Sheffield, University of York). 10(2). 171–191.

4.

Leonard, Marion. (2016). Girls at Work: Gendered Identities, Sex Segregation, and Employment Experiences in the Music Industries. 47–65. 6 indexed citations

5.

Cohen, Sara, et al.. (2014). Unveiling Memory: Blue Plaques as In/tangible Markers of Popular Music Heritage. 227–244. 5 indexed citations

6.

Cohen, Sara, et al.. (2014). Introduction: Locating Popular Music Heritage. 7–18.

7.

Leonard, Marion, et al.. (2014). 'Engaging nostalgia: popular music and memory in museums'. 166–179. 3 indexed citations

8.

Cohen, Sara, et al.. (2014). Mapping the Politics of ‘Race’, Place and Memory in Liverpool’s Popular Music Heritage. 51–67. 1 indexed citations

9.

Leonard, Marion. (2013). Staging the Beatles: ephemerality, materiality and the production of authenticity in the museum. International Journal of Heritage Studies. 20(4). 357–375. 19 indexed citations

10.

Leonard, Marion. (2012). The “Lord Mayor of Beatle-land”: Popular Music, Local Government, and the Promotion of Place in 1960s Liverpool. Popular Music & Society. 36(5). 597–614. 1 indexed citations

11.

Leonard, Marion. (2010). Exhibiting Popular Music: Museum Audiences, Inclusion and Social History. Journal of New Music Research. 39(2). 171–181. 35 indexed citations

12.

Leonard, Marion. (2007). Gender in the Music Industry: Rock, Discourse and Girl Power. Medical Entomology and Zoology. 59 indexed citations

13.

Leonard, Marion. (2007). Constructing histories through material culture. 2(2). 147–167. 36 indexed citations

14.

Leonard, Marion. (2005). Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool. Social & Cultural Geography. 6(4). 515–529. 27 indexed citations

15.

Leonard, Marion, et al.. (2004). A musical nation: protection, investment and branding in the Irish music industry. Irish Studies Review. 12(1). 39–49. 5 indexed citations

16.

Leonard, Marion. (1997). "Rebel girl, you are the queen of my world" : feminism, "subculture" and grrrl power. 18 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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