John Clough

693 total citations
20 papers, 395 citations indexed

About

John Clough is a scholar working on Music, Computational Theory and Mathematics and Geometry and Topology. According to data from OpenAlex, John Clough has authored 20 papers receiving a total of 395 indexed citations (citations by other indexed papers that have themselves been cited), including 5 papers in Music, 3 papers in Computational Theory and Mathematics and 2 papers in Geometry and Topology. Recurrent topics in John Clough's work include Musicology and Musical Analysis (5 papers), Advanced Mathematical Theories and Applications (2 papers) and Mathematics and Applications (2 papers). John Clough is often cited by papers focused on Musicology and Musical Analysis (5 papers), Advanced Mathematical Theories and Applications (2 papers) and Mathematics and Applications (2 papers). John Clough collaborates with scholars based in United States. John Clough's co-authors include Gerald Myerson, Jack Douthett, Narayanan Ramanathan and Lewis Rowell and has published in prestigious journals such as American Mathematical Monthly, Journal of Music Theory and Music Theory Spectrum.

In The Last Decade

John Clough

17 papers receiving 226 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
John Clough United States	10	267	233	183	131	29	20	395
Jack Douthett United States	9	260 1.0×	249 1.1×	196 1.1×	99 0.8×	19 0.7×	21	366
Dmitri Tymoczko United States	10	289 1.1×	278 1.2×	281 1.5×	139 1.1×	18 0.6×	28	452
David Clampitt United States	7	99 0.4×	118 0.5×	86 0.5×	77 0.6×	48 1.7×	12	216
Norman Carey United States	7	95 0.4×	111 0.5×	79 0.4×	75 0.6×	43 1.5×	13	202
Emmanuel Amiot France	8	97 0.4×	126 0.5×	134 0.7×	71 0.5×	21 0.7×	23	205
Ian Quinn United States	10	168 0.6×	207 0.9×	167 0.9×	142 1.1×	6 0.2×	15	301
Marc Chemillier France	8	17 0.1×	63 0.3×	95 0.5×	90 0.7×	33 1.1×	31	174
Wolfgang Haas Netherlands	10	35 0.1×	143 0.6×	211 1.2×	231 1.8×	3 0.1×	35	288
Leonard M. Isaacson United States	5	12 0.0×	71 0.3×	124 0.7×	101 0.8×	5 0.2×	7	169
Alastair Porter Spain	9	55 0.2×	52 0.2×	160 0.9×	253 1.9×		20	280

Countries citing papers authored by John Clough

Since Specialization

Citations

This map shows the geographic impact of John Clough's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by John Clough with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites John Clough more than expected).

Fields of papers citing papers by John Clough

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by John Clough. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by John Clough. The network helps show where John Clough may publish in the future.

Co-authorship network of co-authors of John Clough

This figure shows the co-authorship network connecting the top 25 collaborators of John Clough. A scholar is included among the top collaborators of John Clough based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with John Clough. John Clough is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Clough, John. (2002). Diatonic Trichords in Two Pieces from Kurtág's <i>Kafka-Fragmente</i>: A Neo-Riemannian Approach. Studia Musicologica. 43(3). 333–344. 2 indexed citations

Clough, John, et al.. (1999). Scales, Sets, and Interval Cycles: A Taxonomy. Music Theory Spectrum. 21(1). 74–104. 28 indexed citations

Clough, John. (1998). A Rudimentary Geometric Model for Contextual Transposition and Inversion. Journal of Music Theory. 42(2). 297–297. 12 indexed citations

Clough, John, et al.. (1997). Hyperscales and the Generalized Tetrachord. Journal of Music Theory. 41(1). 67–67. 13 indexed citations

Clough, John. (1994). Diatonic Interval Cycles and Hierarchical Structure. Perspectives of New Music. 32(1). 228–228. 6 indexed citations

Clough, John, Jack Douthett, Narayanan Ramanathan, & Lewis Rowell. (1993). Early Indian Heptatonic Scales and Recent Diatonic Theory. Music Theory Spectrum. 15(1). 36–58. 10 indexed citations

Clough, John & Jack Douthett. (1991). Maximally Even Sets. Journal of Music Theory. 35(1/2). 93–93. 115 indexed citations

Clough, John. (1989). : Generalized Musical Intervals and Transformations . David Lewin.. Music Theory Spectrum. 11(2). 226–231. 2 indexed citations

Clough, John. (1989). Generalized Musical Intervals and Transformations David Lewin. Music Theory Spectrum. 11(2). 226–231. 2 indexed citations

10.

Clough, John & Gerald Myerson. (1986). Musical Scales and the Generalized Circle of Fifths. American Mathematical Monthly. 93(9). 695–701. 38 indexed citations

11.

Clough, John & Gerald Myerson. (1986). Musical Scales and the Generalized Circle of Fifths. American Mathematical Monthly. 93(9). 695–695. 14 indexed citations

12.

Clough, John & Gerald Myerson. (1985). Variety and Multiplicity in Diatonic Systems. Journal of Music Theory. 29(2). 249–249. 89 indexed citations

13.

Clough, John. (1983). Use of the Exclusion Relation to Profile Pitch-Class Sets. Journal of Music Theory. 27(2). 181–181. 2 indexed citations

14.

Clough, John. (1979). Diatonic Interval Sets and Transformational Structures. Perspectives of New Music. 18(1/2). 461–461. 17 indexed citations

15.

Clough, John. (1979). Aspects of Diatonic Sets. Journal of Music Theory. 23(1). 45–45. 30 indexed citations

16.

Clough, John. (1970). TEMPO: A Composer's Programming Language. Perspectives of New Music. 9(1). 113–113. 3 indexed citations

17.

Clough, John, et al.. (1965). Twentieth Century Music Idioms. Journal of Music Theory. 9(2). 313–313.

18.

Clough, John. (1965). Pitch-Set Equivalence and Inclusion (A Comment on Forte's Theory of Set-Complexes). Journal of Music Theory. 9(1). 163–163. 7 indexed citations

19.

Clough, John, et al.. (1964). Scales, Intervals, Keys and Triads. Journal of Music Theory. 8(2). 273–273. 1 indexed citations

20.

Clough, John. (1957). The Leading Tone in Direct Chromaticism: From Renaissance to Baroque. Journal of Music Theory. 1(1). 2–2. 4 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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