This map shows the geographic impact of Jane Stadler's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jane Stadler with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jane Stadler more than expected).
This network shows the impact of papers produced by Jane Stadler. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jane Stadler. The network helps show where Jane Stadler may publish in the future.
Co-authorship network of co-authors of Jane Stadler
This figure shows the co-authorship network connecting the top 25 collaborators of Jane Stadler.
A scholar is included among the top collaborators of Jane Stadler based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Jane Stadler. Jane Stadler is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Stadler, Jane, et al.. (2015). Imagined Landscapes: Geovisualizing Australian Spatial Narratives. Swinburne Research Bank (Swinburne University of Technology).4 indexed citations
6.
Robinson, Jennifer, et al.. (2015). Sound and sight: An exploratory look at Saving Private Ryan through the eye tracking lens. Swinburne Research Bank (Swinburne University of Technology). 25.1 indexed citations
7.
Stadler, Jane. (2014). Affect, film and. 1–6.1 indexed citations
8.
Stadler, Jane. (2012). Seeing with green eyes: Tasmanian landscape cinema and the ecological gaze. Swinburne Research Bank (Swinburne University of Technology). 65.4 indexed citations
Stadler, Jane, et al.. (2011). Pockets of Change : Adaptation and Cultural Transition. QUT ePrints (Queensland University of Technology).2 indexed citations
11.
Stadler, Jane. (2011). Phenomenology Goes to the Movies. Swinburne Research Bank (Swinburne University of Technology). 5(1).2 indexed citations
12.
Stadler, Jane. (2011). Oreo, Topdeck and Eminem. International Journal of Cultural Studies. 14(2). 153–172.4 indexed citations
13.
Mitchell, Peta & Jane Stadler. (2010). Imaginative Cinematic Geographies of Australia: The Mapped View in Charles Chauvel’s Jedda and Baz Luhrmann’s Australia. QUT ePrints (Queensland University of Technology). 38. 26–51.
Stadler, Jane. (2009). 'The Proposition': The outback landscape and 'negative spaces' in Australia's colonial history. Metrologia. 163(163). 68–73.1 indexed citations
17.
Stadler, Jane & Kelly McWilliam. (2009). Screen Media: Analysing Film and Television. University of Southern Queensland ePrints (University of Southern Queensland).10 indexed citations
18.
O’Shaughnessy, Michael V. & Jane Stadler. (2008). Media and Society [4th Ed.].1 indexed citations
19.
Deacon, Andrew, Andrew Morrison, & Jane Stadler. (2005). Designing for learning through multimodal production: Film narrative and spectatorship in Director's Cut. QUT ePrints (Queensland University of Technology). 1(1). 72–89.4 indexed citations
20.
O’Shaughnessy, Michael V. & Jane Stadler. (2001). Media and Society: An Introduction. Queensland's institutional digital repository (The University of Queensland).45 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.