Harris M. Berger

1.1k total citations
19 papers, 428 citations indexed

About

Harris M. Berger is a scholar working on Music, Sociology and Political Science and Visual Arts and Performing Arts. According to data from OpenAlex, Harris M. Berger has authored 19 papers receiving a total of 428 indexed citations (citations by other indexed papers that have themselves been cited), including 12 papers in Music, 4 papers in Sociology and Political Science and 4 papers in Visual Arts and Performing Arts. Recurrent topics in Harris M. Berger's work include Music History and Culture (11 papers), Diverse Musicological Studies (8 papers) and Musicology and Musical Analysis (7 papers). Harris M. Berger is often cited by papers focused on Music History and Culture (11 papers), Diverse Musicological Studies (8 papers) and Musicology and Musical Analysis (7 papers). Harris M. Berger collaborates with scholars based in United States, France and Canada. Harris M. Berger's co-authors include Daniel Cavicchi, Stephen Hill, Robert Walser, Michael Hicks, Ruth M. Stone and Gérôme Guibert and has published in prestigious journals such as Labour / Le Travail, Journal of American Folklore and Ethnomusicology.

In The Last Decade

Harris M. Berger

17 papers receiving 282 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Harris M. Berger United States 10 269 136 66 46 38 19 428
Aaron A. Fox United States 6 202 0.8× 88 0.6× 48 0.7× 20 0.4× 29 0.8× 13 388
Robert Walser United Kingdom 10 423 1.6× 170 1.3× 80 1.2× 66 1.4× 50 1.3× 44 569
Guthrie P. Ramsey United States 4 252 0.9× 168 1.2× 56 0.8× 36 0.8× 35 0.9× 16 388
Thomas Turino United States 13 403 1.5× 272 2.0× 106 1.6× 15 0.3× 59 1.6× 30 645
Sheila Whiteley Algeria 9 329 1.2× 142 1.0× 73 1.1× 107 2.3× 25 0.7× 31 455
Peter Dunbar‐Hall Australia 13 319 1.2× 107 0.8× 26 0.4× 13 0.3× 19 0.5× 59 511
Richard Leppert South Korea 8 355 1.3× 129 0.9× 26 0.4× 27 0.6× 94 2.5× 40 566
Jason Toynbee United Kingdom 8 207 0.8× 115 0.8× 40 0.6× 36 0.8× 17 0.4× 17 335
Emery Petchauer United States 14 159 0.6× 272 2.0× 14 0.2× 25 0.5× 47 1.2× 37 582
Theodore Gracyk United States 10 256 1.0× 86 0.6× 27 0.4× 21 0.5× 41 1.1× 42 447

Countries citing papers authored by Harris M. Berger

Since Specialization
Citations

This map shows the geographic impact of Harris M. Berger's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Harris M. Berger with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Harris M. Berger more than expected).

Fields of papers citing papers by Harris M. Berger

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Harris M. Berger. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Harris M. Berger. The network helps show where Harris M. Berger may publish in the future.

Co-authorship network of co-authors of Harris M. Berger

This figure shows the co-authorship network connecting the top 25 collaborators of Harris M. Berger. A scholar is included among the top collaborators of Harris M. Berger based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Harris M. Berger. Harris M. Berger is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

19 of 19 papers shown
1.
Berger, Harris M.. (2019). Currents and Contradictions in the Ethnomusicology of Popular Music. 6(2). 216–222. 3 indexed citations
2.
Berger, Harris M. & Ruth M. Stone. (2019). Theory for Ethnomusicology. 10 indexed citations
3.
4.
Berger, Harris M. & Gérôme Guibert. (2006). « Aspects du death metal ». Affect, objet et vécu social de la musique. HAL (Le Centre pour la Communication Scientifique Directe). 2 indexed citations
5.
Berger, Harris M., et al.. (2003). Global Pop, Local Language. Project Muse (Johns Hopkins University). 69 indexed citations
6.
Berger, Harris M., et al.. (2002). Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience. 47. 209–209. 19 indexed citations
7.
Berger, Harris M., et al.. (2002). Bauman’sVerbal Artand the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance. Journal of American Folklore. 115(455). 62–91. 1 indexed citations
8.
Berger, Harris M., et al.. (2002). Introduction: Toward New Perspectives on Verbal Art as Performance. Journal of American Folklore. 115(455). 4–4. 1 indexed citations
9.
Berger, Harris M., et al.. (2002). Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience. Ethnomusicology. 46(1). 174–174. 6 indexed citations
10.
Hill, Stephen & Harris M. Berger. (2002). Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience. Yearbook for Traditional Music. 34. 213–213. 66 indexed citations
11.
Berger, Harris M., et al.. (2002). Introduction: Toward New Perspectives on Verbal Art as Performance. Journal of American Folklore. 115(455). 4–4. 3 indexed citations
12.
Berger, Harris M., et al.. (2002). Bauman's Verbal Art and the Social Organization of Attention: The Role of Reflexivity in the Aesthetics of Performance. Journal of American Folklore. 115(455). 62–91. 21 indexed citations
13.
Berger, Harris M. & Daniel Cavicchi. (2001). Tramps like Us: Music and Meaning among Springsteen Fans. Ethnomusicology. 45(2). 357–357. 86 indexed citations
14.
15.
Berger, Harris M. & Michael Hicks. (1999). Sixties Rock: Garage, Psychedelic, and Other Satisfactions. Labour / Le Travail. 44. 277–277. 23 indexed citations
16.
Berger, Harris M.. (1999). Death metal tonality and the act of listening. Popular Music. 18(2). 161–178. 27 indexed citations
17.
Berger, Harris M.. (1997). The Practice of Perception: Multi-Functionality and Time in the Musical Experiences of a Heavy Metal Drummer. Ethnomusicology. 41(3). 464–464. 17 indexed citations
18.
Berger, Harris M.. (1996). Perception in the moral continuum of history : an ethnography of metal, rock and jazz in northeast Ohio. UMI eBooks. 2 indexed citations
19.
Walser, Robert & Harris M. Berger. (1993). Running with the Devil. 62 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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