Ian Cross

4.5k total citations
99 papers, 1.9k citations indexed

About

Ian Cross is a scholar working on Cognitive Neuroscience, Signal Processing and Experimental and Cognitive Psychology. According to data from OpenAlex, Ian Cross has authored 99 papers receiving a total of 1.9k indexed citations (citations by other indexed papers that have themselves been cited), including 66 papers in Cognitive Neuroscience, 27 papers in Signal Processing and 22 papers in Experimental and Cognitive Psychology. Recurrent topics in Ian Cross's work include Neuroscience and Music Perception (63 papers), Music and Audio Processing (27 papers) and Music Technology and Sound Studies (16 papers). Ian Cross is often cited by papers focused on Neuroscience and Music Perception (63 papers), Music and Audio Processing (27 papers) and Music Technology and Sound Studies (16 papers). Ian Cross collaborates with scholars based in United Kingdom, United States and France. Ian Cross's co-authors include Tal-Chen Rabinowitch, Pamela Burnard, Robert West, Peter Howell, Martin Rohrmeier, Matthew Woolhouse, Patrick Rebuschat, Iréne Deliège, Susan Hallam and Dan Tidhar and has published in prestigious journals such as SHILAP Revista de lepidopterología, PLoS ONE and Trends in Neurosciences.

In The Last Decade

Ian Cross

89 papers receiving 1.7k citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Ian Cross United Kingdom	22	1.2k	577	505	438	420	99	1.9k
Psyche Loui United States	30	2.2k 1.7×	616 1.1×	503 1.0×	729 1.7×	445 1.1×	80	2.5k
Erin E. Hannon United States	22	1.8k 1.4×	342 0.6×	414 0.8×	624 1.4×	528 1.3×	45	2.2k
Daniel Müllensiefen United Kingdom	27	2.1k 1.7×	633 1.1×	815 1.6×	654 1.5×	675 1.6×	119	2.7k
Richard Parncutt Austria	24	1.8k 1.5×	294 0.5×	661 1.3×	493 1.1×	891 2.1×	98	2.4k
David Huron United States	26	2.7k 2.2×	710 1.2×	977 1.9×	873 2.0×	1.5k 3.6×	120	3.5k
Martin Clayton United Kingdom	17	682 0.5×	317 0.5×	333 0.7×	166 0.4×	266 0.6×	76	1.1k
Michael J. Hove United States	22	2.0k 1.6×	1.2k 2.1×	225 0.4×	660 1.5×	209 0.5×	40	2.7k
Adam Tierney United Kingdom	26	1.9k 1.5×	231 0.4×	317 0.6×	766 1.7×	258 0.6×	87	2.3k
James C. Bartlett United States	33	2.6k 2.1×	602 1.0×	208 0.4×	963 2.2×	328 0.8×	69	3.2k
Katie Overy United Kingdom	20	1.6k 1.3×	727 1.3×	573 1.1×	377 0.9×	108 0.3×	48	2.1k

Countries citing papers authored by Ian Cross

Since Specialization

Citations

This map shows the geographic impact of Ian Cross's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Ian Cross with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Ian Cross more than expected).

Fields of papers citing papers by Ian Cross

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Ian Cross. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Ian Cross. The network helps show where Ian Cross may publish in the future.

Co-authorship network of co-authors of Ian Cross

This figure shows the co-authorship network connecting the top 25 collaborators of Ian Cross. A scholar is included among the top collaborators of Ian Cross based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Ian Cross. Ian Cross is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Cross, Ian, et al.. (2024). Rhythmic qualities of jazz improvisation predict performer identity and style in source-separated audio recordings. Royal Society Open Science. 11(11). 240920–240920. 1 indexed citations

Cross, Ian, et al.. (2024). Trade-offs in Coordination Strategies for Duet Jazz Performances Subject to Network Delay and Jitter. Music Perception An Interdisciplinary Journal. 42(1). 48–72. 1 indexed citations

Zhang, Xi & Ian Cross. (2024). Singers’ Realizations of Linguistic Tone in Chaozhou Song. Ethnomusicology. 68(2). 247–275. 1 indexed citations

Cross, Ian. (2023). Music in the digital age: commodity, community, communion. AI & Society. 38(6). 2387–2400. 1 indexed citations

Cross, Ian, et al.. (2022). Back to basics: A re-evaluation of the relevance of imprinting in the genesis of Bowlby’s attachment theory. Frontiers in Psychology. 13. 1033746–1033746. 8 indexed citations

Glowinski, Donald, et al.. (2022). A functional magnetic resonance imaging examination of audiovisual observation of a point-light string quartet using intersubject correlation and physical feature analysis. Frontiers in Neuroscience. 16. 921489–921489. 3 indexed citations

Blinderman, Craig D., et al.. (2021). Reconsidering Empathy: An Interpersonal Approach and Participatory Arts in the Medical Humanities. Journal of Medical Humanities. 42(4). 627–640. 11 indexed citations

Cornejo, Carlos, et al.. (2021). Musical improvisation enhances interpersonal coordination in subsequent conversation: Motor and speech evidence. PLoS ONE. 16(4). e0250166–e0250166. 11 indexed citations

Cornelius, Victoria, et al.. (2020). Community psychosocial music intervention (CHIME) to reduce antenatal common mental disorder symptoms in The Gambia: a feasibility trial. BMJ Open. 10(11). e040287–e040287. 22 indexed citations

10.

Rabinowitch, Tal-Chen & Ian Cross. (2018). Joint rhythmic tapping elicits distinct emotions depending on tap timing and prior musical training.. Emotion. 19(5). 808–817. 6 indexed citations

11.

Cross, Ian, et al.. (2017). Neural mechanisms underlying valence inferences to sound: The role of the right angular gyrus. Neuropsychologia. 102. 144–162. 11 indexed citations

12.

Cross, Ian, et al.. (2017). Sensory cortical response to uncertainty and low salience during recognition of affective cues in musical intervals. PLoS ONE. 12(4). e0175991–e0175991. 4 indexed citations

13.

Rohrmeier, Martin & Ian Cross. (2014). Modelling unsupervised online-learning of artificial grammars: Linking implicit and statistical learning. Consciousness and Cognition. 27. 155–167. 12 indexed citations

14.

Rebuschat, Patrick, et al.. (2011). Introduction: Language and music as cognitive systems. Lancaster EPrints (Lancaster University). 1 indexed citations

15.

Cross, Ian. (2011). The meanings of musical meanings. Physics of Life Reviews. 8(2). 116–9; discussion 125. 5 indexed citations

16.

Rohrmeier, Martin, Patrick Rebuschat, & Ian Cross. (2010). Incidental and online learning of melodic structure. Consciousness and Cognition. 20(2). 214–222. 55 indexed citations

17.

Cross, Ian. (2009). Communicative Development: Neonate Crying Reflects Patterns of Native-Language Speech. Current Biology. 19(23). R1078–R1079. 4 indexed citations

18.

Woodhouse, J., et al.. (2006). Perceptual tests with virtual violins. Cambridge University Engineering Department Publications Database.

19.

Cross, Ian. (2001). Music, Cognition, Culture, and Evolution. Annals of the New York Academy of Sciences. 930(1). 28–42. 210 indexed citations

20.

Howell, Peter, Robert West, & Ian Cross. (1991). Representing musical structure. UCL Discovery (University College London). 129 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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