Elke D’hoker
About
In The Last Decade
Elke D’hoker
24 papers receiving 50 citations
Peers
Comparison fields: 5 of 24
- Literature and Literary Theory 48
- Sociology and Political Science 17
- Visual Arts and Performing Arts 14
- Philosophy 12
- Experimental and Cognitive Psychology 9
Countries citing papers authored by Elke D’hoker
This map shows the geographic impact of Elke D’hoker's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Elke D’hoker with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Elke D’hoker more than expected).
Fields of papers citing papers by Elke D’hoker
This network shows the impact of papers produced by Elke D’hoker. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Elke D’hoker. The network helps show where Elke D’hoker may publish in the future.
Co-authorship network of co-authors of Elke D’hoker
This figure shows the co-authorship network connecting the top 25 collaborators of Elke D’hoker. A scholar is included among the top collaborators of Elke D’hoker based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Elke D’hoker. Elke D’hoker is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | Fin-de-Siècle Women Writers and the Modern Short Story | 1 |
| 3 | 1 | |
| 4 | Rewriting the Irish Short Story: Emma Donoghue’s The Woman Who Gave Birth To Rabbits | 0 |
| 5 | 1 | |
| 6 | Distorting Mirrors and Unsettling Snapshots: Anne Enright's Short Fiction | 1 |
| 7 | 0 | |
| 8 | 0 | |
| 9 | Reclaiming feminine identities: Anne Enright's The wig my father wore | 0 |
| 10 | The role of the imagination in Virginia Woolf’s short fiction | 0 |
| 11 | 3 | |
| 12 | Masks and mirrors: Anthony Blunt's True confessions in John Banville's The untouchable | 1 |
| 13 | Self-consciousness, solipsism, and storytelling: John Banville's debt to Samuel Beckett | 1 |
| 14 | Ripley Irish British bogle and The new Irish: hybrid identities in the fiction of Robert McLiam Wilson | 1 |
| 15 | The postmodern folktales of Eilís Ní Dhuibhne | 0 |
| 16 | Visions of Alterity: Representation in the Works of John Banville | 6 |
| 17 | 4 | |
| 18 | 0 | |
| 19 | Negative aesthetics in Hugo von Hofmannsthal's Ein Brief and John Banville's The Newton letter | 0 |
| 20 | Books of revelation: epiphany in John Banville's science tetralogy and Birchwood | 2 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.