David Sterritt

596 total citations
32 papers, 133 citations indexed

About

David Sterritt is a scholar working on Economics and Econometrics, Literature and Literary Theory and Visual Arts and Performing Arts. According to data from OpenAlex, David Sterritt has authored 32 papers receiving a total of 133 indexed citations (citations by other indexed papers that have themselves been cited), including 13 papers in Economics and Econometrics, 5 papers in Literature and Literary Theory and 4 papers in Visual Arts and Performing Arts. Recurrent topics in David Sterritt's work include Cinema and Media Studies (13 papers), Digital Games and Media (2 papers) and Art, Politics, and Modernism (2 papers). David Sterritt is often cited by papers focused on Cinema and Media Studies (13 papers), Digital Games and Media (2 papers) and Art, Politics, and Modernism (2 papers). David Sterritt collaborates with scholars based in United States and Canada. David Sterritt's co-authors include Andrew Hoberek, R. T. Schneider and Peter Whitehead and has published in prestigious journals such as SHILAP Revista de lepidopterología, Journal of Aesthetics and Art Criticism and Nuclear Technology.

In The Last Decade

David Sterritt

18 papers receiving 92 citations

Peers

David Sterritt
Steven Price United Kingdom
Raymond Bellour United States
William Rothman United States
Lynette Hunter United States
David Sterritt
Citations per year, relative to David Sterritt David Sterritt (= 1×) peers Donald Spoto

Countries citing papers authored by David Sterritt

Since Specialization
Citations

This map shows the geographic impact of David Sterritt's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Sterritt with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Sterritt more than expected).

Fields of papers citing papers by David Sterritt

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David Sterritt. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Sterritt. The network helps show where David Sterritt may publish in the future.

Co-authorship network of co-authors of David Sterritt

This figure shows the co-authorship network connecting the top 25 collaborators of David Sterritt. A scholar is included among the top collaborators of David Sterritt based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with David Sterritt. David Sterritt is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Sterritt, David. (2020). De Palma, Pure Cinema, and Snakes. Quarterly Review of Film and Video. 37(7). 631–633. 1 indexed citations
2.
Sterritt, David. (2018). Fuller, Fisher, and the Art of the B-Movie Auteur. Quarterly Review of Film and Video. 35(7). 737–740.
3.
Sterritt, David. (2018). The Wooster Group. Quarterly Review of Film and Video. 35(2). 202–207.
4.
Sterritt, David. (2016). Puzzle Pictures. Quarterly Review of Film and Video. 33(5). 478–481. 4 indexed citations
5.
Sterritt, David. (2014). The Cinema of Clint Eastwood. Columbia University Press eBooks.
6.
Sterritt, David. (2013). The neuro-image: a Deleuzian film-philosophy of digital screen culture. New Review of Film and Television Studies. 11(3). 394–398. 39 indexed citations
7.
Sterritt, David. (2013). The Beats. Oxford University Press eBooks. 2 indexed citations
8.
Sterritt, David, et al.. (2011). Dossier: Wholly Communion. Framework The Journal of Cinema and Media. 52(1). 6.
9.
Sterritt, David. (2011). Days of Heaven and Waco: Terrence Malick's The Tree of Life. Film Quarterly. 65(1). 52–57. 6 indexed citations
10.
Sterritt, David. (2010). James Walters (2008) Alternative Worlds in Hollywood Cinema: Resonance Between Realms. Film-Philosophy. 14(1). 310–317.
11.
Sterritt, David. (2009). Angels, Demons, MacGuffins, and the Goldbergs. Tikkun. 24(4). 59–61.
12.
Sterritt, David, et al.. (2004). Terry Gilliam : interviews. University Press of Mississippi eBooks.
13.
Sterritt, David. (2003). “The Future is Digital Cinema”: An Interview with Arturo Ripstein and Paz Alicia Garciadiego. Quarterly Review of Film and Video. 21(1). 39–51.
14.
Sterritt, David, et al.. (2000). Robert Altman : interviews. University Press of Mississippi eBooks. 2 indexed citations
15.
Sterritt, David. (2000). Revision, Prevision, and the Aura of Improvisatory Art. Journal of Aesthetics and Art Criticism. 58(2). 163–163. 6 indexed citations
16.
Hoberek, Andrew & David Sterritt. (1999). Mad to Be Saved: The Beats, the '50s, and Film. South Central Review. 16(4). 112–112. 6 indexed citations
17.
Sterritt, David. (1999). The Films of Jean-Luc Godard. Cambridge University Press eBooks. 19 indexed citations
18.
Sterritt, David, et al.. (1998). Jean-Luc Godard : interviews. University Press of Mississippi eBooks. 12 indexed citations
19.
Sterritt, David. (1993). The films of Alfred Hitchcock. Medical Entomology and Zoology. 8 indexed citations
20.
Sterritt, David, et al.. (1975). Specific Heat Ratio of UF6 Measured with A Ballistic Piston Compressor. Nuclear Technology. 25(1). 150–165. 5 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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