Charles Hamm

1.2k total citations
44 papers, 331 citations indexed

About

Charles Hamm is a scholar working on Music, Computer Vision and Pattern Recognition and Literature and Literary Theory. According to data from OpenAlex, Charles Hamm has authored 44 papers receiving a total of 331 indexed citations (citations by other indexed papers that have themselves been cited), including 21 papers in Music, 4 papers in Computer Vision and Pattern Recognition and 4 papers in Literature and Literary Theory. Recurrent topics in Charles Hamm's work include Music History and Culture (13 papers), Musicology and Musical Analysis (9 papers) and Theater, Performance, and Music History (8 papers). Charles Hamm is often cited by papers focused on Music History and Culture (13 papers), Musicology and Musical Analysis (9 papers) and Theater, Performance, and Music History (8 papers). Charles Hamm collaborates with scholars based in United States and United Kingdom. Charles Hamm's co-authors include Doris Evans McGinty, Charles Keil, Bruno Nettl, George Lipsitz, D. W. Krummel, Gilbert Chase, John Kirkpatrick, Robert Louis Stevenson, Richard F. W. Jackson and John F. Garst and has published in prestigious journals such as Journal of Aesthetics and Art Criticism, Journal of Research in Music Education and Notes.

In The Last Decade

Charles Hamm

33 papers receiving 147 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Charles Hamm United States 10 249 78 40 32 25 44 331
Albert B. Lord United States 10 48 0.2× 31 0.4× 27 0.7× 17 0.5× 57 2.3× 34 274
Josephine Waters Bennett United States 7 41 0.2× 28 0.4× 25 0.6× 29 0.9× 26 1.0× 17 159
Hugh Shields Ireland 5 53 0.2× 46 0.6× 11 0.3× 33 1.0× 43 1.7× 19 172
Daniel Fischlin Canada 7 54 0.2× 27 0.3× 5 0.1× 21 0.7× 49 2.0× 34 169
Wes Blomster United States 5 44 0.2× 51 0.7× 2 0.1× 22 0.7× 19 0.8× 49 176
Renato Poggioli United States 8 24 0.1× 67 0.9× 14 0.3× 37 1.2× 71 2.8× 20 241
Samuel A. Floyd 7 243 1.0× 117 1.5× 2 0.1× 10 0.3× 26 1.0× 31 332
W. K. McNeil 7 50 0.2× 42 0.5× 3 0.1× 10 0.3× 30 1.2× 26 147
Robert M. Isherwood 7 25 0.1× 35 0.4× 9 0.2× 50 1.6× 45 1.8× 19 214
Marcia J. Citron United States 8 242 1.0× 50 0.6× 1 0.0× 29 0.9× 56 2.2× 24 338

Countries citing papers authored by Charles Hamm

Since Specialization
Citations

This map shows the geographic impact of Charles Hamm's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Charles Hamm with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Charles Hamm more than expected).

Fields of papers citing papers by Charles Hamm

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Charles Hamm. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Charles Hamm. The network helps show where Charles Hamm may publish in the future.

Co-authorship network of co-authors of Charles Hamm

This figure shows the co-authorship network connecting the top 25 collaborators of Charles Hamm. A scholar is included among the top collaborators of Charles Hamm based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Charles Hamm. Charles Hamm is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Hamm, Charles, et al.. (1998). Irving Berlin, Songs from the Melting Pot: The Formative Years, 1907-1914. Notes. 55(1). 119–119.
2.
Hamm, Charles. (1997). Putting Popular Music in Its Place. Journal of Aesthetics and Art Criticism. 55(3). 345–345.
3.
Hamm, Charles, et al.. (1995). Forty Earlier Songs. Notes. 51(3). 1124–1124. 1 indexed citations
4.
Hamm, Charles. (1995). Putting Popular Music in its Place. Cambridge University Press eBooks. 36 indexed citations
5.
Hamm, Charles, et al.. (1993). As Thousands Cheer: The Life of Irving Berlin. American Music. 11(2). 245–245.
6.
Hamm, Charles. (1991). Music and Radio in the People's Republic of China. Asian Music. 22(2). 1–1. 9 indexed citations
7.
Hamm, Charles. (1989). Graceland revisited. Popular Music. 8(3). 299–304. 10 indexed citations
9.
Hamm, Charles. (1987). The Theatre Guild Production of Porgy and Bess. Journal of the American Musicological Society. 40(3). 495–532. 8 indexed citations
10.
Hamm, Charles. (1985). Rock 'n' roll in a very strange society. Popular Music. 5. 159–174. 8 indexed citations
11.
Hamm, Charles, et al.. (1983). Yesterdays: Popular Song in America. American Music. 1(1). 87–87. 4 indexed citations
12.
Hamm, Charles. (1981). The fourth audience. Popular Music. 1. 123–141. 4 indexed citations
13.
Keil, Charles & Charles Hamm. (1980). Yesterdays: Popular Song in America. Ethnomusicology. 24(3). 576–576. 37 indexed citations
14.
Hamm, Charles, et al.. (1975). Contemporary music and music cultures. 7 indexed citations
16.
Hamm, Charles, et al.. (1966). A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Notes. 22(3). 1023–1023. 19 indexed citations
17.
Hamm, Charles. (1965). The Reson Mass. Journal of the American Musicological Society. 18(1). 5–21. 7 indexed citations
18.
Hamm, Charles, et al.. (1965). A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Revue de musicologie. 51(2). 232–232. 14 indexed citations
19.
Hamm, Charles. (1960). The Manuscript San Pietro B80. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 14(1/4). 40–40. 8 indexed citations
20.
Hamm, Charles. (1960). A GROUP OF ANONYMOUS ENGLISH PIECES IN TRENT 87. Music and Letters. 41(3). 211–215. 4 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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