Charles Ford

652 total citations
18 papers, 258 citations indexed

About

Charles Ford is a scholar working on Music, Computer Vision and Pattern Recognition and History. According to data from OpenAlex, Charles Ford has authored 18 papers receiving a total of 258 indexed citations (citations by other indexed papers that have themselves been cited), including 7 papers in Music, 5 papers in Computer Vision and Pattern Recognition and 4 papers in History. Recurrent topics in Charles Ford's work include Musicology and Musical Analysis (7 papers), Music Technology and Sound Studies (5 papers) and Music History and Culture (4 papers). Charles Ford is often cited by papers focused on Musicology and Musical Analysis (7 papers), Music Technology and Sound Studies (5 papers) and Music History and Culture (4 papers). Charles Ford collaborates with scholars based in United Kingdom and United States. Charles Ford's co-authors include A. V. Filippenko, M. Richmond, W. Herbst, R. R. Treffers, David Branch, Luis C. Ho, T. Matheson, Arjun Dey, Todd A. Small and C. M. Gaskell and has published in prestigious journals such as SHILAP Revista de lepidopterología, The Astronomical Journal and ChemistryOpen.

In The Last Decade

Charles Ford

10 papers receiving 237 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Charles Ford United Kingdom	6	221	73	23	10	6	18	258
M. M. Giles United States	3	61 0.3×	33 0.5×	5 0.2×	4 0.4×	3 0.5×	4	84
Young Paik United States	6	296 1.3×	105 1.4×		13 1.3×	22 3.7×	7	320
J. Noel-Storr United States	8	237 1.1×	71 1.0×		52 5.2×	4 0.7×	16	254
Nectaria Gizani Greece	7	133 0.6×	109 1.5×		7 0.7×		27	157
Constantin Sluka Switzerland	5	130 0.6×	130 1.8×		45 4.5×	4 0.7×	11	266
W. Wren Italy	2	192 0.9×	56 0.8×		12 1.2×		2	193
R. Covarrubias Chile	6	188 0.9×	67 0.9×		23 2.3×		13	193
K. Takáts Hungary	6	153 0.7×	53 0.7×		12 1.2×		13	156
I. Salamanca United Kingdom	5	155 0.7×	37 0.5×		14 1.4×		8	156
M. Ashdown United Kingdom	2	117 0.5×	54 0.7×		15 1.5×		2	120

Countries citing papers authored by Charles Ford

Since Specialization

Citations

This map shows the geographic impact of Charles Ford's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Charles Ford with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Charles Ford more than expected).

Fields of papers citing papers by Charles Ford

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Charles Ford. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Charles Ford. The network helps show where Charles Ford may publish in the future.

Co-authorship network of co-authors of Charles Ford

This figure shows the co-authorship network connecting the top 25 collaborators of Charles Ford. A scholar is included among the top collaborators of Charles Ford based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Charles Ford. Charles Ford is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

18 of 18 papers shown

1.

Ford, Charles. (2019). Searching for ghosts: fluidity and temporal expansion in Joni Mitchell's first five albums (1968–1972). Popular Music. 38(3). 399–422.

2.

Ford, Charles. (2016). Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte.

3.

Ford, Charles. (2010). Musical Presence: Towards a New Philosophy of Music. SHILAP Revista de lepidopterología. 5 indexed citations

4.

Ford, Charles. (2008). Martin Carthy’s rhythms. 2(3). 285–307. 1 indexed citations

5.

Ford, Charles. (1998). Robert Johnson's rhythms. Popular Music. 17(1). 71–93. 8 indexed citations

6.

Ford, Charles. (1995). ‘Gently Tender’: the Incredible String Band's early albums. Popular Music. 14(2). 175–183. 5 indexed citations

7.

Ford, Charles, et al.. (1993). Multiculturalism in the Americas. Art Journal. 52(2). 86–86.

8.

Ford, Charles, W. Herbst, M. Richmond, et al.. (1993). CCD photometry of three Type IA supernovae - V, R, and I light curves. The Astronomical Journal. 106. 1101–1101. 15 indexed citations

9.

Filippenko, A. V., M. Richmond, David Branch, et al.. (1992). The subluminous, spectroscopically peculiar type IA supernova 1991bg in the elliptical galaxy NGC 4374. The Astronomical Journal. 104. 1543–1543. 208 indexed citations

10.

Ford, Charles & Wye Jamison Allanbrook. (1986). Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni. Music Analysis. 5(1). 108–108. 8 indexed citations

11.

Ford, Charles. (1984). Think Smart Move Fast. Medical Entomology and Zoology. 1 indexed citations

12.

Ford, Charles. (1983). The Super Executive's Guide to Getting Things Done.

13.

Ford, Charles, et al.. (1981). Historia ilustrada del cine. 2. El cine sonoro (1927-1945). ChemistryOpen. 5(6). 574–579. 1 indexed citations

14.

Ford, Charles. (1979). Making musical instruments, strings and keyboard. 1 indexed citations

15.

Ford, Charles. (1977). Histoire du cinéma français contemporain, 1945-1977.

16.

Ford, Charles, et al.. (1969). Paris vu par le cinéma. Hachette eBooks.

17.

Ford, Charles, et al.. (1961). Le cinéma et la presse : 1895-1960. Armand Colin eBooks. 4 indexed citations

18.

Ford, Charles, et al.. (1961). Le cinéma et la presse. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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