Romare Bearden
About
In The Last Decade
Romare Bearden
11 papers receiving 50 citations
Peers
Comparison fields: 5 of 42
- Visual Arts and Performing Arts 36
- Sociology and Political Science 23
- Anthropology 22
- Literature and Literary Theory 15
- History 15
Countries citing papers authored by Romare Bearden
This map shows the geographic impact of Romare Bearden's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Romare Bearden with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Romare Bearden more than expected).
Fields of papers citing papers by Romare Bearden
This network shows the impact of papers produced by Romare Bearden. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Romare Bearden. The network helps show where Romare Bearden may publish in the future.
Co-authorship network of co-authors of Romare Bearden
This figure shows the co-authorship network connecting the top 25 collaborators of Romare Bearden. A scholar is included among the top collaborators of Romare Bearden based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Romare Bearden. Romare Bearden is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Title | Journal | Authors | Indexed citations |
|---|---|---|---|---|
| 1 | The Romare Bearden Reader | Romare Bearden | 0 | |
| 2 | Romare Bearden: A Black Odyssey | Romare Bearden, Robert G. O’Meally | 6 | |
| 3 | Rectangular Structure in My Montage Paintings | Leonardo | Romare Bearden | 0 |
| 4 | Li'L Dan, The Drummer Boy A Civil War Story | Civil War Book Review | Romare Bearden | 1 |
| 5 | To Hear Another Language | Callaloo | James Baldwin, Romare Bearden et al. | 2 |
| 6 | A History of African American Artists from 1792 to the Present. | African American Review | Romare Bearden et al. | 36 |
| 7 | Perspectives: Angles on African Art | African Arts | James Baldwin, Romare Bearden et al. | 11 |
| 8 | The Afro-American Artist: A Search for Identity | Leonardo | Romare Bearden | 0 |
| 9 | The Afro-American Artist: A Search for Identity | Leonardo | Romare Bearden et al. | 3 |
| 10 | Is There a Black Aesthetics? | Leonardo | Romare Bearden, Allan Shields et al. | 0 |
| 11 | The Art of Romare Bearden: The Prevalence of Ritual | Romare Bearden | 0 | |
| 12 | The Living Arts of Nigeria | Leonardo | Romare Bearden et al. | 1 |
| 13 | Contemporary Art in Africa | Leonardo | Romare Bearden et al. | 23 |
| 14 | Romare Bearden: The Prevalence of Ritual | Romare Bearden et al. | 0 | |
| 15 | Theories of Modern Art: A Source Book by Artists and Critics | Leonardo | Romare Bearden, Herschel B. Chipp et al. | 11 |
| 16 | American Negro Art | Leonardo | Romare Bearden et al. | 2 |
| 17 | The painter's mind : a study of the relations of structure and space in painting | Romare Bearden et al. | 5 | |
| 18 | The Black Artist in America: A Symposium | The Metropolitan Museum of Art Bulletin | Romare Bearden, Richard Hunt et al. | 3 |
| 19 | Rectangular Structure in My Montage Paintings | Leonardo | Romare Bearden | 1 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.