This map shows the geographic impact of Peter Cusack's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Peter Cusack with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Peter Cusack more than expected).
This network shows the impact of papers produced by Peter Cusack. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Peter Cusack. The network helps show where Peter Cusack may publish in the future.
Co-authorship network of co-authors of Peter Cusack
This figure shows the co-authorship network connecting the top 25 collaborators of Peter Cusack.
A scholar is included among the top collaborators of Peter Cusack based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Peter Cusack. Peter Cusack is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
All Works
16 of 16 papers shown
1.
Cusack, Peter. (2024). Sounds From Dangerous Places. University of the Arts London Research Online (University of the Arts London).
2.
Cusack, Peter. (2024). Berlin Sonic Places – A Brief Guide. University of the Arts London Research Online (University of the Arts London).1 indexed citations
3.
Cusack, Peter. (2019). On Vogelsang. 28(1). 34–38.1 indexed citations
4.
Cusack, Peter. (2016). Field Recording as Sonic Journalism. University of the Arts London Research Online (University of the Arts London).3 indexed citations
5.
Cusack, Peter. (2013). Favourite Berlin Sounds. University of the Arts London Research Online (University of the Arts London).1 indexed citations
Davies, William J., Rebecca Cain, Mags Adams, et al.. (2009). A positive soundscape evaluation tool. 137–143.8 indexed citations
9.
Davies, William J., Mags Adams, Neil Bruce, et al.. (2009). The positive soundscape project : a synthesis of results from many disciplines. University of Salford Institutional Repository (University of Salford).24 indexed citations
10.
Cain, Rebecca, Patricia A. Jennings, John Poxon, Peter Cusack, & Neil Bruce. (2009). The disconnect between the emotional perceptions of a soundscape and its metrics.1 indexed citations
11.
Davies, William J., A Adams, Neil Bruce, et al.. (2009). A positive soundscape evaluation system. University of Salford Institutional Repository (University of Salford).3 indexed citations
12.
Adams, A, Neil Bruce, William J. Davies, et al.. (2008). Soundwalking as a methodology for understanding soundscapes. University of Salford Institutional Repository (University of Salford).55 indexed citations
Davies, William J., A Adams, Neil Bruce, et al.. (2007). The positive soundscape project. University of Salford Institutional Repository (University of Salford). 27(12). 1565–1570.14 indexed citations
Cusack, Peter, et al.. (1996). South Pacific Commission Fish Aggregating Device (FAD) Manual - Volume II: Rigging deep-water FAD moorings.5 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.