Paul Hindemith

425 total citations
16 papers, 43 citations indexed

About

Paul Hindemith is a scholar working on Music, Computer Vision and Pattern Recognition and Literature and Literary Theory. According to data from OpenAlex, Paul Hindemith has authored 16 papers receiving a total of 43 indexed citations (citations by other indexed papers that have themselves been cited), including 9 papers in Music, 5 papers in Computer Vision and Pattern Recognition and 4 papers in Literature and Literary Theory. Recurrent topics in Paul Hindemith's work include Musicology and Musical Analysis (9 papers), Music Technology and Sound Studies (5 papers) and Bach Studies and Logistics Development (2 papers). Paul Hindemith is often cited by papers focused on Musicology and Musical Analysis (9 papers), Music Technology and Sound Studies (5 papers) and Bach Studies and Logistics Development (2 papers). Paul Hindemith collaborates with scholars based in . Paul Hindemith's co-authors include Lawrence Morton, Allen Forte, Maureen R. Nelson, David Beach, Leonard Bernstein, Susan Anthony, Igor Stravinsky, Michael Tilson Thomas and John Adams and has published in prestigious journals such as Journal of Aesthetics and Art Criticism, Notes and Journal of Music Theory.

In The Last Decade

Paul Hindemith

7 papers receiving 21 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Paul Hindemith	4	31	20	8	7	6	16	43
Peter Walls Australia	4	40 1.3×	25 1.3×	11 1.4×	4 0.6×	4 0.7×	13	57
Peter Branscombe United States	4	36 1.2×	17 0.8×	8 1.0×	2 0.3×	9 1.5×	27	82
Charles Nussbaum United States	3	11 0.4×	26 1.3×	7 0.9×	11 1.6×	3 0.5×	13	47
Franz Liszt	7	71 2.3×	13 0.7×	8 1.0×	2 0.3×	5 0.8×	50	92
Bernard D. Sherman United Kingdom	4	35 1.1×	13 0.7×	8 1.0×	1 0.1×	7 1.2×	9	50
Hector Berlioz	5	53 1.7×	18 0.9×	9 1.1×	1 0.1×	12 2.0×	43	69
Judy Lochhead United States	6	70 2.3×	19 0.9×	26 3.3×	3 0.4×	11 1.8×	32	96
Ross W. Duffin United States	3	25 0.8×	18 0.9×	16 2.0×	4 0.6×		15	49
Erich Moritz von Hornbostel	3	37 1.2×	15 0.8×	22 2.8×	1 0.1×	4 0.7×	4	85
Michael Musgrave United States	6	64 2.1×	44 2.2×	13 1.6×	1 0.1×	4 0.7×	13	81

Countries citing papers authored by Paul Hindemith

Since Specialization

Citations

This map shows the geographic impact of Paul Hindemith's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Paul Hindemith with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Paul Hindemith more than expected).

Fields of papers citing papers by Paul Hindemith

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Paul Hindemith. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Paul Hindemith. The network helps show where Paul Hindemith may publish in the future.

Co-authorship network of co-authors of Paul Hindemith

This figure shows the co-authorship network connecting the top 25 collaborators of Paul Hindemith. A scholar is included among the top collaborators of Paul Hindemith based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Paul Hindemith. Paul Hindemith is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

16 of 16 papers shown

1.

Hindemith, Paul, et al.. (2016). Making it Modern: Chromaticism and Phrase Structure in Twentieth-Century Tonal Music. 3 indexed citations

2.

Adams, John, et al.. (1998). New world jazz.

3.

Forte, Allen & Paul Hindemith. (1998). Paul Hindemith's Contribution to Music Theory in the United States. Journal of Music Theory. 42(1). 1–1. 6 indexed citations

4.

Hindemith, Paul, et al.. (1995). Clarinet chamber music.

5.

Hindemith, Paul, et al.. (1995). "Das private Logbuch" : Briefe an seine Frau Gertrud. 1 indexed citations

6.

Hindemith, Paul, et al.. (1994). Aufsätze, Vorträge, Reden.

7.

Hindemith, Paul, et al.. (1979). Sonata for Double Bass and Piano.

8.

Hindemith, Paul, et al.. (1976). Mathis Der Maler. Medical Entomology and Zoology. 1 indexed citations

9.

Beach, David & Paul Hindemith. (1966). Concerto for Organ and Orchestra, 1962. Notes. 22(3). 1119–1119.

10.

Hindemith, Paul, et al.. (1965). Mathis der Maler von Paul Hindemith.

11.

Hindemith, Paul. (1961). A composer's world : horizons and limitations : The Charles Eliot Norton lectures 1949-1950. Medical Entomology and Zoology. 1 indexed citations

12.

Hindemith, Paul. (1959). Komponist in seiner Welt : Weiten und Grenzen = A composer's world, horizons and limitations. 1 indexed citations

13.

Hindemith, Paul. (1954). Johann Sebastian Bach : ein verpflichtendes Erbe. 1 indexed citations

14.

Hindemith, Paul, et al.. (1953). A Composer's World-Horizons and Limitations. Journal of Aesthetics and Art Criticism. 11(3). 273–273. 14 indexed citations

15.

Hindemith, Paul, et al.. (1953). Johann Sebastian Bach: Heritage and Obligation. Books Abroad. 27(4). 382–382. 2 indexed citations

16.

Morton, Lawrence & Paul Hindemith. (1952). A Composer's World; Horizons and Limitations. Notes. 9(3). 408–408. 13 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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