Countries citing papers authored by Maryrose Casey
Since
Specialization
Citations
This map shows the geographic impact of Maryrose Casey's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Maryrose Casey with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Maryrose Casey more than expected).
This network shows the impact of papers produced by Maryrose Casey. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Maryrose Casey. The network helps show where Maryrose Casey may publish in the future.
Co-authorship network of co-authors of Maryrose Casey
This figure shows the co-authorship network connecting the top 25 collaborators of Maryrose Casey.
A scholar is included among the top collaborators of Maryrose Casey based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Maryrose Casey. Maryrose Casey is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Casey, Maryrose. (2012). Telling Stories: Aboriginal Australian and Torres Strait Islander Performance.4 indexed citations
10.
Casey, Maryrose. (2011). Performing for Aboriginal Life and Culture: Aboriginal Theatre and Ngurrumilmarrmiriyu. 59(59). 53–68.5 indexed citations
11.
Casey, Maryrose. (2011). Cross-cultural encounters: Aboriginal performers and European audiences in the late 1800s and early 1900s. 14. 1–10.1 indexed citations
12.
Casey, Maryrose, et al.. (2009). Lygon street limbo: the disabling myth of the new wave. 2(11). 1–9.1 indexed citations
13.
Casey, Maryrose. (2009). Hilary Glow and Katja Johanson, 'Your genre is black': Indigenous performing arts and policy, platform papers (Sydney: Currency House, 2009). 55. 167–169.
14.
Casey, Maryrose. (2008). Managing resistance: Whiteness and the storytellers of indigenous protest in Australia. 19–38.
15.
Casey, Maryrose. (2007). Carnivalising Sovereignty: Containing Indigenous Protest Within the 'White' Australian Nation. 7(7). 69–86.1 indexed citations
Casey, Maryrose. (2005). Theatre Australia (Un)limited: Australian Theatre since the 1950s. 159.3 indexed citations
18.
Casey, Maryrose. (2005). A Compelling Force: Indigenous Women Playwrights. Queensland's institutional digital repository (The University of Queensland). 199–237.
19.
Casey, Maryrose. (2003). After Mabo: What's at Stake?. Queensland's institutional digital repository (The University of Queensland). 32(32). 107–111.1 indexed citations
20.
Casey, Maryrose. (2000). Nindethana and the national black theatre: interrogating the mythology of the new wave. 19–33.1 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.