Mark Reybrouck

1.4k total citations
60 papers, 797 citations indexed

About

Mark Reybrouck is a scholar working on Cognitive Neuroscience, Experimental and Cognitive Psychology and Music. According to data from OpenAlex, Mark Reybrouck has authored 60 papers receiving a total of 797 indexed citations (citations by other indexed papers that have themselves been cited), including 46 papers in Cognitive Neuroscience, 28 papers in Experimental and Cognitive Psychology and 13 papers in Music. Recurrent topics in Mark Reybrouck's work include Neuroscience and Music Perception (45 papers), Multisensory perception and integration (23 papers) and Music Technology and Sound Studies (10 papers). Mark Reybrouck is often cited by papers focused on Neuroscience and Music Perception (45 papers), Multisensory perception and integration (23 papers) and Music Technology and Sound Studies (10 papers). Mark Reybrouck collaborates with scholars based in Belgium, Poland and United States. Mark Reybrouck's co-authors include Elvira Brattico, Tuomas Eerola, Peter Vuust, David Welch, Andrea Schiavio, Lieven Verschaffel, Dylan van der Schyff, Wim Van Dooren, Richard Parncutt and Denis Hauw and has published in prestigious journals such as SHILAP Revista de lepidopterología, International Journal of Environmental Research and Public Health and Frontiers in Psychology.

In The Last Decade

Mark Reybrouck

56 papers receiving 729 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Mark Reybrouck Belgium 17 658 303 288 202 139 60 797
Jason Musil United Kingdom 5 731 1.1× 236 0.8× 194 0.7× 249 1.2× 81 0.6× 5 831
Sandrine Vieillard France 15 850 1.3× 323 1.1× 396 1.4× 241 1.2× 101 0.7× 31 1.1k
Richard Ashley United States 12 833 1.3× 142 0.5× 261 0.9× 218 1.1× 48 0.3× 30 913
Freya Bailes Australia 16 722 1.1× 345 1.1× 236 0.8× 201 1.0× 134 1.0× 63 887
Simon Liljeström Sweden 6 542 0.8× 297 1.0× 198 0.7× 276 1.4× 35 0.3× 12 657
Victoria J. Williamson United Kingdom 20 993 1.5× 312 1.0× 376 1.3× 299 1.5× 36 0.3× 40 1.2k
Claudia Lappe Germany 12 742 1.1× 173 0.6× 197 0.7× 140 0.7× 63 0.5× 18 855
Oliver Grewe Germany 12 738 1.1× 310 1.0× 350 1.2× 204 1.0× 40 0.3× 17 910
Céline Marie Canada 14 949 1.4× 129 0.4× 353 1.2× 200 1.0× 31 0.2× 16 1.0k
Bénédicte Poulin-Charronnat France 18 885 1.3× 143 0.5× 306 1.1× 206 1.0× 74 0.5× 57 1.1k

Countries citing papers authored by Mark Reybrouck

Since Specialization
Citations

This map shows the geographic impact of Mark Reybrouck's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark Reybrouck with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark Reybrouck more than expected).

Fields of papers citing papers by Mark Reybrouck

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Mark Reybrouck. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark Reybrouck. The network helps show where Mark Reybrouck may publish in the future.

Co-authorship network of co-authors of Mark Reybrouck

This figure shows the co-authorship network connecting the top 25 collaborators of Mark Reybrouck. A scholar is included among the top collaborators of Mark Reybrouck based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Mark Reybrouck. Mark Reybrouck is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Reybrouck, Mark. (2024). Music Listening as Kangaroo Mother Care: From Skin-to-Skin Contact to Being Touched by the Music. SHILAP Revista de lepidopterología. 6(1). 35–64. 1 indexed citations
2.
Reybrouck, Mark, et al.. (2024). Music Listening as Exploratory Behavior: From Dispositional Reactions to Epistemic Interactions with the Sonic World. Behavioral Sciences. 14(9). 825–825. 2 indexed citations
3.
Reybrouck, Mark & Andrea Schiavio. (2024). Music performance as knowledge acquisition: a review and preliminary conceptual framework. Frontiers in Psychology. 15. 1331806–1331806. 6 indexed citations
4.
Reybrouck, Mark. (2024). Music as a Tool for Affiliative Bonding: A Second-Person Approach to Musical Engagement. Multimodal Technologies and Interaction. 8(9). 82–82.
5.
Reybrouck, Mark. (2023). A Dynamic Interactive Approach to Music Listening: The Role of Entrainment, Attunement and Resonance. Multimodal Technologies and Interaction. 7(7). 66–66. 6 indexed citations
6.
Ponnet, Koen, Peter Conradie, Maryam Khazaee-Pool, et al.. (2023). Exploring the Decision-Making Process behind Illicit Drug Use at Music Festivals. Substance Use & Misuse. 59(5). 707–715. 1 indexed citations
7.
Reybrouck, Mark & Tuomas Eerola. (2022). Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening. Behavioral Sciences. 12(5). 154–154. 13 indexed citations
8.
Reybrouck, Mark. (2022). Semiotics, Biosemiotics, and Aesthetics: the Concept of Beauty and Beyond. Biosemiotics. 15(2). 385–389. 1 indexed citations
9.
Reybrouck, Mark, et al.. (2020). Music Listening as Coping Behavior: From Reactive Response to Sense-Making. Behavioral Sciences. 10(7). 119–119. 19 indexed citations
10.
Reybrouck, Mark, et al.. (2019). Preconceptual Spectral and Temporal Cues as a Source of Meaning in Speech and Music. Brain Sciences. 9(3). 53–53. 14 indexed citations
11.
Reybrouck, Mark, et al.. (2019). Music and Noise: Same or Different? What Our Body Tells Us. Frontiers in Psychology. 10. 1153–1153. 25 indexed citations
12.
Schiavio, Andrea, et al.. (2019). Optimizing Performative Skills in Social Interaction: Insights From Embodied Cognition, Music Education, and Sport Psychology. Frontiers in Psychology. 10. 1542–1542. 19 indexed citations
13.
Feyaerts, Kurt, et al.. (2018). Gazing at the partner in musical trios: a mobile eye-tracking study. Journal of Eye Movement Research. 11(2). 20 indexed citations
14.
15.
Reybrouck, Mark & Tuomas Eerola. (2017). Music and Its Inductive Power: A Psychobiological and Evolutionary Approach to Musical Emotions. Frontiers in Psychology. 8. 494–494. 43 indexed citations
16.
Reybrouck, Mark. (2014). Musical sense-making between experience and conceptualisation: the legacy of Peirce, Dewey and James. Pressto (Uniwersytetu Adama Mickiewicza). 14(14). 184–196. 6 indexed citations
17.
Reybrouck, Mark. (2005). Body, mind and music: musical semantics between experiential cognition and cognitive economy. Lirias (KU Leuven). 9(9). 0. 21 indexed citations
18.
Reybrouck, Mark. (2003). Understanding and creating music between measurement, computation and control: symbolic thinking and the experiential approach. 1–11. 2 indexed citations
19.
Reybrouck, Mark. (2001). Biological roots of musical epistemology: Functional cycles, Umwelt, and enactive listening. Semiotica. 2001(134). 599–633. 39 indexed citations
20.
Reybrouck, Mark. (1999). The Musical Sign Between Sound and Meaning. 4 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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