Lars Frydén

567 total citations
22 papers, 375 citations indexed

About

Lars Frydén is a scholar working on Computer Vision and Pattern Recognition, Signal Processing and Cognitive Neuroscience. According to data from OpenAlex, Lars Frydén has authored 22 papers receiving a total of 375 indexed citations (citations by other indexed papers that have themselves been cited), including 17 papers in Computer Vision and Pattern Recognition, 13 papers in Signal Processing and 9 papers in Cognitive Neuroscience. Recurrent topics in Lars Frydén's work include Music Technology and Sound Studies (17 papers), Music and Audio Processing (13 papers) and Neuroscience and Music Perception (9 papers). Lars Frydén is often cited by papers focused on Music Technology and Sound Studies (17 papers), Music and Audio Processing (13 papers) and Neuroscience and Music Perception (9 papers). Lars Frydén collaborates with scholars based in Sweden and Canada. Lars Frydén's co-authors include Johan Sundberg, Anders Friberg, Anders Askenfelt, Vittorio Colombo, Roberto Bresin, William Forde Thompson, Björn Granström and Rolf Carlson and has published in prestigious journals such as The Journal of the Acoustical Society of America, Music Perception An Interdisciplinary Journal and Psychology of Music.

In The Last Decade

Lars Frydén

18 papers receiving 289 citations

Peers

Lars Frydén

CVPR

MUSIC

Larry Polansky United States

Parag Chordia United States

Maarten Grachten Austria

Óscar Mayor Spain

Esteban Maestre Spain

Patrick Richardson United States

Christopher Ariza United States

Sankalp Gulati Spain

Morwaread Farbood United States

Cyril Laurier Spain

Larry Polansky United States

Lars Frydén

254 ×0.9

170 ×0.6

CVPR

189 ×0.7

82 ×1.3

MUSIC

25 ×0.8

Citations per year, relative to Lars Frydén Lars Frydén (= 1×) peers Larry Polansky

Countries citing papers authored by Lars Frydén

Since Specialization

Citations

This map shows the geographic impact of Lars Frydén's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Lars Frydén with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Lars Frydén more than expected).

Fields of papers citing papers by Lars Frydén

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Lars Frydén. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Lars Frydén. The network helps show where Lars Frydén may publish in the future.

Co-authorship network of co-authors of Lars Frydén

This figure shows the co-authorship network connecting the top 25 collaborators of Lars Frydén. A scholar is included among the top collaborators of Lars Frydén based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Lars Frydén. Lars Frydén is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Friberg, Anders, Vittorio Colombo, Lars Frydén, & Johan Sundberg. (2000). Generating Musical Performances with Director Musices. Computer Music Journal. 24(3). 23–29. 52 indexed citations

Friberg, Anders, Roberto Bresin, Lars Frydén, & Johan Sundberg. (1998). Musical punctuation on the microlevel: Automatic identification and performance of small melodic units*. Journal of New Music Research. 27(3). 271–292. 41 indexed citations

Friberg, Anders, Lars Frydén, & Johan Sundberg. (1997). A rule for automatic musical punctuation of melodies. 719–723. 2 indexed citations

Sundberg, Johan, Anders Friberg, & Lars Frydén. (1992). Music and locomotion. a study of the perception of tones with level envelopes replicating force patterns of walking. KTH Publication Database DiVA (KTH Royal Institute of Technology). 33(4). 109–122. 2 indexed citations

Friberg, Anders, et al.. (1991). Performance Rules for Computer-Controlled Contemporary Keyboard Music. Computer Music Journal. 15(2). 49–49. 34 indexed citations

Sundberg, Johan, Anders Friberg, & Lars Frydén. (1991). Threshold and Preference Quantities of Rules for Music Performance. Music Perception An Interdisciplinary Journal. 9(1). 71–91. 23 indexed citations

Sundberg, Johan, Anders Friberg, & Lars Frydén. (1991). Common Secrets of Musicians and Listeners - An analysis-by-synthesis Study of Musical Performance. 161–197. 45 indexed citations

Friberg, Anders, Johan Sundberg, & Lars Frydén. (1989). Preferred quantities of expressive variation in music performance. KTH Publication Database DiVA (KTH Royal Institute of Technology). 30(4). 53–62.

Sundberg, Johan, Anders Friberg, & Lars Frydén. (1989). Rules for automated performance of ensemble music. Contemporary Music Review. 3(1). 89–109. 30 indexed citations

10.

Thompson, William Forde, Johan Sundberg, Anders Friberg, & Lars Frydén. (1989). Rules for Expression in the Performance of Melodies. Psychology of Music. 17(1). 63–82. 27 indexed citations

11.

Carlson, Rolf, Anders Friberg, Lars Frydén, Björn Granström, & Johan Sundberg. (1989). Speech and music performance: Parallels and contrasts. Contemporary Music Review. 4(1). 391–404. 18 indexed citations

12.

Carlson, Rolf, Anders Friberg, Lars Frydén, Björn Granström, & Johan Sundberg. (1987). Speech and music performance. Parallels and contrasts. KTH Publication Database DiVA (KTH Royal Institute of Technology). 28(4). 7–23. 2 indexed citations

13.

Friberg, Anders, et al.. (1987). Performance rules for computer controlled performance of contemporary keyboard music. KTH Publication Database DiVA (KTH Royal Institute of Technology). 28(4). 79–85. 4 indexed citations

14.

Sundberg, Johan, Anders Friberg, & Lars Frydén. (1987). Rules for automatized performance of ensemble music. KTH Publication Database DiVA (KTH Royal Institute of Technology). 28(4). 57–78. 1 indexed citations

15.

Friberg, Anders, Johan Sundberg, & Lars Frydén. (1987). How to terminate a phrase. An analysis-by-synthesis experiment on the perceptual aspect of music performance. 49–55. 1 indexed citations

16.

Thompson, William Forde, Anders Friberg, Lars Frydén, & Johan Sundberg. (1986). Evaluating rules for the synthetic performance of melodies. KTH Publication Database DiVA (KTH Royal Institute of Technology). 27. 27–44. 3 indexed citations

17.

Frydén, Lars & Johan Sundberg. (1984). Performance Rules for Melodies. Origin, Functions, Purposes.. The Journal of the Abraham Lincoln Association. 7 indexed citations

18.

Frydén, Lars & Johan Sundberg. (1984). Rules for the performance of melodies. Origin, functions, purposes. The Journal of the Acoustical Society of America. 75(S1). S10–S10. 1 indexed citations

19.

Sundberg, Johan, Anders Askenfelt, & Lars Frydén. (1983). Musical Performance: A Synthesis-by-Rule Approach. Computer Music Journal. 7(1). 37–37. 76 indexed citations

20.

Frydén, Lars, Johan Sundberg, & Anders Askenfelt. (1982). From Music Score to Sound: A Rule System for Musical Performance of Melodies.. The Journal of the Abraham Lincoln Association.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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