John Sedgwick

876 total citations
41 papers, 405 citations indexed

About

John Sedgwick is a scholar working on Economics and Econometrics, Visual Arts and Performing Arts and Urban Studies. According to data from OpenAlex, John Sedgwick has authored 41 papers receiving a total of 405 indexed citations (citations by other indexed papers that have themselves been cited), including 35 papers in Economics and Econometrics, 27 papers in Visual Arts and Performing Arts and 7 papers in Urban Studies. Recurrent topics in John Sedgwick's work include Art History and Market Analysis (27 papers), Cinema and Media Studies (27 papers) and Cultural Industries and Urban Development (7 papers). John Sedgwick is often cited by papers focused on Art History and Market Analysis (27 papers), Cinema and Media Studies (27 papers) and Cultural Industries and Urban Development (7 papers). John Sedgwick collaborates with scholars based in United Kingdom, Mongolia and Netherlands. John Sedgwick's co-authors include Michael Pokorny, Robert A. Rigby, Vlasios Voudouris, Dimitrios Stasinopoulos, Robert Gilchrist, Ian Jennings, John Curran, Alan Collins, Ken’ichi Matsumoto and Michael Jefferson and has published in prestigious journals such as SHILAP Revista de lepidopterología, Energy Policy and The Economic History Review.

In The Last Decade

John Sedgwick

38 papers receiving 347 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
John Sedgwick United Kingdom	11	287	210	81	79	49	41	405
Kim Oosterlinck Belgium	14	239 0.8×	87 0.4×	29 0.4×	16 0.2×	19 0.4×	58	464
Elizabeth Currid United States	10	219 0.8×	86 0.4×	213 2.6×	441 5.6×	2 0.0×	12	574
Walter Santagata Italy	9	182 0.6×	56 0.3×	136 1.7×	183 2.3×	1 0.0×	29	407
Adrian C. Darnell United Kingdom	9	106 0.4×	11 0.1×	130 1.6×	10 0.1×	2 0.0×	22	268
María José del Barrio‐Tellado Spain	9	143 0.5×	23 0.1×	255 3.1×	143 1.8×		15	441
Eva Vicente Hernández Spain	8	26 0.1×	45 0.2×	189 2.3×	78 1.0×		11	310
Jonathan Remy Nash United States	10	310 1.1×	5 0.0×	96 1.2×	6 0.1×	6 0.1×	46	467
Jane Zheng Hong Kong	9	57 0.2×	14 0.1×	125 1.5×	239 3.0×	1 0.0×	24	365
Ennio E. Piano United States	7	105 0.4×	12 0.1×	77 1.0×	5 0.1×	9 0.2×	31	205
L. R. Klein United States	8	346 1.2×	4 0.0×	120 1.5×	7 0.1×	8 0.2×	25	549

Countries citing papers authored by John Sedgwick

Since Specialization

Citations

This map shows the geographic impact of John Sedgwick's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by John Sedgwick with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites John Sedgwick more than expected).

Fields of papers citing papers by John Sedgwick

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by John Sedgwick. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by John Sedgwick. The network helps show where John Sedgwick may publish in the future.

Co-authorship network of co-authors of John Sedgwick

This figure shows the co-authorship network connecting the top 25 collaborators of John Sedgwick. A scholar is included among the top collaborators of John Sedgwick based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with John Sedgwick. John Sedgwick is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Sedgwick, John. (2020). From POPSTAT to RelPOP: A Methodological Journey in Investigating Comparative Film Popularity. SHILAP Revista de lepidopterología. 23(1-2). 1 indexed citations

Sedgwick, John, et al.. (2018). Identifying Cinema Cultures and Audience Preferences. SHILAP Revista de lepidopterología. 21(1). 102–102. 2 indexed citations

Sedgwick, John, et al.. (2014). The Film's the Thing: Moviegoing in Philadelphia, 1935–36. Project Muse (Johns Hopkins University). 26(4). 58–83. 2 indexed citations

Voudouris, Vlasios, Ken’ichi Matsumoto, John Sedgwick, et al.. (2013). Exploring the production of natural gas through the lenses of the ACEGES model. Energy Policy. 64. 124–133. 18 indexed citations

Sedgwick, John, et al.. (2012). Explanations for the Restrained Development of the Dutch Cinema Market in the 1930s. Enterprise & Society. 13(3). 634–671. 10 indexed citations

Sedgwick, John, et al.. (2012). Cinema going in the United States in the mid-1930s: a study based on the Variety dataset. 155–195. 7 indexed citations

Sedgwick, John & Michael Pokorny. (2010). Consumers as risk takers: Evidence from the film industry during the 1930s. Business History. 52(1). 74–99. 10 indexed citations

Sedgwick, John, et al.. (2010). Drie mogelijke verklaringen voor de stagnerende ontwikkeling van het Nederlandse bioscoopbedrijf in de jaren dertig. SHILAP Revista de lepidopterología. 13(2). 37–37. 2 indexed citations

Sedgwick, John. (2009). Entertainment industrialised: the emergence of the international film industry, 1890–1940. The Economic History Review. 62(3). 775–776. 1 indexed citations

10.

Sedgwick, John, et al.. (2009). Fumbling towards some new form of art?: the changing composition of film programmes in Britain, 1908–1914. 151–163. 1 indexed citations

11.

Pokorny, Michael & John Sedgwick. (2009). Profitability trends in Hollywood, 1929 to 1999: somebody must know something¹. The Economic History Review. 63(1). 56–84. 26 indexed citations

12.

Sedgwick, John. (2006). Cinemagoing in Portsmouth during the 1930s. Cinema Journal. 46(1). 52–84. 8 indexed citations

13.

Sedgwick, John & Michael Pokorny. (2005). The Film Business in the United States and Britain During the 1930s. WestminsterResearch (University of Westminster). 3 indexed citations

14.

Sedgwick, John. (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. 39 indexed citations

15.

Sedgwick, John & Michael Pokorny. (1999). Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry. Journal of Cultural Economics. 23(4). 319–323. 21 indexed citations

16.

Sedgwick, John. (1998). Film ‘hits’ and ‘misses’ in mid-1930s Britain. Historical Journal Of Film Radio and Television. 18(3). 333–351. 2 indexed citations

17.

Sedgwick, John. (1997). The British film industry's production sector difficulties in the late 1930s. Historical Journal Of Film Radio and Television. 17(1). 49–66. 3 indexed citations

18.

Sedgwick, John. (1996). Michael Balcon's Close Encounter with the American Market, 1934–1936. Historical Journal Of Film Radio and Television. 16(3). 333–348. 1 indexed citations

19.

Sedgwick, John. (1994). Richard B. Jewell's RKO film grosses, 1929–51: the C. J. Trevlin Ledger: a comment. Historical Journal Of Film Radio and Television. 14(1). 51–58. 6 indexed citations

20.

Sedgwick, John. (1994). The market for feature films in Britain, 1934: a viable national cinema. Historical Journal Of Film Radio and Television. 14(1). 15–36. 6 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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