Jen Harvie

874 total citations
23 papers, 288 citations indexed

About

Jen Harvie is a scholar working on Visual Arts and Performing Arts, Sociology and Political Science and Urban Studies. According to data from OpenAlex, Jen Harvie has authored 23 papers receiving a total of 288 indexed citations (citations by other indexed papers that have themselves been cited), including 8 papers in Visual Arts and Performing Arts, 4 papers in Sociology and Political Science and 3 papers in Urban Studies. Recurrent topics in Jen Harvie's work include Theatre and Performance Studies (8 papers), Sport and Mega-Event Impacts (3 papers) and Diversity and Impact of Dance (3 papers). Jen Harvie is often cited by papers focused on Theatre and Performance Studies (8 papers), Sport and Mega-Event Impacts (3 papers) and Diversity and Impact of Dance (3 papers). Jen Harvie collaborates with scholars based in United Kingdom and Russia. Jen Harvie's co-authors include Louise Owen and Helen Freshwater and has published in prestigious journals such as Cultural Trends, Theatre Journal and Performance Research.

In The Last Decade

Jen Harvie

19 papers receiving 203 citations

Peers

Jen Harvie
Sarah Schrank United States
George H. Roeder United States
Gene Ray United States
Irit Rogoff United Kingdom
Kenneth J. Bindas United States
Janelle Reinelt United States
Arnd Schneider United Kingdom
Graeme Harper United States
Sarah Schrank United States
Jen Harvie
Citations per year, relative to Jen Harvie Jen Harvie (= 1×) peers Sarah Schrank

Countries citing papers authored by Jen Harvie

Since Specialization
Citations

This map shows the geographic impact of Jen Harvie's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jen Harvie with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jen Harvie more than expected).

Fields of papers citing papers by Jen Harvie

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Jen Harvie. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jen Harvie. The network helps show where Jen Harvie may publish in the future.

Co-authorship network of co-authors of Jen Harvie

This figure shows the co-authorship network connecting the top 25 collaborators of Jen Harvie. A scholar is included among the top collaborators of Jen Harvie based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Jen Harvie. Jen Harvie is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Harvie, Jen, et al.. (2024). The Cambridge Companion to British Theatre since 1945. Cambridge University Press eBooks. 1 indexed citations
2.
3.
Harvie, Jen. (2023). Queering Time, Ageing and Relationships with Split Britches. Journal of the British Academy. 11. 117–146. 1 indexed citations
4.
Harvie, Jen, et al.. (2018). Feminisms Now. Contemporary Theatre Review. 28(3). 278–284. 1 indexed citations
5.
Harvie, Jen. (2018). Boom! Adversarial Ageism, Chrononormativity, and the Anthropocene. Contemporary Theatre Review. 28(3). 332–344. 5 indexed citations
6.
Harvie, Jen. (2018). Social and Political Theatre in 21st-Century Britain: Staging Crisis. Modern Drama. 61(4). 585–587. 1 indexed citations
7.
Harvie, Jen. (2015). Funding, philanthropy, structural inequality and decline in England's theatre ecology. Cultural Trends. 24(1). 56–61. 7 indexed citations
8.
Harvie, Jen, et al.. (2014). The Routledge Companion to Theatre and Performance. 13 indexed citations
9.
Harvie, Jen, et al.. (2013). Introduction: The Cultural Politics of London 2012. Contemporary Theatre Review. 23(4). 476–485. 2 indexed citations
10.
Harvie, Jen, et al.. (2013). The Routledge Companion to Theatre and Performance. 18 indexed citations
11.
Harvie, Jen. (2013). Brand London 2012 and ‘The Heart of East London’: Competing Urban Agendas at the 2012 Games. Contemporary Theatre Review. 23(4). 486–501. 2 indexed citations
12.
Harvie, Jen. (2012). Social Works: Performing Art, Supporting Publics. Contemporary Theatre Review. 22(1). 167–168. 48 indexed citations
13.
Harvie, Jen. (2011). Democracy and Neoliberalism in Art's Social Turn and Roger Hiorns's Seizure. Performance Research. 16(2). 113–123. 10 indexed citations
14.
Harvie, Jen. (2009). Theatre & the City. 21 indexed citations
15.
Harvie, Jen. (2006). Witnessing Michael Landy'sBreak Down: Metonymy, affect, and politicised performance in an age of global consumer capitalism1. Contemporary Theatre Review. 16(1). 62–72. 1 indexed citations
16.
Harvie, Jen. (2005). Staging the UK. 18 indexed citations
17.
Harvie, Jen. (2003). Nationalizing the 'Creative Industries'. Contemporary Theatre Review. 13(1). 15–32. 2 indexed citations
18.
Harvie, Jen. (2002). Mother Clap's Molly House (review). Theatre Journal. 54(1). 163–166. 1 indexed citations
19.
Harvie, Jen. (2002). DV8's Can We Afford This : The Cost of Devising on Site for Global Markets. Theatre Research International. 27(1). 68–77. 1 indexed citations
20.
Harvie, Jen, et al.. (1999). States of Play: Locating Quebec in the Performances of Robert Lepage, Ex Machina, and the Cirque du Soleil. Theatre Journal. 51(3). 299–315. 17 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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