Ismene Lada‐Richards
About
In The Last Decade
Ismene Lada‐Richards
17 papers receiving 50 citations
Peers
Comparison fields: 5 of 20
- Anthropology 47
- Literature and Literary Theory 19
- Visual Arts and Performing Arts 18
- Philosophy 14
- Sociology and Political Science 12
Countries citing papers authored by Ismene Lada‐Richards
This map shows the geographic impact of Ismene Lada‐Richards's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Ismene Lada‐Richards with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Ismene Lada‐Richards more than expected).
Fields of papers citing papers by Ismene Lada‐Richards
This network shows the impact of papers produced by Ismene Lada‐Richards. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Ismene Lada‐Richards. The network helps show where Ismene Lada‐Richards may publish in the future.
Co-authorship network of co-authors of Ismene Lada‐Richards
This figure shows the co-authorship network connecting the top 25 collaborators of Ismene Lada‐Richards. A scholar is included among the top collaborators of Ismene Lada‐Richards based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Ismene Lada‐Richards. Ismene Lada‐Richards is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | 0 | |
| 3 | 2 | |
| 4 | 0 | |
| 5 | 4 | |
| 6 | 7 | |
| 7 | ‘The Players Will Tell All’: The Dramatist, the Actors and the Art of Acting in Sophocles' Philoctetes | 2 |
| 8 | 2 | |
| 9 | "Cum Femina Primum...": Venus, Vulcan, and the Politics of Male Mollitia in Aeneid 8 | 4 |
| 10 | 0 | |
| 11 | 4 | |
| 12 | Mythôn eikôn: Pantomime Dancing and the Figurative Arts in Imperial and Late Antiquity | 2 |
| 13 | 6 | |
| 14 | 7 | |
| 15 | "A worthless feminine thing"? Lucian and the "optic intoxication" of pantomime dancing | 4 |
| 16 | Foul Monster or Good Saviour? Reflections on Ritual Monsters | 1 |
| 17 | The Subjectivity of Greek Performance | 7 |
| 18 | Staging the Ephebeia: theatrical role-playing and ritual transition in Sophocles'' Philoctetes: theatrical role-playing and ritual transition in Sophocles'' Philoctetes | 1 |
| 19 | 2 | |
| 20 | 4 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.