Franco Fabbri
About
In The Last Decade
Franco Fabbri
19 papers receiving 99 citations
Peers
Comparison fields: 5 of 35
- Music 76
- Sociology and Political Science 39
- Signal Processing 32
- Computer Vision and Pattern Recognition 31
- Literature and Literary Theory 15
Countries citing papers authored by Franco Fabbri
This map shows the geographic impact of Franco Fabbri's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Franco Fabbri with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Franco Fabbri more than expected).
Fields of papers citing papers by Franco Fabbri
This network shows the impact of papers produced by Franco Fabbri. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Franco Fabbri. The network helps show where Franco Fabbri may publish in the future.
Co-authorship network of co-authors of Franco Fabbri
This figure shows the co-authorship network connecting the top 25 collaborators of Franco Fabbri. A scholar is included among the top collaborators of Franco Fabbri based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Franco Fabbri. Franco Fabbri is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 0 | |
| 2 | 0 | |
| 3 | 3 | |
| 4 | 1 | |
| 5 | XI Convegno Nazionale sulla Biodiversità | 1 |
| 6 | 0 | |
| 7 | 2 | |
| 8 | Rebetiko as a Testing Device for Genre Theories and Musical Categorizing Processes | 1 |
| 9 | 1 | |
| 10 | What is popular music? And what isn't? An assessment, after 30 years of popular music studies | 3 |
| 11 | Modelos y contextos de la escucha | 1 |
| 12 | Around the clock. Una breve storia della popular music | 3 |
| 13 | 3 | |
| 14 | 1 | |
| 15 | 0 | |
| 16 | 0 | |
| 17 | Mina. Una forza incantatrice | 1 |
| 18 | Il cielo in una stanza | 1 |
| 19 | 22 | |
| 20 | A Theory Of Musical Genres. Two Applications | 67 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.