Eric Drott

778 total citations
24 papers, 204 citations indexed

About

Eric Drott is a scholar working on Music, Sociology and Political Science and Marketing. According to data from OpenAlex, Eric Drott has authored 24 papers receiving a total of 204 indexed citations (citations by other indexed papers that have themselves been cited), including 15 papers in Music, 7 papers in Sociology and Political Science and 3 papers in Marketing. Recurrent topics in Eric Drott's work include Music History and Culture (14 papers), Musicology and Musical Analysis (9 papers) and Diverse Musicological Studies (8 papers). Eric Drott is often cited by papers focused on Music History and Culture (14 papers), Musicology and Musical Analysis (9 papers) and Diverse Musicological Studies (8 papers). Eric Drott collaborates with scholars based in United States and United Kingdom. Eric Drott's co-authors include Matthew D. Morrison and Marie Thompson and has published in prestigious journals such as Critical Inquiry, Journal of Music Theory and Contemporary Music Review.

In The Last Decade

Eric Drott

20 papers receiving 138 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Eric Drott United States 8 110 52 50 21 19 24 204
Joanna Demers United States 5 79 0.7× 25 0.5× 54 1.1× 7 0.3× 16 0.8× 8 148
Gary Burns United States 7 105 1.0× 41 0.8× 26 0.5× 13 0.6× 17 0.9× 36 194
Daniel Harrison United States 8 174 1.6× 55 1.1× 66 1.3× 10 0.5× 100 5.3× 16 295
D. W. Krummel United States 8 107 1.0× 22 0.4× 12 0.2× 7 0.3× 8 0.4× 52 206
Joo-Young Lee United States 7 40 0.4× 38 0.7× 11 0.2× 10 0.5× 4 0.2× 20 230
Barry Salt 8 7 0.1× 32 0.6× 57 1.1× 4 0.2× 21 1.1× 25 249
Peter Lunenfeld United States 6 8 0.1× 59 1.1× 16 0.3× 6 0.3× 3 0.2× 12 185
Julia Noordegraaf Netherlands 6 7 0.1× 32 0.6× 36 0.7× 6 0.3× 7 0.4× 35 160
Wayne Slawson United States 8 55 0.5× 13 0.3× 70 1.4× 109 5.7× 27 252
Raúl R. Romero Peru 7 74 0.7× 62 1.2× 7 0.1× 6 0.3× 2 0.1× 25 175

Countries citing papers authored by Eric Drott

Since Specialization
Citations

This map shows the geographic impact of Eric Drott's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Eric Drott with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Eric Drott more than expected).

Fields of papers citing papers by Eric Drott

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Eric Drott. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Eric Drott. The network helps show where Eric Drott may publish in the future.

Co-authorship network of co-authors of Eric Drott

This figure shows the co-authorship network connecting the top 25 collaborators of Eric Drott. A scholar is included among the top collaborators of Eric Drott based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Eric Drott. Eric Drott is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Drott, Eric & Marie Thompson. (2022). "Is Your Baby Getting Enough Music?": Musical Interventions into Gestational Labor. 26(1). 125–147.
2.
Drott, Eric. (2021). Music and the Cybernetic Mundane. 2(4). 578–599. 1 indexed citations
3.
Drott, Eric. (2020). Copyright, compensation, and commons in the music AI industry. Creative Industries Journal. 14(2). 190–207. 26 indexed citations
4.
Drott, Eric. (2020). Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy. American Music. 38(2). 153–175. 8 indexed citations
5.
Drott, Eric. (2019). Music in the Work of Social Reproduction. Cultural Politics an International Journal. 15(2). 162–183. 7 indexed citations
6.
Drott, Eric. (2018). Why the Next Song Matters: Streaming, Recommendation, Scarcity. twentieth-century music. 15(3). 325–357. 31 indexed citations
7.
Drott, Eric. (2018). Music as a Technology of Surveillance. Journal of the Society for American Music. 12(3). 233–267. 49 indexed citations
8.
Drott, Eric. (2017). Musical Contention and Contentious Music; or, the Drums of Occupy Wall Street. Contemporary Music Review. 37(5-6). 626–645. 4 indexed citations
9.
Drott, Eric. (2017). All ears: the aesthetics of espionage. 3(2). 175–177. 5 indexed citations
10.
Drott, Eric. (2015). Rereading Jacques Attali’sBruits. Critical Inquiry. 41(4). 721–756. 9 indexed citations
11.
Drott, Eric, et al.. (2012). Musicology Beyond Borders?. Journal of the American Musicological Society. 65(3). 821–861. 6 indexed citations
12.
Drott, Eric. (2011). The Nòva Cançon Occitana and the Internal Colonialism Thesis. French Politics Culture & Society. 29(1). 1–23. 2 indexed citations
13.
Drott, Eric. (2011). Lines, Masses, Micropolyphony: Ligeti's Kyrie and the "Crisis of the Figure". Perspectives of New Music. 49(1). 4–46. 2 indexed citations
14.
Drott, Eric. (2011). Music and the Elusive Revolution. 7 indexed citations
15.
16.
Drott, Eric. (2010). Fraudulence and the Gift Economy of Music. Journal of Music Theory. 54(1). 61–74. 1 indexed citations
17.
Drott, Eric. (2006). Class, Ideology, and il caso Scelsi. The Musical Quarterly. 89(1). 80–120. 4 indexed citations
18.
Drott, Eric. (2004). Ligeti in Fluxus. Journal of Musicology. 21(2). 201–240. 1 indexed citations
19.
Drott, Eric. (2004). Conlon Nancarrow and the Technological Sublime. American Music. 22(4). 533–533. 4 indexed citations
20.
Drott, Eric. (2003). The Role of Triadic Harmony in Ligett's Recent Music. Music Analysis. 22(3). 283–314. 3 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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