Darío Gamboni
About
In The Last Decade
Darío Gamboni
16 papers receiving 157 citations
Peers
Comparison fields: 5 of 61
- Archeology 51
- Visual Arts and Performing Arts 49
- Sociology and Political Science 45
- Cognitive Neuroscience 36
- Social Psychology 30
Countries citing papers authored by Darío Gamboni
This map shows the geographic impact of Darío Gamboni's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Darío Gamboni with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Darío Gamboni more than expected).
Fields of papers citing papers by Darío Gamboni
This network shows the impact of papers produced by Darío Gamboni. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Darío Gamboni. The network helps show where Darío Gamboni may publish in the future.
Co-authorship network of co-authors of Darío Gamboni
This figure shows the co-authorship network connecting the top 25 collaborators of Darío Gamboni. A scholar is included among the top collaborators of Darío Gamboni based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Darío Gamboni. Darío Gamboni is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 2 | |
| 2 | Paul Gauguin: The Mysterious Centre of Thought | 1 |
| 3 | La destrucción del arte: iconoclasia y vandalismo desde la revolución francesa | 1 |
| 4 | 2 | |
| 5 | 3 | |
| 6 | Nature Design: From Inspiration to Innovation | 3 |
| 7 | Paul Gauguin¿s Genesis of a Picture: a Painter¿s Manifesto and Self-Analysis | 0 |
| 8 | 0 | |
| 9 | Image to Destroy, Indestructible Image | 3 |
| 10 | Manet, Whistler, Mallarmé: firma y visibilidad | 0 |
| 11 | World Heritage: Shield or Target | 14 |
| 12 | Crises de l'image religieuse : de Nicée II à Vatican II = Krisen religiöser Kunst : vom 2. Niceanum bis zum 2. Vatikanischen Konzil | 1 |
| 13 | 1 | |
| 14 | The destruction of art | 6 |
| 15 | 1 | |
| 16 | 0 | |
| 17 | 1 | |
| 18 | 1 | |
| 19 | 2 | |
| 20 | 5 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.