Carl Schachter

875 total citations
29 papers, 352 citations indexed

About

Carl Schachter is a scholar working on Music, Computer Vision and Pattern Recognition and Literature and Literary Theory. According to data from OpenAlex, Carl Schachter has authored 29 papers receiving a total of 352 indexed citations (citations by other indexed papers that have themselves been cited), including 18 papers in Music, 8 papers in Computer Vision and Pattern Recognition and 3 papers in Literature and Literary Theory. Recurrent topics in Carl Schachter's work include Musicology and Musical Analysis (18 papers), Music Technology and Sound Studies (8 papers) and Diverse Musicological Studies (3 papers). Carl Schachter is often cited by papers focused on Musicology and Musical Analysis (18 papers), Music Technology and Sound Studies (8 papers) and Diverse Musicological Studies (3 papers). Carl Schachter collaborates with scholars based in United States. Carl Schachter's co-authors include David Brodbeck, Felix Salzer, Joseph Straus, Maury Yeston, Heinrich Schenker, John Rothgeb, Michael Musgrave, Jim Samson and John Arthur and has published in prestigious journals such as Journal of Music Theory, Music Theory Spectrum and Music Analysis.

In The Last Decade

Carl Schachter

21 papers receiving 190 citations

Peers

Carl Schachter

MUSIC

CN

CVPR

SP

ECP

Joel Lester United Kingdom

Warren Darcy

Don Michael Randel United States

William Drabkin United Kingdom

Douglas Dempster United States

Arnold Whittall United Kingdom

William Rothstein United States

Leonard G. Ratner United States

Benjamin Boretz United States

Pierre Boulez France

Joel Lester United Kingdom

Carl Schachter

196 ×0.8

MUSIC

138 ×0.6

CN

90 ×0.7

CVPR

51 ×0.5

SP

33 ×0.7

ECP

Citations per year, relative to Carl Schachter Carl Schachter (= 1×) peers Joel Lester

Countries citing papers authored by Carl Schachter

Since Specialization

Citations

This map shows the geographic impact of Carl Schachter's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Carl Schachter with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Carl Schachter more than expected).

Fields of papers citing papers by Carl Schachter

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Carl Schachter. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Carl Schachter. The network helps show where Carl Schachter may publish in the future.

Co-authorship network of co-authors of Carl Schachter

This figure shows the co-authorship network connecting the top 25 collaborators of Carl Schachter. A scholar is included among the top collaborators of Carl Schachter based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Carl Schachter. Carl Schachter is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

1.

Schachter, Carl & Joseph Straus. (2018). The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory. 2 indexed citations

2.

Schachter, Carl. (2015). The Art of Tonal Analysis. Oxford University Press eBooks. 7 indexed citations

3.

Schachter, Carl, et al.. (2006). Schenker Studies 2. Medical Entomology and Zoology. 9 indexed citations

4.

Salzer, Felix & Carl Schachter. (1999). El contrapunto en la composición: el estudio de la conducción de las voces. Dialnet (Universidad de la Rioja). 1 indexed citations

5.

Schachter, Carl, et al.. (1999). Schenker Studies 2. Cambridge University Press eBooks. 1 indexed citations

6.

Schachter, Carl & Joseph Straus. (1998). Unfoldings: Essays in Schenkerian Theory and Analysis. 34 indexed citations

7.

Schachter, Carl. (1995). The Triad as Place and Action. Music Theory Spectrum. 17(2). 149–169. 1 indexed citations

8.

Schachter, Carl. (1994). The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie. Columbia Academic Commons (Columbia University). 56(1994). 54–71. 6 indexed citations

9.

Schachter, Carl. (1991). 20th-century analysis and Mozart performance. Early Music. XIX(4). 620–628. 2 indexed citations

10.

Schachter, Carl & Heinrich Schenker. (1988). Schenker's Counterpoint. The Musical Times. 129(1748). 524–524. 2 indexed citations

11.

Salzer, Felix, et al.. (1988). The Music Forum. Medical Entomology and Zoology. 4 indexed citations

12.

Schachter, Carl, et al.. (1981). A Commentary on Schenker's Free Composition. Journal of Music Theory. 25(1). 115–115. 12 indexed citations

13.

Yeston, Maury, et al.. (1980). Harmony and Voice-Leading. Journal of Music Theory. 24(1). 116–116. 35 indexed citations

14.

Schenker, Heinrich, et al.. (1975). Complete piano sonatas in two volumes. 1 indexed citations

15.

Salzer, Felix & Carl Schachter. (1969). Counterpoint in Composition: The Study of Voice Leading. Medical Entomology and Zoology. 21 indexed citations

16.

Schachter, Carl. (1969). More about Schubert's Op. 94/1. Journal of Music Theory. 13(2). 218–218. 3 indexed citations

17.

Rothgeb, John, Felix Salzer, & Carl Schachter. (1969). Counterpoint in Composition. Journal of Music Theory. 13(2). 307–307. 13 indexed citations

18.

Salzer, Felix, et al.. (1969). Counterpoint in Composition. Perspectives of New Music. 8(1). 151–151. 15 indexed citations

19.

Schachter, Carl, et al.. (1968). Analysis Symposium: Moments Musicals, Op. 94. Franz Schubert. Journal of Music Theory. 12(2). 184–184. 1 indexed citations

20.

Schachter, Carl, et al.. (1967). Fugue and Invention in Theory and Practice. Journal of Music Theory. 11(1). 157–157. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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