Arie Wallert

532 total citations
33 papers, 369 citations indexed

About

Arie Wallert is a scholar working on Archeology, Conservation and Radiation. According to data from OpenAlex, Arie Wallert has authored 33 papers receiving a total of 369 indexed citations (citations by other indexed papers that have themselves been cited), including 21 papers in Archeology, 9 papers in Conservation and 7 papers in Radiation. Recurrent topics in Arie Wallert's work include Cultural Heritage Materials Analysis (18 papers), Conservation Techniques and Studies (8 papers) and X-ray Spectroscopy and Fluorescence Analysis (6 papers). Arie Wallert is often cited by papers focused on Cultural Heritage Materials Analysis (18 papers), Conservation Techniques and Studies (8 papers) and X-ray Spectroscopy and Fluorescence Analysis (6 papers). Arie Wallert collaborates with scholars based in Netherlands, United States and France. Arie Wallert's co-authors include Joris Dik, Erma Hermens, Sarah Staniforth, Koen Janssens, Geert Van der Snickt, Wout De Nolf, Lukas Helfen, Tilo Baumbach, P. Reischig and Paola Coan and has published in prestigious journals such as SHILAP Revista de lepidopterología, Science Advances and Journal of Archaeological Science.

In The Last Decade

Arie Wallert

28 papers receiving 325 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Arie Wallert Netherlands	12	253	146	146	63	24	33	369
Joost Caen Belgium	11	213 0.8×	124 0.8×	150 1.0×	61 1.0×	23 1.0×	24	333
Yoko Taniguchi Japan	12	282 1.1×	186 1.3×	198 1.4×	52 0.8×	38 1.6×	28	426
Arlen Heginbotham United States	10	329 1.3×	132 0.9×	118 0.8×	80 1.3×	34 1.4×	27	441
Stefan Röhrs Germany	12	256 1.0×	100 0.7×	100 0.7×	175 2.8×	34 1.4×	29	386
Myriam Eveno France	15	357 1.4×	232 1.6×	229 1.6×	124 2.0×	56 2.3×	37	466
Ashok Roy United Kingdom	9	440 1.7×	316 2.2×	312 2.1×	26 0.4×	30 1.3×	15	547
Steven De Meyer Belgium	14	285 1.1×	183 1.3×	176 1.2×	52 0.8×	54 2.3×	28	405
Julio M. del Hoyo‐Meléndez Poland	14	308 1.2×	203 1.4×	112 0.8×	68 1.1×	30 1.3×	45	450
Anne‐Solenn Le Hô France	12	433 1.7×	228 1.6×	244 1.7×	41 0.7×	37 1.5×	25	575
Aaron Shugar United States	10	202 0.8×	64 0.4×	75 0.5×	44 0.7×	35 1.5×	29	363

Countries citing papers authored by Arie Wallert

Since Specialization

Citations

This map shows the geographic impact of Arie Wallert's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Arie Wallert with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Arie Wallert more than expected).

Fields of papers citing papers by Arie Wallert

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Arie Wallert. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Arie Wallert. The network helps show where Arie Wallert may publish in the future.

Co-authorship network of co-authors of Arie Wallert

This figure shows the co-authorship network connecting the top 25 collaborators of Arie Wallert. A scholar is included among the top collaborators of Arie Wallert based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Arie Wallert. Arie Wallert is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Gambardella, Alessa A., Marine Cotte, Wout De Nolf, et al.. (2020). Sulfur K-edge micro- and full-field XANES identify marker for preparation method of ultramarine pigment from lapis lazuli in historical paints. Science Advances. 6(18). eaay8782–eaay8782. 21 indexed citations

Snickt, Geert Van der, et al.. (2017). Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources. Heritage Science. 5(1). 19 indexed citations

Reischig, P., Lukas Helfen, Arie Wallert, Tilo Baumbach, & Joris Dik. (2013). High-resolution non-invasive 3D imaging of paint microstructure by synchrotron-based X-ray laminography. Applied Physics A. 111(4). 983–995. 22 indexed citations

Nolf, Wout De, Joris Dik, Geert Van der Snickt, Arie Wallert, & Koen Janssens. (2011). High energy X-ray powder diffraction for the imaging of (hidden) paintings. Journal of Analytical Atomic Spectrometry. 26(5). 910–910. 38 indexed citations

Duijn, Esther van, et al.. (2011). Developments in the underdrawing and painting technique of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden. UvA-DARE (University of Amsterdam). 2 indexed citations

Reischig, P., Jorik Blaas, Alberto Bravin, et al.. (2009). A note on medieval microfabrication: the visualization of a prayer nut by synchrotron-based computer X-ray tomography. Journal of Synchrotron Radiation. 16(2). 310–313. 6 indexed citations

Porra, Liisa, Paola Coan, Arie Wallert, et al.. (2007). Relics in medieval altarpieces? Combining X-ray tomographic, laminographic and phase-contrast imaging to visualize thin organic objects in paintings. Journal of Synchrotron Radiation. 15(1). 55–61. 39 indexed citations

Wallert, Arie & Joris Dik. (2007). The scientific examination of a seventeenth-century masterpiece. 2007(1). 38–51. 3 indexed citations

Wallert, Arie, et al.. (2004). Over herhalingen in de schilderkunst: het probleem van reproductie. SHILAP Revista de lepidopterología. 52(3-4). 316–327. 1 indexed citations

10.

Dik, Joris, et al.. (2004). Using FIB sample preparation in the study of historical artefacts. 346–347. 1 indexed citations

11.

Wallert, Arie, et al.. (2000). Still Lifes: Techniques and Style : An Examination of Paintings from the Rijksmuseum. Medical Entomology and Zoology. 11 indexed citations

12.

Staniforth, Sarah, et al.. (1999). Historical Painting Techniques, Materials, and Studio Practice. Studies in Conservation. 44(2). 142–142. 45 indexed citations

13.

Hermens, Erma & Arie Wallert. (1998). The Pekstok papers : lake pigments, prisons and paint-mills. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam). 3 indexed citations

14.

Khanjian, Herant, et al.. (1997). A late fifteenth century Italian Tüchlein. Ghent University Academic Bibliography (Ghent University). 1 indexed citations

15.

Wallert, Arie, et al.. (1995). Technical examinations of Titians "Venus and Adonis" a note on early Italian oil painting technique. 2 indexed citations

16.

Wallert, Arie, et al.. (1995). Historical painting techniques, materials, and studio practice : preprints of a symposium, University of Leiden, the Netherlands, 26-29 June, 1995. 9 indexed citations

17.

Wallert, Arie. (1995). Unusual pigments on a Greek marble basin. Studies in Conservation. 40(3). 177–188. 26 indexed citations

18.

Wallert, Arie. (1995). Unusual Pigments on a Greek Marble Basin. Studies in Conservation. 40(3). 177–177. 9 indexed citations

19.

Wallert, Arie. (1989). The reconstruction of papyrus manufacture: a preliminary investigation. Studies in Conservation. 34(1). 1–8. 6 indexed citations

20.

Wallert, Arie. (1986). Fluorescent assay of quinone lichen and redwood dyestuffs. Studies in Conservation. 31(4). 145–155. 12 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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