Andrew Murphie
- Visual Arts and Performing Arts top 10%
- Art, Technology, and Culture 2
- Theatre and Performance Studies 1
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- Digital Media and Philosophy 4
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- Cybernetics and Technology in Society 5
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- Innovative Human-Technology Interaction 4
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- Digital Games and Media 4
- Qualitative Research Methods and Ethics 1
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- Hermeneutics and Narrative Identity 2
- Cited by
- Visual Arts and Performing ArtsComputer Science ApplicationsHistory and Philosophy of Science
- Partner nations
- AustraliaCzechiaUnited States
In The Last Decade
Andrew Murphie
15 papers receiving 67 citations
Peers
Comparison fields: 5 of 57
- Visual Arts and Performing Arts 18
- Computer Science Applications 15
- History and Philosophy of Science 10
- Geography, Planning and Development 9
- Human-Computer Interaction 8
Countries citing papers authored by Andrew Murphie
This map shows the geographic impact of Andrew Murphie's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Andrew Murphie with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Andrew Murphie more than expected).
Fields of papers citing papers by Andrew Murphie
This network shows the impact of papers produced by Andrew Murphie. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Andrew Murphie. The network helps show where Andrew Murphie may publish in the future.
Co-authorship network
The 5 scholars most cited alongside Andrew Murphie, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2019 | 0 | |
| 2 | 2018 | 2 | |
| 3 | Education, work and Australian society in an AI world | 2018 | 2 |
| 4 | 2017 | 4 | |
| 5 | 2015 | 2 | |
| 6 | 2014 | 4 | |
| 7 | 2014 | 6 | |
| 8 | 2013 | 2 | |
| 9 | 2012 | 1 | |
| 10 | 2012 | 0 | |
| 11 | 2009 | 2 | |
| 12 | 2008 | 10 | |
| 13 | Putting the Virtual Back into VR | 2008 | 1 |
| 14 | Vibrations in the Air: Performance and Interactive Technics | 2005 | 2 |
| 15 | Differential Life, Perception and the Nervous Elements:Whitehead, Bergson and Virno on the Technics of Living | 2004 | 1 |
| 16 | 2004 | 0 | |
| 17 | Electronicas: Differential Media and Proliferating, Transient Worlds | 2003 | 2 |
| 18 | 2000 | 1 | |
| 19 | 1997 | 3 | |
| 20 | 1997 | 0 |
About Andrew Murphie
Andrew Murphie is a scholar working on History and Philosophy of Science, Computer Science Applications and Human-Computer Interaction, having authored 23 papers that have together received 94 indexed citations. Recurring topics across this work include Cybernetics and Technology in Society (5 papers), Digital Media and Philosophy (4 papers), Digital Games and Media (4 papers), Innovative Human-Technology Interaction (4 papers), Art, Technology, and Culture (2 papers), Hermeneutics and Narrative Identity (2 papers), Qualitative Research Methods and Ethics (1 paper) and Theatre and Performance Studies (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (18 citations), Computer Science Applications (15 citations) and History and Philosophy of Science (10 citations). Andrew Murphie has collaborated with scholars based in Australia, Czechia and United States. Frequent co-authors include John Potts, Adrian Mackenzie, Sam Sellar, Kalervo Ν. Gulson and Rosalind Smith.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.