Amandine Penel

1.1k total citations
12 papers, 757 citations indexed

About

Amandine Penel is a scholar working on Cognitive Neuroscience, Signal Processing and Music. According to data from OpenAlex, Amandine Penel has authored 12 papers receiving a total of 757 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Cognitive Neuroscience, 4 papers in Signal Processing and 3 papers in Music. Recurrent topics in Amandine Penel's work include Neuroscience and Music Perception (9 papers), Music and Audio Processing (4 papers) and Diverse Music Education Insights (3 papers). Amandine Penel is often cited by papers focused on Neuroscience and Music Perception (9 papers), Music and Audio Processing (4 papers) and Diverse Music Education Insights (3 papers). Amandine Penel collaborates with scholars based in France, United States and Netherlands. Amandine Penel's co-authors include Bruno H. Repp, Carolyn Drake, Emmanuel Bigand, Mari Riess Jones, Peter Desain, W. Luke Windsor, Pierre Janet, Serge Nicolas and Eric Maris and has published in prestigious journals such as Annals of the New York Academy of Sciences, The Journal of the Acoustical Society of America and Journal of Experimental Psychology Human Perception & Performance.

In The Last Decade

Amandine Penel

12 papers receiving 717 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Amandine Penel France 7 699 318 187 128 83 12 757
Renaud Brochard France 15 691 1.0× 317 1.0× 119 0.6× 129 1.0× 32 0.4× 28 841
Sofia Dahl Denmark 14 575 0.8× 218 0.7× 179 1.0× 142 1.1× 281 3.4× 57 732
Richard Ashley United States 12 833 1.2× 261 0.8× 142 0.8× 131 1.0× 48 0.6× 30 913
Claudia Lappe Germany 12 742 1.1× 197 0.6× 173 0.9× 83 0.6× 63 0.8× 18 855
Jason Musil United Kingdom 5 731 1.0× 194 0.6× 236 1.3× 177 1.4× 81 1.0× 5 831
Sean Hutchins Canada 13 487 0.7× 190 0.6× 45 0.2× 144 1.1× 56 0.7× 20 551
Jiřı́ Mates Germany 10 680 1.0× 183 0.6× 179 1.0× 81 0.6× 81 1.0× 13 725
Diana Omigie United Kingdom 15 617 0.9× 222 0.7× 133 0.7× 129 1.0× 51 0.6× 41 678
Dan Bosnyak Canada 11 392 0.6× 106 0.3× 164 0.9× 51 0.4× 65 0.8× 18 487
Jérémy Marozeau Denmark 15 885 1.3× 227 0.7× 98 0.5× 302 2.4× 77 0.9× 66 986

Countries citing papers authored by Amandine Penel

Since Specialization
Citations

This map shows the geographic impact of Amandine Penel's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Amandine Penel with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Amandine Penel more than expected).

Fields of papers citing papers by Amandine Penel

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Amandine Penel. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Amandine Penel. The network helps show where Amandine Penel may publish in the future.

Co-authorship network of co-authors of Amandine Penel

This figure shows the co-authorship network connecting the top 25 collaborators of Amandine Penel. A scholar is included among the top collaborators of Amandine Penel based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Amandine Penel. Amandine Penel is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

12 of 12 papers shown
1.
Windsor, W. Luke, et al.. (2006). A structurally guided method for the decomposition of expression in music performance. The Journal of the Acoustical Society of America. 119(2). 1182–1193. 7 indexed citations
2.
Penel, Amandine & Mari Riess Jones. (2005). Speeded Detection of a Tone Embedded in a Quasi-isochronous Sequence: Effects of a Task-Irrelevant Temporal Irregularity. Music Perception An Interdisciplinary Journal. 22(3). 371–388. 6 indexed citations
3.
Penel, Amandine & Carolyn Drake. (2004). Timing variations in music performance: Musical communication, perceptual compensation, and/or motor control?. Perception & Psychophysics. 66(4). 545–562. 18 indexed citations
4.
Penel, Amandine, et al.. (2003). Rhythmic movement is attracted more strongly to auditory than to visual rhythms. Psychological Research. 68(4). 252–70. 212 indexed citations
5.
Repp, Bruno H. & Amandine Penel. (2002). Auditory dominance in temporal processing: New evidence from synchronization with simultaneous visual and auditory sequences.. Journal of Experimental Psychology Human Perception & Performance. 28(5). 1085–1099. 34 indexed citations
6.
Repp, Bruno H. & Amandine Penel. (2002). Auditory dominance in temporal processing: New evidence from synchronization with simultaneous visual and auditory sequences.. Journal of Experimental Psychology Human Perception & Performance. 28(5). 1085–1099. 269 indexed citations
7.
Penel, Amandine, et al.. (2001). Estimates of Sequence Acceleration and Deceleration Support the Synchronization of Internal Rhythms. Annals of the New York Academy of Sciences. 930(1). 412–413. 5 indexed citations
8.
Janet, Pierre, Serge Nicolas, & Amandine Penel. (2001). Study of cases of anterograde amnesia in a disease of mental disintegration. History of Psychiatry. 12(48). 481–485. 4 indexed citations
9.
Drake, Carolyn, Amandine Penel, & Emmanuel Bigand. (2000). Tapping in Time with Mechanically and Expressively Performed Music. Music Perception An Interdisciplinary Journal. 18(1). 1–23. 149 indexed citations
10.
Drake, Carolyn & Amandine Penel. (1999). Learning to play music: rythm and timing: rythm and timing. 49–62. 1 indexed citations
11.
Penel, Amandine, Peter Desain, Eric Maris, & W. Luke Windsor. (1999). A decomposition model of expressive timing. Radboud Repository (Radboud University). 21. 1 indexed citations
12.
Penel, Amandine & Carolyn Drake. (1998). Sources of timing variations in music performance: A psychological segmentation model. Psychological Research. 61(1). 12–32. 51 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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