Milton Babbitt

539 total citations
29 papers, 238 citations indexed

About

Milton Babbitt is a scholar working on Music, Computer Vision and Pattern Recognition and Signal Processing. According to data from OpenAlex, Milton Babbitt has authored 29 papers receiving a total of 238 indexed citations (citations by other indexed papers that have themselves been cited), including 13 papers in Music, 11 papers in Computer Vision and Pattern Recognition and 3 papers in Signal Processing. Recurrent topics in Milton Babbitt's work include Music Technology and Sound Studies (11 papers), Musicology and Musical Analysis (9 papers) and Diverse Musicological Studies (3 papers). Milton Babbitt is often cited by papers focused on Music Technology and Sound Studies (11 papers), Musicology and Musical Analysis (9 papers) and Diverse Musicological Studies (3 papers). Milton Babbitt collaborates with scholars based in United States. Milton Babbitt's co-authors include Joseph Straus, Fred Everett Maus, David L. Sills, Christoph Wolff and George Perle and has published in prestigious journals such as Computer Music Journal, Notes and American Music.

In The Last Decade

Milton Babbitt

13 papers receiving 80 citations

Peers

Milton Babbitt

MUSIC

CVPR

CN

SP

LLT

Heinrich Schenker

Dika Newlin United States

Christopher Hasty United States

Leigh Landy United Kingdom

Maury Yeston

Simon Emmerson United Kingdom

Heinrich Schenker

Milton Babbitt

149 ×1.1

MUSIC

88 ×0.8

CVPR

99 ×1.1

CN

38 ×0.6

SP

9 ×0.6

LLT

Citations per year, relative to Milton Babbitt Milton Babbitt (= 1×) peers Heinrich Schenker

Countries citing papers authored by Milton Babbitt

Since Specialization

Citations

This map shows the geographic impact of Milton Babbitt's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Milton Babbitt with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Milton Babbitt more than expected).

Fields of papers citing papers by Milton Babbitt

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Milton Babbitt. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Milton Babbitt. The network helps show where Milton Babbitt may publish in the future.

Co-authorship network of co-authors of Milton Babbitt

This figure shows the co-authorship network connecting the top 25 collaborators of Milton Babbitt. A scholar is included among the top collaborators of Milton Babbitt based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Milton Babbitt. Milton Babbitt is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

1.

Babbitt, Milton. (2003). The Collected Essays of Milton Babbitt. Princeton University Press eBooks. 24 indexed citations

2.

Babbitt, Milton. (2001). Little goes a long way. 1 indexed citations

3.

Babbitt, Milton. (1997). Babbitt-Introduction: A Response. Perspectives of New Music. 35(2). 129–129. 1 indexed citations

4.

Babbitt, Milton, et al.. (1994). The Contemporary Saxophone. Computer Music Journal. 18(1). 88–88. 1 indexed citations

5.

Babbitt, Milton. (1991). "A composer's view" in "Music librarianship in America, Part 4: Music librarians and performance". Digital Access to Scholarship at Harvard (DASH) (Harvard University). 1 indexed citations

6.

Maus, Fred Everett, et al.. (1989). Words about Music. American Music. 7(4). 476–476. 21 indexed citations

7.

Babbitt, Milton. (1989). On Having Been and Still Being an American Composer. Perspectives of New Music. 27(1). 106–106. 2 indexed citations

8.

Wolff, Christoph, et al.. (1988). A life for new music : selected papers of Paul Fromm. Medical Entomology and Zoology. 1 indexed citations

9.

Babbitt, Milton, et al.. (1987). Milton Babbitt: Words About Music. Medical Entomology and Zoology. 6 indexed citations

10.

Babbitt, Milton, et al.. (1986). An Interview with Milton Babbitt. Perspectives of New Music. 24(2). 80–80. 4 indexed citations

11.

Babbitt, Milton. (1985). I Remember Roger. Perspectives of New Music. 23(2). 112–112. 1 indexed citations

12.

Babbitt, Milton. (1981). Paraphrases : for ten instrumentalists.

13.

Babbitt, Milton. (1973). Since Schoenberg. Perspectives of New Music. 12(1/2). 3–3. 12 indexed citations

14.

Babbitt, Milton, et al.. (1967). New electronic music from leaders of the avant-garde. 1 indexed citations

15.

Babbitt, Milton. (1964). The Synthesis, Perception, and Specification of Musical Time. Journal of the International Folk Music Council. 16. 92–95. 2 indexed citations

16.

Perle, George & Milton Babbitt. (1963). Babbitt, Lewin, and Schoenberg: A Critique. Perspectives of New Music. 2(1). 120–120.

17.

Babbitt, Milton. (1962). Twelve-Tone Rhythmic Structure and the Electronic Medium. Perspectives of New Music. 1(1). 49–49. 40 indexed citations

18.

Babbitt, Milton. (1960). TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS. The Musical Quarterly. XLVI(2). 246–259. 72 indexed citations

19.

Babbitt, Milton. (1952). Structural Hearing . Felix Salzer .. Journal of the American Musicological Society. 5(3). 260–265. 3 indexed citations

20.

Babbitt, Milton. (1952). Review: Structural Hearing by Felix Salzer. Journal of the American Musicological Society. 5(3). 260–265. 6 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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