James Webster

510 total citations
11 papers, 92 citations indexed

About

James Webster is a scholar working on Music, Rehabilitation and Pathology and Forensic Medicine. According to data from OpenAlex, James Webster has authored 11 papers receiving a total of 92 indexed citations (citations by other indexed papers that have themselves been cited), including 9 papers in Music, 5 papers in Rehabilitation and 1 paper in Pathology and Forensic Medicine. Recurrent topics in James Webster's work include Musicology and Musical Analysis (9 papers), Diverse Musicological Studies (5 papers) and Musicians’ Health and Performance (5 papers). James Webster is often cited by papers focused on Musicology and Musical Analysis (9 papers), Diverse Musicological Studies (5 papers) and Musicians’ Health and Performance (5 papers). James Webster collaborates with scholars based in . James Webster's co-authors include John L. Speier, Alan Tyson, Richard Krämer, Christoph Wolff and Lewis Lockwood and has published in prestigious journals such as The Journal of Organic Chemistry, Notes and Journal of the American Musicological Society.

In The Last Decade

James Webster

11 papers receiving 50 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
James Webster	4	77	47	17	12	8	11	92
John Daverio United States	6	96 1.2×	39 0.8×	18 1.1×	7 0.6×	16 2.0×	18	123
Floyd K. Grave Netherlands	6	85 1.1×	43 0.9×	22 1.3×	21 1.8×	8 1.0×	17	106
Elaine R. Sisman United States	7	84 1.1×	38 0.8×	15 0.9×	16 1.3×	5 0.6×	13	94
Heinrich Christoph Koch	5	100 1.3×	40 0.9×	13 0.8×	23 1.9×	13 1.6×	8	121
Peter Branscombe United States	4	36 0.5×	17 0.4×	8 0.5×	9 0.8×	9 1.1×	27	82
Johann Mattheson	6	71 0.9×	24 0.5×	13 0.8×	28 2.3×	8 1.0×	15	90
Imogene Horsley	4	57 0.7×	21 0.4×	13 0.8×	13 1.1×	15 1.9×	16	88
Robin Stowell United Kingdom	7	74 1.0×	27 0.6×	28 1.6×	7 0.6×	7 0.9×	20	109
Hector Berlioz	5	53 0.7×	18 0.4×	9 0.5×	4 0.3×	12 1.5×	43	69
Michael Musgrave United States	6	64 0.8×	44 0.9×	13 0.8×	3 0.3×	4 0.5×	13	81

Countries citing papers authored by James Webster

Since Specialization

Citations

This map shows the geographic impact of James Webster's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by James Webster with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites James Webster more than expected).

Fields of papers citing papers by James Webster

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by James Webster. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by James Webster. The network helps show where James Webster may publish in the future.

Co-authorship network of co-authors of James Webster

This figure shows the co-authorship network connecting the top 25 collaborators of James Webster. A scholar is included among the top collaborators of James Webster based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with James Webster. James Webster is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

11 of 11 papers shown

1.

Webster, James. (2001). Retransition. Oxford Music Online. 2 indexed citations

2.

Webster, James, et al.. (1993). Haydn's "Farewell" Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in His Instrumental Music. Notes. 49(3). 994–994. 1 indexed citations

3.

Webster, James. (1993). Music, Pathology, Sexuality, Beethoven, Schubert. 19th-Century Music. 17(1). 89–93. 2 indexed citations

4.

Webster, James. (1991). Haydn's 'Farewell' Symphony and the Idea of Classical Style. Cambridge University Press eBooks. 34 indexed citations

5.

Webster, James. (1987). To Understand Verdi and Wagner We Must Understand Mozart. 19th-Century Music. 11(2). 175–193. 2 indexed citations

6.

Wolff, Christoph, et al.. (1980). The string quartets of Haydn, Mozart, and Beethoven : studies of the autograph manuscripts : a conference at Isham Memorial Library, March 15-17, 1979. Medical Entomology and Zoology. 2 indexed citations

7.

Webster, James. (1978). Schubert's Sonata Form and Brahms's First Maturity. 19th-Century Music. 2(1). 18–35. 12 indexed citations

8.

Webster, James. (1978). Schubert's Sonata Form and Brahms's First Maturity. 19th-Century Music. 2(1). 18–35. 26 indexed citations

9.

Webster, James. (1976). Violoncello and Double Bass in the Chamber Music of Haydn and His Viennese Contemporaries, 1750-1780. Journal of the American Musicological Society. 29(3). 413–438. 1 indexed citations

10.

Webster, James. (1974). Towards a History of Viennese Chamber Music in the Early Classical Period. Journal of the American Musicological Society. 27(2). 212–247. 3 indexed citations

11.

Speier, John L. & James Webster. (1956). Notes - The Addition of Trichlorosilane to Pentene-1 with Peroxide Initiators. The Journal of Organic Chemistry. 21(9). 1044–1046. 7 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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